By Means of an Imaginative Vibration

A perpetual flow of energy, light and information stirs the mind into an imaginative awareness by means a symbolic region made apparent between concepts in apparent opposition, i.e. attraction and repulsion, projection and convergence, tension and compression. Energy-in-motion qualifies the universe as it evolves. Both resonance (convergence) and dissonance (divergence) are made sign-ificant by means of the imagination. Holographic “forms” of virtual energy expand and contract around every “idea” by means of a symbolic elucidation. Energy in motion sparks the potential for “thought forms” to be joined, separated, contained and qualified within a field in perpetual excitement. The universe is formative by nature and meaningfully patterned about the desires and interpretations of an observer.

Energy in motion transfers light and information through “wormholes” emblematic of a permeable membrane that surrounds every virtual “field”. These channels create the links that embrace the potential of the imagination to go beyond the constraints of any one concept, image or idea.

Energy, light and information symbolically qualify the concepts of meaning and purpose.  Emotion embraces the potential for harmony and separation to be realized (designed) within the constraints of every virtual thought form (hologram) that appears before the imagination. Concepts that surround the notion of an imagination infer that there is an observer included in every event and experience.

Note: The concept of a Design Consciousness can be “modeled” into a variety of holographic and symbiotic relationships. Not any one model can describe the design phenomenon to its fullest. Visit my sister blog, “The Design Paradigm” for other iterations surrounding the concept of design consciousness.

Due to the limited capacity of the brain to observe and absorb large amounts of data, vibratory expressions of light, energy and information within the mind field must be bundled into designed sets (patterns) that allow the imagination to exercise a certain degree of symbolic freedom when interpreting and observing assorted events and experiences.

The imagination is non-deterministic in character, elements don’t necessarily add up in a linear or cohesive fashion. This is why the imagination can appear to be unpredictable, random and chaotic. Events and experiences over time embrace the potential of the imagination to become reductive in character while simultaneously appearing to reverse itself. The imagination is time based and fractal in character.

The holograms (thought forms) we perceive by means of our imagination appear to be somewhat unpredictable. They are the result of a series of fractal oscillations brought into realization (form) by the holographic convergence of two or more ideas that together link the concepts of meaning and purpose. They exist (space) in the now (time) and without further focus will vanish and return to the virtual field from which they emerged.

In essence, every idea or image that appears within the constraints of the imagination will be not be “perfect” rather they will appear fuzzy due to their virtual origin. Any single focal point, i.e. center/source or zero-point is an illusion that can only be found by means of a high degree of chance as the result of a “strange attraction” between contradictions.

When it comes to mind the imagination comes first.

The dualities of time and space create the framework for the imagination, i.e. the mind. Time and space act as references for the imagination by allowing it to generate images, i.e. holographic thought forms, that by means of their attractive and repulsive qualities, create the vibratory patterns that can be brought into reality by means of desire, intention and concentration, i.e. focus.

Patterns within the imagination can never repeat themselves exactly. Variety within constraints is a principle upon which consciousness is dependent. Reality is a moving target no matter how you imagine it. However, the imagination can bring a certain degree of coherence to the fractal field by means of alignment, i.e. symbolic resonance. A design consciousness creates the symbolic link between the vibratory frequencies of both the observer and the context in which the event/experience is made manifest.

The imagination is an integral part of an irrational environment that is patterned about certain design principles. The imagination is a fractal reflection of the energy, light and information, i.e. mind that observes and likewise contains it. The imagination has the capacity to penetrate and bring into relative “form” a wide variety of impressions that are correspondingly patterned about adjoining dimensions (magnitudes). Design consciousness brings to fruition forms of energy, light and information that flow and resonate in the field between dimensions. This awareness is brought to mind by the means and virtue of the imagination. 

Edited: 04.30.2013

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A Digital Imagination

Light, energy and information are essential elements in understanding the concept of virtual reality. By design, consciousness can appear in the form of a digital field and be interpreted as configurations of light, energy and information. The capacity of the imagination to “connect” with the universe is hidden within the mysterious concept of the mind. The imagination initiates and perpetuates the relationship between these formats by means of design.

Images are holographic in character and appear to have a virtual origin. Holograms, i.e. vibratory frequencies of light, energy and information are perpetually reflected, aligned, realigned and fused into holistic packages within the framework of a time/space field. Holograms that attempt to represent consciousness, the mind, reason, emotion, and "reality" are symbolically founded upon the existence of a managed supposition that there exists a provenance described and defined by the means and virtue of the imagination.

The imagination has the potential to generate, position and describe, aka design, pulsations appearing in space and time into holographic arrangements being rendered within the field being observed. By the virtue of the symbol the imagination can describe and bring into fruition principles that are intrinsic to the meaning and purpose of a designed consciousness.

Design creates a symbolic cognizance between states of light, information and energy in a manner that synthesizes a virtual field into a matrix of knowing and wholeness.

Change the field/environment/context and change the holographic image. The context in which information is perceived/interpreted changes the capacity for the imagination to expand beyond the constraints of the field in which the event or experience is observed. Harmony occurs along archetypal guidelines (templates) that originate within the confines of every virtual field imaginable.

The parametric membrane of every field acts both as an insulator and conductor between symbolically veiled fields of information; each layer is coded (digitized) within different octaves and is “instrumental” in creating the most appropriate relationship between fields of light, energy and information that, in conjunction with each other, create the context in which the imagination can post/locate its own identifying position (micro).  Each and every virtual field harbors the potential for disclosing and expressing the qualities, i.e. intentions, ideas, concepts, formations, etc. that are reflected within the operation of the observer's imagination.

When viewed microcosmically energy, light and information will pattern their identity within the context of their environment, i.e. space/time, by means of an event or experience. The focus then becomes a reference point, i.e. a position/fermion, within the context of a greater virtual field of information that permeates that particular time and space (frequency range). Membranes qualify energy (conscious/subconscious/unconscious) by attesting to the characteristics expressed both within and beyond the parametric constraints of the field being observed. Each layer also gives precedence to a series of symbolic gateways (conductive wormholes) that both filter and transmit light, energy and information (imaginings) within its own framework and beyond its contextual reference point.

The design process is a function of an imaginative re-source that can observe itself by means of its ability to generate a series of holographic experiences and events in time/space. Self-receptors are receivers of information, light and energy between adjacent fields of comparable awareness/vibration. 

Your consciousness has been programmed by the very “source” you imagined it to be. Nature by means of fractal geometry can enlarge or condense every contextual field in time and space by means of repetition, i.e. iteration, spiraling and scale. Fractals harbor an infinite number of patterns/qualities of information, energy and light that are symbolically linked to a greater field of virtual origin. The fractal world presents a holographic and contextual metaphor that references space and time in a fashion that reaches beyond the parameters of our current imagination. These forms are mathematically generated about equations that are symbolically based within the confines of a particular design, i.e. a self-perpetuating holographic image that connects and disconnects within itself depending upon the context/environment in which it is observed. (More concerning the design implications surrounding fractals and the imagination in future posts)

Evolution is a closed loop process of energy, information and light being symbolically projected into relative time and space.

The relationships between consciousness, the subconscious, the unconscious, virtual reality (space), the mind, the emotions, the realm of the quantum, fractals and the cosmos is made readily available and comprehensible to the imagination by means of design. 

Picture: The Ickleton Mandelbrot Set, August, 1991
Source: Page 145, Crop Circles, Signs, Wonders and Mysteries, Steve and Karen Alexander, Chartwell Books, Inc., Edison, N. J. 2007

Edited: 4.29.2013

You are encouraged to share this post as long as author, copyright and URL http://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Copyright © 2006-2013 C.G.Garant. All Rights Reserved. Fair Use Notice

Design Metaphysics: The Imagination

The imagination is an aspect and quality of the mind. The imagination goes beyond the limits of the five senses 3D space/time merely harnesses the imagination. The imagination creates the portals that invite an escape from and an entrance into other dimensions. When viewed as being part of a greater Mind, e.g. the Akashic field, the imagination presents itself to itself within the context of a greater consciousness. Paradoxically this individualized point of view becomes part and parcel of a greater consciousness imaginatively conceived by the very mind that observes it. This process is entirely symbolic in character. Design consciousness is highly dependent upon the unique qualities of a powerful imagination.

Horus was depicted as a falcon, son of gods Ra and Rhea, and a sky god that flew between the sun and the moon. Horus corresponds with Hermes as a symbol of communication by means of a field (mind) that exists between contrasts represented by the right eye of Ra (the sun) being mirrored in the left eye of Toth (the moon).

“The Right Eye of Horus represents concrete factual information controlled by the left brain. It deals with words, letters, and numbers and those things, which are describable in terms of sentences or complete thoughts. It approached the universe in terms of male oriented ideation. (purpose)

The Left Eye of Horus represents abstract aesthetic information controlled by the right brain. It deals with esoteric thoughts and feelings and is responsible for intuition. It approaches the universe in terms of female oriented ideation. We use the Left Eye, female oriented, right side of our brain for feeling and intuition” (meaning)

Both eyes together are the Two Eyes of Horus The Elder. The eye is the part of the body able to perceive light and is therefore the symbol for spiritual ability.”

Source: http://www.sangraal.com/library/eyesofhorus.htm

(my parenthesis)

The two eyes of Horus are linked to the heart by means of the pineal gland, i.e. the "seat" of the soul. Together they create the framework for the imagination to bring 3D space/time into relative balance and manifestation. The imagination creates the relationship between an outside experience by means of an inside knowing and correspondingly an inside knowing by means of an outside experience. 

Being virtual in origin and quantum in character each image, idea, and hologram is placed in reference to other imaginings that together create and give relative substance to one’s own personal field of awareness. The imagination is a vehicle for the purpose of both containing and linking images to be made whole by means of design. In other words, each image is more than what it appears. Images represent qualities that have a meaning and purpose that can span the concept of time. Time is conquered in the ability and capacity of the imagination to link both states of awareness, i.e. the coherent, rationale, cognitive, structural, right eye, and the masculine, creative, dreaming, rapturous, visionary, organic, left eye, feminine.

“There are two things you must know about the “you create your own reality” teaching: First, it must be explained … that you are not “creating” anything, but merely noticing or remembering its existence, then, by focusing on it, calling it forth as a “manifestation” from the Field of Infinite Possibilities that is the Always Now/Always Here of things. What you are creating is your Interior Reality of these manifestations. It is in this sense that the statement “You are creating your own Reality” is true. Second, you must understand that even what we call the act of “creating” the exterior events of our lives is not something that anyone is doing alone. No Exterior Event in Physicality is created by any single individual. Such a thing is impossible.”

Neale Donald Walsch

Images and ideas appear to be the creation of our own resources. These images suggest that each of us harbor an intimate awareness of a dimension outside our own consciousness. This awareness is made apparent to each of us through symbolic means. This awareness is made apparent to each of us by means of our own experiences. The imagination participates in this process by means of bringing to our attention experiences that are both meaningful and purposeful. These relationships are made in the light and context of 3D space/time. The fourth dimension merely “characterizes” the concept of time thereby allowing for the transfer of energy, light and information in and by means of 3D space/time.

“The mind is nothing but the thought “I”

Thoughts arise because of the thinker.

The thinker is the ego which if sought will automatically vanish.”

Sri Ramana Maharshi

There is a certain truth in every image. There is a certain truth in every experience. There is a certain truth that is symbolically represented by means of a holographic image and/or series of images that originate from within an unconsciousness centered within the observer that perceives and comprehends it. That observer is you.

"You give birth to that on which you fix your mind. For, by defining a thing, you cause it to be born, and then it seeks to nourish, perpetuate and augment itself." (In The Wisdom of the Sands. {Citadelle trans. S. Gilbert} New York: Harcourt, Brace, 1948, p. 269).

http://www.myspace.com/professoranton/blog

What you create originates from the very source that has imagined it. Your imagination has been designed to bring meaning and purpose into your awareness by means of what we intuitively comprehend as our consciousness. The field, i.e. theater, at this time just happens to straddle the 2^nd, 3^rd, 4^th and now 5^th dimension. Time encompasses great freedom when centered in the now.

Designing in the now allows for modification. Every situation, i.e. experience, is different and presents itself in a manner that typically embraces a connection to past events registered in linear time. This phenomenon is conducive to all experiences in 3D space/time. Patterns tend to repeat themselves in cyclical time and within the constraints of both an objective and subjective reality that has been created and conditioned by means of a collective interpretation. In this fashion any concept of truth or “idea” of the same, can be either compromised or enhanced while shared within the auspices of a collective consciousness.

The imagination has the capacity to span and/or override any limitation or constraint coerced or otherwise. Its primary purpose is to bring balance to a designed consciousness. The imagination is the tool of and for change.

In order to participate in a 3D space/time consciousness one must imagine within the parameters of its field and accept its realities as being true. What appears to be true in the collective is supported by means of every individual thread that has been conditioned, imprinted, designed and sewn into the collective fabric. Each thread has been designed to resonate to those frequencies that have been imparted within the patterning of every field.  In essence there is a primary truth that lies in the unknown that can always be made viable, i.e. known, by means of the imagination.

Edited: 04.01.2013, 04.29.2013

You are encouraged to share this post as long as author, copyright and URL http://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Copyright © 2006-2013 C.G.Garant. All Rights Reserved. Fair Use Notice