Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.
The imagination describes a quality of mind. The imagination goes beyond the limits of the five senses, 3D space/time merely harnesses the imagination. The imagination creates the
portals that invite an escape from and an entrance into other dimensions. When
viewed as being part of a greater Mind, e.g. the Akashic field, the imagination presents itself to itself within the context of this greater consciousness. Paradoxically this individualized point of view becomes part and parcel
of a greater awareness imaginatively conceived by the very mind that appears to observe it. This process is entirely symbolic
in character. Design consciousness is highly dependent upon the unique qualities
of a powerful imagination.
Horus was depicted as a falcon, son of gods Ra and Rhea, and
a sky god that flew between the sun and the moon. Horus corresponds with Hermes
as a symbol of communication by means of a field (mind) that exists between contrasts
represented by the right eye of Ra (the sun) mirrored in the left eye of
Toth (the moon).
“The Right Eye of
Horus represents concrete factual information controlled by the left brain. It
deals with words, letters, and numbers and those things, which are describable
in terms of sentences or complete thoughts. It approached the universe in terms
of male oriented ideation. (purpose)
The Left Eye of Horus
represents abstract aesthetic information controlled by the right brain. It
deals with esoteric thoughts and feelings and is responsible for intuition. It
approaches the universe in terms of female oriented ideation. We use the Left
Eye, female oriented, right side of our brain for feeling and intuition” (meaning)
Both eyes together are
the Two Eyes of Horus The Elder. The eye is the part of the body able to
perceive light and is therefore the "symbol for spiritual ability.”
(my parenthesis)
The two eyes of Horus are linked to the heart by means of the pineal gland, i.e. the "seat" of the soul. Together they create the framework for the imagination to bring 3D space/time into relative balance and manifestation. The imagination creates the relationship between an outside experience by means of an inside knowing and correspondingly an inside knowing by virtue of an outside experience.
* * *
“There are
two things you must know about the “you create your own reality” teaching: First,
it must be explained … that you are not “creating” anything, but merely
noticing or remembering its existence, then, by focusing on it, calling it forth as a “manifestation” from the
Field of Infinite Possibilities that is the Always Now/Always Here of things.
What you are creating is your
Interior Reality of these manifestations. It is in this sense that the statement “You are creating your own
Reality” is true. Second, you must understand that even what we call the act of “creating” the
exterior events of our lives is not something that anyone is doing alone. No
Exterior Event in Physicality is created by any single individual. Such a thing
is impossible.”
Neale
Donald Walsch
* * *
* * *
Images and ideas appear to be the creation of our own resources. These images suggest that each of us harbor an intimate awareness of a dimension beyond consciousness, i.e. the unknown. This awareness is made apparent to us by means of design. This awareness is made apparent to us by means of experience. The imagination participates in the design process by virtue of bringing both meaningful and purposeful events and experiences to our attention. These relationships are made apparent to our awareness primarily in the light and context of 3D space/time.
“The mind
is nothing but the thought “I”
Thoughts
arise because of the thinker.
The
thinker is the ego which if sought will automatically vanish.”
Sri Ramana Maharshi
There is a certain truth in
every image. There is a certain truth in every experience. There is a certain truth in every event. There is a certain
truth represented in every image that originates from within the soul of the observer
that perceives it. That observer is you.
"Eternal truth needs a human language that alters with the spirit of the times."
C. Jung
The imagination creates the gateways and the portals into other
fields, i.e. universes/dimensions, by means of transforming virtual "substance" into forms of light,
energy and information.
"You
give birth to that on which you fix your mind. For, by defining a thing, you
cause it to be born, and then it seeks to nourish, perpetuate and augment
itself."
(In The Wisdom of the Sands. {Citadelle trans. S.
Gilbert} New York: Harcourt, Brace, 1948, p. 269).
You "create" by means of your imagination. Your imagination is designed as the tool that brings meaning and purpose to awareness. The field in which this phenomenon emerges straddles every dimension as time harbors its greatest freedom when focused in the present.
* * *
How the state between wakefulness and sleep can produce some of our most unique thoughts.
Neel V. Patel, June 27, 2014
“Creative minds have used hypnagogia as a source of inspiration for centuries. When the 19th century chemist Friedrich August Kekule struggled to imagine the structure of the chemical compound benzene, he felt himself dozing off and suddenly visualized the classic ouroboros (an ancient symbol depicting a serpent or dragon eating its own tail) as a series of molecules made out of snakes, each one swallowing the tail of the next snake. The dream inspired him to imagine what the six-membered ring of carbon atoms looked like.
Hypnagogia is marked by a high level of both alpha and theta brainwaves. As we begin to fall asleep, the brain moves from a prevalence of relaxing alpha waves to drowsy theta waves, but this fluctuation means that no single type of brain wave is dominant during hypnagogia. This synergy in neural activity causes a state of threshold consciousness, where an individual feels “half-asleep” or “half-awake,” and is making the transition from wakefulness towards sleep.
So what does hypnagogia have to do with creativity? During hypnagogia, says Barrett, the prefrontal areas of the brain are less active. The lack of beta waves combined with this decrease in prefrontal activity creates less censorship from the mind, she believes, and more freely allows intense sounds and imagery to be imagined by the individual.
"Hypnagogia is the shortest path for communication from our subconscious,” says Marques-Bonham. “Your subconscious mind might send you solutions through imagery or other sensations.” She likens this to an “aha!” moment, like Archimedes’ famed “Eureka!” realization.
These transitional states and even dreams are a little bit beyond our rational control, but we can create a climate for them,” says Stanley Krippner, a psychologist based at Saybrook University in San Francisco. “One’s dream-life has a life of its own, but hypnagogia might be more amenable to some kind of patterned control".
Krippner is quick to emphasize that using hypnagogia to promote creativity requires an individual to define creativity itself. He personally believes creativity has two different aspects: “It’s bringing something new for the world, be it globally, a small community, or even just an individual’s own world; and it has to be useful in some capacity.” In other words, there must be a utilitarian aspect to those creative thoughts, or else they are simply just random firings of the brain; mysterious and exciting to talk to about, but ultimately of no consequence."
* * *
- What is Hypnagogia, the State Between Wakefulness and Sleep?
https://en.wikipedia.org/wiki/Hypnagogia
- What do Trippy Half-Awake Dreams Really Mean? https://www.vogue.co.uk/beauty/article/hypnagogic-state
* * *
* * *
Designing in the present gives us the flexibility to adapt and make changes instantly. Each moment or experience can feel unique, even though it connects to a chain of past events recorded in a linear flow of time. While the context of a situation may seem familiar, it’s never exactly the same. Patterns might look like they’re repeating—suggesting a cycle—but they never truly replicate themselves. That repetition is more a product of the imagination than reality.
Patterns arise within the boundaries of a specific reality—shaped and limited by collective awareness. What we experience in any given moment is actually a blend of subtle impressions: countless small events and sensations that resonate with something we’ve encountered before. These impressions form a kind of emotional or intuitive echo. Even personal truths, insights, or beliefs can be influenced—or distorted—by this subtle layering of past experiences.
Space and time are not fixed; they’re always shifting depending on how we observe and define reality. Our perception of them evolves. At the same time, the imagination can work hand in hand with intuition, guiding us across various levels and dimensions of space and time. This collaboration opens doors to new ways of experiencing and interpreting the world around us.
* * *
"Intuition is perception via the unconscious that brings forth ideas, images, new possibilities and ways out of blocked situations."
C. Jung
* * *
Imagination is boundless—it can transcend or override any limitation or constraint, whether those constraints are imposed externally or internally. Its primary role is to bring balance to our state of consciousness.
Imagination is not just a mental faculty; it is a powerful tool for transformation. Through the active use of imagination and intuition together, hidden truths—those that lie dormant in the unknown—can be revealed and made accessible.
* * *
“ …
restlessness is what gives us the strength to find our mission. It reminds us that we haven’t got everything neatly figured
out; it keeps the questions popping into our minds, and instills the desire to
seek the answers we yearn for.”
* * *
We exist within a vast Quantum Field of Virtual Potential and Probability (QFVPP), a field that surrounds all aspects of our reality and experience. This field represents the infinite unknown, and it will always remain beyond complete understanding. In this context, the unconscious serves as a metaphor for everything we do not yet know, contrasted with what we do.
Our lives unfold within constraints that are specifically designed for existence in a three-dimensional space and a linear time cycle. It is from within this framework that we become "conscious" of the world, perceiving it and labeling it as our reality.
We experience this reality through a series of events and sensations, primarily via our five physical senses. Yet, we are also aware of additional, intangible senses—such as emotion, thought, intuition, and intelligence. These inner faculties shape our understanding, though we have yet to fully validate them through scientific measurement. This limitation reflects the narrow scope of linear thinking and empirical science.
Together, both tangible and intangible senses contribute to our unique, subjective interpretation of consciousness.
* * *
“While the brain is a physical mechanism, the mind represents a brain process and is, itself, a non-physical field of information. While properties of physical matter, such as the brain, conform to the principles of Newtonian or classical physics, the operation of the mind’s energy fields employ the fundamental mechanics of quantum physics.”
Bruce H. Lipton, Ph.D., and Steve Bhaerman, Spontaneous Evolution, pg.269
https://www.brucelipton.com/books/spontaneous-evolution/
* * *
Between two distinct "fields of energy" lies an overlapping stimulus—an energetic catalyst that possesses qualities capable of enabling transmutation, transformation, adaptation, and evolution of energetic patterns. These patterns respond to and are shaped by their surrounding environment. This intermediary field or frequency acts as a conduit, facilitating the transfer and free flow of energy from one state or field to another. It reflects aspects of thought, emotion, logic, and feeling, serving as a dynamic medium through which energetic interactions occur.
We perceive these energetic shifts as vibrational impressions or disturbances—subtle cues that emerge through interactions within what may be called the Quantum Field of Vibratory Patterned Perception (QFVPP), a fundamental field that underlies all observable and measurable phenomena, though only partially accessible to our current understanding.
The connections between these fields remain largely hidden, not because they don't exist, but because our perception is still evolving. Our awareness is just beginning to awaken to these deeper layers of reality. The concept of design is intrinsic to both the universe and human nature. It is through this design that we can perceive the world intuitively and subconsciously—a critical ability that has supported human evolution and survival. The subconscious mind acts as a gateway to intuition, forming a symbolic bridge that enables the growth and expansion of consciousness.
"Intuition is perception via the unconscious."
C. Jung
Design consciousness refers to the way we interpret and apply design thinking using signs, symbols, metaphors, and analogies. This form of consciousness empowers us to create entirely new patterns of energy—configurations that have never before been experienced. It helps us maintain a balance between what we understand and what remains unknown. Through design consciousness, we form personal interpretations of reality that inspire us to move forward, fostering the flow of energy between opposing or contrasting energetic fields.
Design consciousness encourages continuous growth and transformation. It allows us to remain adaptable by forming a dynamic, ever-evolving network of energy that is flexible and open to change. This adaptability is made possible through a symbolic framework—a fulcrum—where intellect and intuition can meet, communicate, and harmonize.
Ultimately, design consciousness serves as a bridge between the known and the unknown, guided by the imagination. Imagination itself is a vibrational field in constant motion, representing ongoing transformation and evolution. Every energy field is uniquely encoded within the senses and design patterns of each individual observer, shaping their unique perception of reality.
* * *
* * *
We recognize, describe, and define this resonant "state of awareness" as the subconscious. It is through this realm that design consciousness emerges—granting humanity the unprecedented freedom to imagine and create in ways previously unthinkable.
It is essential to acknowledge that the unknown must be integrated into every imaginative framework, especially if one chooses to uphold the concept of Reality in both linear and conceptual terms. One of humanity’s greatest strengths is its capacity for adaptation and transformation—an ability that originates conceptually but unfolds through a linear process.
conceptual adjective relating to or based on mental concepts: concept an abstract idea; a general notion: • a plan or intention; a conception: • an idea or invention to help sell or publicize a commodity: • [as modifier] (of a car or other vehicle) produced as an experimental model to test the viability of new design features. • Philosophy an idea or mental picture of a group or class of objects formed by combining all their aspects.
From these foundational ideas, we generate the visions and concepts that enable us to sustain ourselves within the boundaries of three-dimensional space and time—and even extend beyond them.
Equally important is the understanding that every energetic state—down to the cellular field—both contributes to and responds to the impressions, vibrations, and disturbances inherent in every energy exchange across networks, fields, and dimensions. In this context, change and energy are inseparable from the idea of a Quantum Field of Virtual Potential and Probability (QFVPP), which represents a dynamic space where all possibilities reside.
* * *
"Our psyche is set up in accord with the structure of the universe, and what happens in the macrocosm likewise happens in the infinitesimal and most subjective reaches of the psyche.
It is my mind, with its store of images, that gives the world color and sound; and that supremely real and rational certainty which I can "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind, translated, filtered, allegorized, twisted, even falsified by it. We are . . . enveloped in a cloud of changing and endlessly shifting images."
C. Jung
* * *
This material explores the profound role of the imagination in human consciousness, design, and the nature of reality. Here's a summary of the key ideas:
1. Imagination and Consciousness: Imagination is described as a quality of mind that transcends the limits of the five senses and the constraints of 3D space/time. It creates gateways to other dimensions or realities, acting as a tool for accessing higher levels of awareness. The imagination works within a greater universal mind (like the Akashic field) and plays a symbolic role in how we experience and interpret reality.
2. The Role of Design: The material emphasizes that design is central to human consciousness and evolution. Design consciousness involves using symbols, metaphors, and intuition to create patterns of energy that help us interpret our experiences. It bridges the known and unknown, providing a framework for meaningful change. This process of design is viewed as a dynamic interplay between imagination and intuition, allowing for flexibility, adaptation, and growth.
3. Imagination as a Tool for Change: The imagination is a transformative force that brings meaning and purpose to our awareness. It facilitates the transmutation of virtual potential and probability into tangible forms like light, energy, and information. Through imagination, we create and alter our experience of reality, and it plays a critical role in balancing consciousness and bringing about personal and collective transformation.
4. The Quantum Field of Potential: The material introduces the idea of a "Quantum Field of Virtual Potential and Probability" (QFVPP), a metaphysical realm that surrounds all known reality. This field represents the unknown, the unconscious, and the potential for future experiences. The material suggests that human perception is limited by the constraints of linear time and space, but through the imagination, we can access and navigate these uncharted fields.
5. Consciousness and the Subconscious: The subconscious is identified as the gateway through which intuition operates. It processes symbolic information and acts as a bridge between the conscious mind and deeper, unconscious levels of awareness. The subconscious helps us adapt and evolve by interpreting and responding to the flow of energy between various dimensions of experience.
6. Energy, Change, and Reality: Everything in the universe, including human consciousness, is part of an interconnected network of energy that is constantly in flux. The material suggests that change is intrinsic to existence and that the concept of the QFVPP is synonymous with energy itself. By tapping into this dynamic flow through imagination, humanity can create new patterns of energy and meaning, allowing for growth and adaptation beyond the limitations of linear time and conceptual reality.
In summary, the material presents the imagination as a vital, transformative force that allows us to transcend the constraints of time, space, and linear thinking. It facilitates the creation of new patterns of experience, bridges the known and unknown, and plays a central role in the ongoing evolution of consciousness and reality.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
* * *
CITATIONS / REFERENCED CONCEPTS
1. Akashic Field / Akashic Records
• Source: Ervin Laszlo (2004). Science and the Akashic Field: An Integral Theory of Everything.
• Context in text: Describes the imagination as interacting with a “greater Mind” or “Akashic field,” aligning with Laszlo’s view of a cosmic field of information.
2. Horus, Ra, Rhea, and Toth (Thoth) – Egyptian Mythology
• Source: Egyptian mythological tradition, and modern interpretations in:
o E.A. Wallis Budge (1895). The Gods of the Egyptians.
o Geraldine Pinch (2002). Egyptian Myth: A Very Short Introduction.
• Context in text: The Right and Left Eyes of Horus symbolize dual modes of perception (rational vs. intuitive). Toth is associated with the moon and wisdom, while Ra is the solar deity.
3. Right Eye / Left Eye of Horus
• Source: Esoteric and symbolic interpretations, e.g.:
o Schwaller de Lubicz (1981). The Temple of Man.
o Carl Jung (symbolism in consciousness, though not directly about Horus).
• Context in text: Used to describe left/right brain functions: logic vs. intuition.
4. Pineal Gland as the 'Seat of the Soul'
• Source: René Descartes (1649). The Passions of the Soul.
• Context in text: Connects the eyes of Horus to the heart via the pineal gland.
5. Quantum Field of Virtual Potential and Probability (QFVPP)
• Source: While this term appears to be coined or conceptual within the text, it resonates with:
o David Bohm (1980). Wholeness and the Implicate Order.
o Amit Goswami (1993). The Self-Aware Universe.
o Concepts from quantum field theory and virtual particles in physics.
• Context in text: Metaphor for a metaphysical source field where all possibilities reside.
6. Subconscious and Symbolic Design
•
Source: Carl Jung (1959). The Archetypes and the Collective Unconscious.
• Context in text: Symbolic function of the imagination and subconscious as gateways to higher awareness.
7. Design Consciousness / Symbolic Frameworks
• Source: Possibly derived from a blend of:
o Buckminster Fuller (1969). Operating Manual for Spaceship Earth.
o Victor Papanek (1971). Design for the Real World (though applied metaphorically here).
• Context in text: Describes how humans use symbols, metaphors, and pattern recognition to shape perception and evolve.
Unattributed Quotation
“The Right Eye of Horus represents concrete factual information…”
• This exact quote or variation is often found on websites and esoteric texts but lacks a clear academic origin. It likely stems from New Age or Hermetic interpretations of Egyptian symbolism rather than established Egyptology.
Additional Thematic Influences
• Ken Wilber – Integral theory and multidimensional consciousness.
• Terence McKenna – Speculations on the imagination as a vehicle for exploring consciousness.
• Joseph Campbell – Symbolism, myth, and the hero’s journey (though not cited directly).
* * *
"To believe is to accept another's truth.
To know is your own creation."
Anonymous
Edited: 04.01.2013, 04.29.2013, 10.22.2013, 10.23.2013, 12.08.2013, 12.09.2013, 10.17.2014, 11.01.2014, 12.20.2014, 03.07.2015, 11.16.2016, 01.11.2017, 09.20.2017, 03.18.2018, 07.17.2019, 12/01.2020, 06.14.2021, 07.01.2022, 08.09.2022, 12.01.2023, 12.27.2024, 06.08.2025
Find your truth. Know your mind.
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