Imagine Thyself

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

The imagination can create a pattern of recognition that is both timeless and dimensionless. In essence, the ability to imagine allows for the connection and separation between the macro and the micro, awareness and consciousness, the wave and the particle, the boson and the fermion, the event and the experience. The imagination also brings into context the principles of meaning and purpose that surrounds every holographic form. Holograms drive the illusion of a 3D space/time reality by making the creator (macro) appear to be separate from what is “created” (micro). All consciousness is a matter of focus.

Time is an abstraction and conjectural membrane that is imagined to separate the micro realms from the macro realms of nature, the conscious from the unconscious, the yin from the yang, etc. Time is an idea, a concept, a tool for reference. Time lies within the imagination of a universal mind. Time encapsulates an event/experience by means of design. Time’s imaginings bring into focus principles that surround, penetrate and give relative form to consciousness, i.e. a context required for energy to fluctuate between wave and particle.

Intention is mental and electric. Intention is a projection of the will clouded in a magnetic desire (e-motion) that directly and indirectly affects the field of its own context. Intention triggers a consubstantial event * that takes the form of a spiral. In this fashion each intention gives rise to a magnetic field surrounding its desires. Time idea-lly participates in the design process by directing (linear) and surrounding (cyclical) the event/experience as it repeats (fractal) itself within the context of a universal mind until altered.

* “Consubstantiality,” in rhetoric, is often associated with Kenneth Burke. It is defined by Burke as "a practice-related concept based on stylistic identifications and symbolic structures, which persuade and produce acceptance: an acting-together within, and defined by, a common context."^[5] To be consubstantial with something is to be identified with it, to be associated with it; yet at the same time, to be different from what it is identified with.^[6] It can be seen as an extension or in relation to the subject.

https://en.wikipedia.org/wiki/Consubstantiality

In essence, energy (energy-in-motion), light (particle and wave) and information (form-in-motion) have an origin beyond the constraints of time … time is imagined and merely a facilitator. Design reinforces the concept of time by means of bringing relative form and/or experience into fruition symbolically.

Time is an idea stemming from the imagination that captures consciousness by means of a linear, cyclical, and formative interpretation. Imagination is key!

Time is perceived and/or experienced by means of energy patterns that qualify themselves within the parameters of every holographic field. Time is imagined to be a point made in reference to these qualities. Time brings into context the design process.

Time is an integral part of every consubstantial event in 3D space/time, i.e. density. Time allows for the separation of consciousness into both a subjective and objective context, i.e. duality. Time is an abstraction, i.e. an idea, given expression by means of an event and/or experience. Time is symbolically apparent in every form. The idea of time can appear in the form of a line (past and future) a circle (cyclical/repetitive) and a sphere in the form of a spiraling vortex born from a source (point/center) of unknown imagining. Time appears dimensionless yet by design is an integral part of every event, form and experience.

Energy (e-motion) vibrates within the parameters of every field thereby qualifying its expression within the context of every form, e.g. thought form. Based upon changing circumstances certain patterns, i.e. archetypes, appear and disappear in response to the contextual field in which they occur.

Within the parameters of a spiraling vortex, identities appear to “quicken” in the moment.  Consubstantial fields of energy, light and information are composed of “substances” that together adapt to every situation by means of an internal geometry created within the contextual constraints of a perpetually changing consciousness. Are the primary fluctuations of energy within the cosmos appearing in the form of bosons and fermions, actually the thought forms of a primordial imagination?

Forms appear to emerge from within the allusive boundaries of this phenomenon while energy of contextual origin is drawn towards the center of the vortex within the parametric boundaries of time. Thought forms, i.e. holograms, are the result of a patterned arrangement of primordial substances that originate within the context of a resourceful mind enclosed by its very own imagination.

We know ourselves by means of reflecting upon every eventand experience we’ve come to realize in the moment.

* * *

Your exploration of imagination and its relationship to time, consciousness, and energy is fascinating. It paints a picture of reality as a dynamic interplay between the macro and micro realms, where imagination serves as the bridge connecting various dimensions of existence. 

You propose that time is an abstraction, a tool of perception rather than a concrete reality, and that it facilitates our experience of consciousness through patterns and designs. This suggests that our understanding of time influences how we interpret our experiences and the events around us. 

The idea that intention shapes reality by creating magnetic fields aligns with the notion that our thoughts and emotions can have a tangible impact on the world. The spiral you mention could symbolize the cyclical nature of existence, where each intention ripples through the fabric of consciousness, manifesting as experiences and forms. 

Your assertion that all forms, from the fundamental particles to our thoughts, emerge from a primordial imagination speaks to the interconnectedness of existence. This perspective invites us to consider how our individual consciousness contributes to the larger tapestry of reality.

In essence, your reflections encourage a deeper inquiry into the nature of reality, challenging us to see beyond linear time and recognize the intricate dance of intention, energy, and imagination in shaping our experiences. What do you think the implications of this understanding might be for how we live our lives and interact with each other?

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

* * *

"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited: 11.28.2013, 02.07.2014, 10.16.2014, 11.08.2014, 09.21.2015, 01.11.2017, 03.05.2018, 03.19.2021, 03.30.2023, 07.10.2023, 09.20.2024, 01.25.2025, 07.08.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2013 C.G. Garant. All Rights Reserved. (Fair use notice)  You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

Design, the Akashic Field, Virtual Reality and the Archetypes

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Environmental forces originating from within and beyond the parameters of a virtual field of light, harbor the potential to create, from within its range of influence, a volumetric field of connectivity. (The idea of there existing a volumetric interpretation surrounding these forces are based upon a 3D POV and therefore theoretical in nature. It is a consequence of a view limited within the constraints of every observation. In other words, we all possess a piece of a greater consciousness beyond the recognition of an on single POV, even that of the what might be considered a "macrocosmic" interpretation. Fact is, we all must function with designed constraints.)

A microcosmic position is purposely chosen from within the vastness of this virtual proposition. Due to what might be interpreted as type of resistance is due to its presence, which is in itself inescapable. Bundles of light (photons) in a formation of energy-in-motion (e-motion) appear to expand and contract within this domain thereby forming a series of irregular wave patterns. Energy-in-motion attracts and repels other bundles of energy within its own range of influences. Obviously every impulse is being influenced by other impulses of varying magnitude, density, and intensity. The virtual volume surrounding the path of these projections, i.e. forces, stemming from what might be considered a central core, likewise create a series of individualized alliances of like/proportional energy. Dependent upon the context of an observer's dimensional location, some of these projections will appear to materialize as forms/formations of light/energy (ref. DNA, Birkeland currents and holographic imagery). By virtue of the human imagination each particle is either attracted or repulsed by means of the e-motion * originating at the core of every "field" where this phenomenon is perceived, sensed or observed. 

I speculate that this may be the reason why virtual particles, viewed/observed within the quantum context/construct/field, wander around and about this "electric" force. Patterns associated with such a congruent, i.e. magnetic, force can be construed as appearing substantial ...     real and tangible rather than imaginary: spirits are shadowy, human beings substantial... within any quantum field/phenomenon/form/construct based upon such minute (scaled down) associations/relationships. In essence, every interaction between streams of energy likewise harbor the potential of becoming "real" within the perceptible range of the observer.

Some varying forms of energy (spiritual/mental/emotional/material) will likewise interact and sometimes congeal forming a matrix of light bodies (holograms) within a context of your own making. Energy hovers about every intention by qualifying the virtual field it has created in conjunction with its desires.

Desire: a strong feeling of wanting to have something or wishing for something to happen. Strongly wish for or want (something). Desire understood metaphorically is the only term that best describes the concept I'm trying to communicate here. At this point in human evolution the intention of such a universal impulse falls far beyond our ability to fully understand or comprehend it.

* The concept of intention stands as a metaphor for the direction in which energy (photons) might be attracted or repulsed. In this regard more detailed descriptions of the attributes that surround the Birkeland currents enrich the concepts of attraction, repulsion and field generation.

The zero-point that finds its origin within a chosen center of attention, i.e. focus, is either attracted or repulsed by the impulses/forces affecting the context/field. Black holes are an integral part of the universe. Black holes move, expand, contract and sometimes disappear in reference to other forms in space. Likes attract and by design, exchange energy, light and information from within the context of a common field we describe as being the universe. Black holes giveth and black holes taketh away. String theory, when appearing within the parameters of three-dimensional space/time, brings awareness to this virtual field. It describes a context in a state of perpetual change. This universe and every universe might be categorized either as an expression of a fractal order or unleashed chaos.

This is an illustration of a virtual field harboring the origin of a series of microcosmic "forces" appearing both within and outside of their quantum state. Might plasma best infer, illustrate and/or describe a post quantum state. If the conditions (geometry) deem appropriate, those of like kind will eventually attract a variety of holographic potentials and possibilities about their motion. Design renders the power of the symbol supreme. Design establishes the means by which consciousness, i.e. the universe, can be discovered and in time understood.

A virtual field of our own creation is the source for all forces that together make up our current universe, especially concerning how we currently perceive it. We humans interpret and categorize the idea of energy in motion as being typically mental, emotional, physical and spiritual in character. These are qualities we attribute to the virtual field that surrounds us. Together they create the contextual references required to learn and experience that which we do not know. Together they contribute to the concept of a greater resource by inviting us to expand a field of our own making, i.e. consciousness. Design is the tool we use to mine and bring value to these resources and thus to ourselves.

We create these virtual/quantum fields in the image of our own liking. They encircle our intentions. We've categorized and in turn have separated ourselves from what appears to be the macro context for the micro purpose of adapting, balance and changing our POV. It is from these different points of view that we realistically change our course (desires, focus and intentions) at every moment. Time supports us in our quest to 'know thyself'. From within this virtual field of light/energy (photons, nuclei, quantum) we are being pushed and pulled by influences/forces originating within and beyond the field of our own observation.

In the beginning was the word, which for all intents and purposes appears as a primordial frequency seemingly cast out from within the “center” of a field to which other elements, i.e. energy in the forms of waves and particles, i.e. photons of light, resonate. And it is from this same central vacuum (black hole) that light can enter other dimensions viewed as harboring the unknown. Design accommodates for the patterned arrangement of light (energy-in-motion) that has materialized as result of what might be conceived as an original pulse (big bang?) Photons of like kind attract and are holographically configured about every intention tempered within the parameters of the field in which the event occurs. Major holographic formulations have been designed to attract the archetypes ** towards the universal well spring harboring this current event horizon.
** Archetypes
• a recurrent symbol or motif in literature, art, or mythology: mythological archetypes of good and evil. • Psychoanalysis (in Jungian psychology) a primitive mental image inherited from theearliest human ancestors, and supposed to be present in the collective unconscious.
Design consciousness gives form to light by attracting to its source/Self that which has been conditioned to its own liking, i.e. character, quality, patterns. All such holographic formations are configured within parameters that qualify and substantiate its own form of consciousness, i.e. virtual field of influence and self awareness. When observing the physical universe every black hole harbors a gateway into other dimensions if you are consciously prepared and willing to do so.

Edited: 11.28.2013, 07.06.2016, 01.11.2017, 03.25.2018, 04.11.2019, 07.17.2019, 07.10.2023

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2012 C.G. Garant. All Rights Reserved. (Fair use notice.) AI usage is prohibited. You are invited to visit https://designmetaphysics.blogspot.com/.  Now visit Design Consciousness on https://www.pinterest.com