March 8, 2013

Man Imagine Thyself


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

The imagination can create a pattern of recognition that is both timeless and dimensionless. In essence, the ability to imagine allows for the connection and separation between the macro and the micro, awareness and consciousness, the wave and the particle, the boson and the fermion, the event and the experience. The imagination also brings into context the principles of meaning and purpose that surrounds every holographic form. Holograms drive the illusion of a 3D space/time reality by making the creator (macro) appear to be separate from what is “created” (micro). All consciousness is a matter of focus.

Time is an abstraction and conjectural membrane that is imagined to separate the micro realms from the macro realms of nature, the conscious from the unconscious, the yin from the yang, etc. Time is an idea, a concept, a tool for reference. Time lies within the imagination of a universal mind. Time encapsulates an event/experience by means of design. Time’s imaginings bring into focus principles that surround, penetrate and give relative form to consciousness, i.e. a context required for energy to fluctuate between wave and particle.

Intention is mental and electric. Intention is a projection of the will clouded in a magnetic desire (e-motion) that directly and indirectly affects the field of its own context. Intention triggers a consubstantial event * that takes the form of a spiral. In this fashion each intention gives rise to a magnetic field surrounding its desires. Time idea-lly participates in the design process by directing (linear) and surrounding (cyclical) the event/experience as it repeats (fractal) itself within the context of a universal mind until altered.

* “Consubstantiality,” in rhetoric, is often associated with Kenneth Burke. It is defined by Burke as "a practice-related concept based on stylistic identifications and symbolic structures, which persuade and produce acceptance: an acting-together within, and defined by, a common context."[5] To be consubstantial with something is to be identified with it, to be associated with it; yet at the same time, to be different from what it is identified with.[6] It can be seen as an extension or in relation to the subject.

In essence, energy (energy-in-motion), light (particle and wave) and information (form-in-motion) have an origin beyond the constraints of time … time is imagined and merely a facilitator. Design reinforces the concept of time by means of bringing relative form and/or experience into fruition symbolically.

Time is an idea stemming from the imagination that captures consciousness by means of a linear, cyclical, and formative interpretation. Imagination is key!

Time is perceived and/or experienced by means of energy patterns that qualify themselves within the parameters of every holographic field. Time is imagined to be a point made in reference to these qualities. Time brings into context the design process.

Time is an integral part of every consubstantial event in 3D space/time, i.e. density. Time allows for the separation of consciousness into both a subjective and objective context, i.e. duality. Time is an abstraction, i.e. an idea, given expression by means of an event and/or experience. Time is symbolically apparent in every form. The idea of time can appear in the form of a line (past and future) a circle (cyclical/repetitive) and a sphere in the form of a spiraling vortex born from a source (point/center) of unknown imagining. Time appears dimensionless yet by design is an integral part of every event, form and experience.

Energy (e-motion) vibrates within the parameters of every field thereby qualifying its expression within the context of every form, e.g. thought form. Based upon changing circumstances certain patterns, i.e. archetypes, appear and disappear in response to the contextual field in which they occur.

Within the parameters of a spiraling vortex, identities appear to “quicken” in the moment.  Consubstantial fields of energy, light and information are composed of “substances” that together adapt to every situation by means of an internal geometry created within the contextual constraints of a perpetually changing consciousness. Are the primary fluctuations of energy within the cosmos appearing in the form of bosons and fermions, actually the thought forms of a primordial imagination?

Forms appear to emerge from within the allusive boundaries of this phenomenon while energy of contextual origin is drawn towards the center of the vortex within the parametric boundaries of time. Thought forms, i.e. holograms, are the result of a patterned arrangement of primordial substances that originate within the context of a resourceful mind enclosed by its very own imagination.







Edited: 11.28.2013, 02.07.2014, 10.16.2014, 11.08.2014, 09.21.2015, 01.11.2017, 03.05.2018, 03.19.2021, 03.30.2023, 07.10.2023
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2013 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage is prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

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