Reprogramming the Field: Coding within the Geometric Shadows of the Universe

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Every experience finds expression within a context of one's own making. New points of view are made real by means of comparison. Every experience is ear-marked, i.e. flagged, within the context of an awareness made conscious by virtue of the observer/programmer/creator of the “situation”.

A profusion of experiences continuously emerge from within the backdrop of an unknown universe without interruption. These events might be events of consubstantial origin. Such events are holographic in nature and symbolically woven into a most appropriate pattern. These images are symbolically presented and metaphorically understood. 

Design represents a language that emerges from within a centralized "source" unknown to humanity. Form as we know it, rests within the context of three dimensional space and time. Images are holograms, mental constructs that harbor an e-motional quality. The final form is the result of a process where the intangible is made tangible, the unseen seen and the unreal real. The entire sequence is sheltered and secured within the design process. The result is identified, labeled and categorized by one's point of view (POV).

What is a Thought? How the Brain Creates New Ideas / Henning Beck / TEDxHHL

Complementary associations between agents that reflect a particular POV are not always stable. Change is ever present and a perpetual force that influences every action. What is viewed, imagined or construed will change. The universe is portrayed as a system of energy, light and information in motion. The universe reads as the product of an omnipresent Intelligence. The universe also appears omnipotent when portrayed as being virtual, i.e. quantum, in character, quality and construct. 

The concept of multidimensionality rests firmly upon the "idea" of rapid change. Time can no longer be considered a constant. Linear time is no longer reliable. Time is too fleeting to maintain relative permanence and importance from a three-dimensional POV. Forms appear in the "moment". Formations of energy, light and information can come and go in a flash of awareness. 

Forms are created by thought. Thoughts stem from a vibratory Source (matrix) we collectively perceive as expressing a particular meaning and purpose beyond our awareness. This is an Intelligence experiencing an everlasting network of its own making. Focus and intention determine where, when, how and why energy in motion might best be designed, contained and sustained within a particular context, i.e. dimension and POV.

Linear time, however, remains an important element. Linear time "qualifies" three- dimensional space as we know it. Linear time allows for a certain degree of permanence. Linear time allows for the generation of a series of arrangements and/or configurations designed to expand awareness by means of experience. Experiences in 3D space/time also bring attention to the limitations intrinsic to this dimension. Experiences gained become the pre-requisite for further expansion in conscious awareness. 

The creative process brings intelligence to the forefront. Hidden constraints, i.e. imbalances, become vividly apparent. Points of origin, i.e. source/s, are multiplied, complicated and always changing. However, a sense stability remains due to the relative sluggishness of linear time. Network geometries are altered, and new configurations emerge as the result of change. In 3D space/time branches break out from the mainstream (focus). Eventually these ideas become substantiated if willed and encouraged to do so. Ideas can be made tangible and apparent within the realm of 3D space/time until the desire surrounding their importance wanes. Forms are purposely three-designed to sustain Life's experiences in three-  dimensional space and time. 

New formations of an increasing complicated nature can be found and discovered by means of experience. These new types of moving energy are based on previously unconsidered configurations. The quantum landscape introduces new frontiers in 3D space/time with visceral content and synchronistic alignments.

SOFT MECHANICAL METAMATERIAL THAT CAN “THINK” OFFERS POTENTIAL OF HELPFUL “LIVING” MACHINES IN THE FUTURE 

https://scitechdaily.com/soft-mechanical-metamaterial-that-can-think-offers-potential-of-helpful-living-machines-in-the-future/ 

However, fragmentation must precede this experience. The "idea" of dualism exists as a pre-cursor to the act of unification as well as to the process of de-construction. Knowing what not to do is as important in the design process as implementing that which needs to be done. In other words, meaning and purpose should be understood as re-presenting two surfaces of the same coin. 

Singularity brings forward the realization that there is a perpetual force seeking unity and balance in the universe. Singularity describes a set of relationships between agents focused within a variety of vibratory fields for purposes of expansion, coordination and inquiry. 

The concept of duality is also a recognizable fact. Patterns of energy are symbolically re-presented in every idea and every form. Singularity likewise is re-presented in every creation and in every form. Creative gestures reflet themselves through form.

Form reflects upon the importance surrounding formlessness by means of substantiation*. Form brings fruition to the dynamic interplay between meaning and purpose. Forms give support, structure and awareness to the idea that a universal collective consciousness does exist. 

* substantiate 

verb [ trans. ]
provide evidence to support or prove the truth of : they had found nothing to substantiate the allegations.

Design is brought to awareness upon the wings of the mind and the passions of the heart. 

Every agent represents a point patterned about a living matrix of events and experiences. Every form stems from a common intention made appropriate for the situation at hand. Each point and every geometric pattern are a meaningful and purposeful facet of a greater and more complex design.

There are fluctuating hierarchies in the universe based upon this principle. Such complexities are encoded and made apparent by means of quantum mind stuff . The universe re-presents an Intelligence designed to bring into manifestation what we ourselves have attributed to it. We experience this design by means of metaphor. We experience this universe metaphorically by design. 

We interpret the universe from the point of an observer. We currently label the universe as having certain quantum attributes. In essence, we are innately entangled within a web (matrix) of our own creation, a symbolic network made for the purpose of experiencing that which we ourselves have created. Design brings substantiation. The design process accounts for the balance and stability necessary to experience a field in perpetual change, i.e. consciousness.
  
The design process affords a direction to those patterns of light, energy and information that together substantiate the next step/choice/decision in 3D space/time. The design process brings awareness to every event and experience. Every agent (life form) takes position in a greater network of consciousness.

Design is a unifying force that cannot be denied. Concepts and ideas surrounding design's strength also harbor its Intelligence. No matter the dimension, frequency or vibration, forms of energy-in-motion will congeal in relative space and time for purposes known only to its creator/s. Every agent is symbolically re-presented within a matrix of its own creation. Every agent (form) like every creation (process) is different. Humanity contributes to its own design/s in Light of the patterns made apparent in the universe. 

It would be quixotic to believe that humanity is the only species blessed with the ability to actively contribute to the meaning and purpose of this magnificent network. Humanity represents a specific frequency band within the infinite spectrum of Light we comprehend as the universe. Many qualities attributed to the Cosmos remain unknown and hidden from human awareness. They remain veiled behind the ideas, images and codes that enrich this field of boundless awareness.

Can Dualism Explain Consciousness? - Episode 1512-Closer To Truth 

https://closertotruth.com/episodes/can-dualism-explain-consciousness 

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This text explores several complex themes, including the nature of experience, consciousness, design, and the interplay between time, energy, and form. To expand and refine on specific themes, I'll focus on key concepts such as the "design process," "duality and singularity," the relationship between consciousness and the universe, and the symbolic nature of reality. Below, I'll reorganize and elaborate on these ideas to give them greater depth and clarity. 

The Design Process: Conscious Creation of Reality 

Every experience, as expressed in this text, arises within the context of an individual's perception. This idea emphasizes that experience is not merely a passive reception of external stimuli but an active creation of meaning and structure by the observer. The observer, whether consciously or unconsciously, creates the situation through comparison, interpretation, and labeling. This raises the fundamental idea that reality is subjective and shaped by the "programmer" — the consciousness that gives form and context to experience. 

Refinement of Theme: The design process in this context is not just a passive unfolding of events but a deliberate structuring of reality. It can be thought of as an ongoing act of creation, where each experience is flagged, marked, or "earmarked" within a framework that is self-referential and self-constructed. This dynamic interaction between the creator (the observer) and the creation (the experience) reflects a holographic nature of reality. Much like a hologram, each part of an experience carries the potential of the whole, and every event or form is woven into a complex, meaningful pattern. 

Expansion of Theme: When we consider the "design" of reality, we must acknowledge that the "language" of design emerges from an unknown central source. This speaks to the idea that while we might consciously create forms within our perception, the underlying patterns and principles governing the universe may be far beyond human comprehension. In this view, design is not only a human endeavor but a universal principle that transcends individual agents, shaping both the tangible and intangible aspects of reality. These patterns are not arbitrary; they are metaphysical frameworks that allow us to understand and interpret our experiences in meaningful ways. 

The Nature of Duality and Singularity: Unity in a Fragmented Universe 

Duality: 

The text introduces the idea of duality as an essential precursor to the process of unification. This is a powerful notion that draws upon the philosophical and metaphysical understanding that opposites, contrasts, and separations are foundational to the experience of unity. In many philosophical traditions, duality represents the fragmentation of wholeness — light versus dark, form versus formlessness, self -versus other — and it is through recognizing and reconciling these opposites that we come to a deeper understanding of the underlying unity of all things. 

Refinement of Theme: 

Duality is not just an abstract concept but an essential feature of the design process. Every form, every experience, and every idea emerges from a state of duality — a distinction between the idea and its manifestation. This tension between the potential and the realized is what drives the creative process. For example, the creation of a physical object involves the duality of the formless idea and its eventual manifestation in the world. The same applies to our conscious experiences, where every action or thought represents a fusion of opposites — the tangible and the intangible, the known and the unknown. 

Singularity: 

Singularity, on the other hand, represents the realization of unity, the coming together of opposites into a harmonious whole. The text suggests that there is a perpetual force seeking balance and unification within the universe, and this force is expressed through the relationships between agents (beings or entities). Singularity can be seen as the destination of the creative process, where fragmentation and duality give way to integration and coherence. 

Expansion of Theme: 

Singularity is not merely a state of oneness but a dynamic, ongoing process of becoming. It is not a static point but rather a continuously unfolding realization of the interconnectedness of all things. This process of unification is not a mere return to a primordial state of unity but the realization that the apparent separateness of all forms is an illusion — a necessary illusion, perhaps, for the experience of the universe itself. Just as the experience of light and dark creates depth and meaning, so too does the tension between duality and unity create a space for growth, transformation, and expansion of consciousness. 

The Relationship Between Consciousness and the Universe A Quantum Network of Creation 

Consciousness as a Creative Force: The text suggests that consciousness itself is the primary creative force behind the design of reality. Thoughts are described as emanating from a vibratory Source, a matrix, and this matrix is not just an abstract field but a living, ever-evolving system of intelligence. This idea resonates with contemporary theories in quantum physics and metaphysics, where consciousness is not merely a passive observer of the universe but a participant in its creation. 

Refinement of Theme: 

The concept that "thoughts create form" implies that reality is fundamentally mental in nature. This idea aligns with idealism in philosophy, where the material world is seen as a reflection of the mind or consciousness. It also ties into quantum theories of observation, where the act of observing or measuring a system affects its state. In this sense, the universe can be understood as a field of potential, and consciousness serves as the focal point through which this potential is actualized. The patterns of energy, light, and information that make up our experience are not arbitrary; they are shaped by the creative intentions and focus of consciousness. 

Expansion of Theme: 

The universe, then, becomes a vast, interconnected web, a matrix of energy and information, where every point of consciousness is intricately linked to every other. This web is not static; it is in constant motion, evolving in response to the intentions, actions, and awareness of each observer. It is as if the universe is a self-organizing system, where each part contributes to the whole, and the whole reflects the sum of its parts. This perspective challenges the notion of an external, objective reality and instead suggests that reality is co-created by all agents of consciousness, with each participating in the unfolding of the cosmic design. 

Time and Change: The Illusion of Linear Permanence 

Refinement of Theme:

 Time is presented as both a relative concept and an important structuring principle in our experience of reality. Linear time, while offering a sense of continuity and permanence, is revealed as an unreliable measure in the larger context of multidimensionality. The idea that "time is fleeting" suggests that the traditional perception of past, present, and future is an illusion, and that true change occurs in the "moment" — the now. This notion invites a reevaluation of how we experience time, urging us to move beyond the confines of a linear, cause-and-effect narrative and instead embrace a more fluid, non-linear understanding of existence. 

Expansion of Theme: 

In a quantum landscape, time does not move in a straight line but can manifest in waves, cycles, or even instantaneous flashes of awareness. The fleeting nature of time in this context makes it possible for energy, light, and information to manifest and dissolve in a flash, creating an ever-shifting kaleidoscope of forms and experiences. This challenges our traditional conceptions of permanence and stability, suggesting instead that the universe is in a constant state of flux, with moments of stillness serving as brief intervals of equilibrium within this ongoing dance of change. 

Conclusion: The Universe as a Co-Created Design 

The universe, as outlined in the text, is a dynamic, ever-evolving design, one that is continuously shaped by the collective intentions and awareness of its agents. Design, in this context, is not a static structure but a living process, a creative act that unfolds through the interplay of consciousness, energy, light, and information. It reflects of both duality and singularity, fragmentation and unity, and it is through this creative tension that the universe comes into being and continues to evolve. 

This framework offers a way of understanding reality that is not only metaphysical but also deeply connected to our experience of being. By recognizing the design inherent in every moment, we can come to appreciate our role as conscious creators within the larger matrix of existence. 

By expanding on these themes, we can appreciate the intricacies of the creative process, the fluidity of time, and the deeply interconnected nature of all things. This perspective invites us to see the universe not as a series of isolated events but as a unified, ever-unfolding design, shaped by our consciousness and the energies we bring to bear upon it. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited: 01.01.2018, 02.20.2018, 03.05.2018, 08.10.2018, 01.15.2020, 07.07.2020, 04.26.2021, 08.07.2022, 02.24.2023, 04.06.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice)  You are also invited to visit https://designmetaphysics.blogspot.com/,   and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

 

Transcendence: Movement Towards a Collective Ideal

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: to generate symbolic links between scientific discovery, design awareness and consciousness.

Waveform, Awareness, and the Semiotics of Observation: Toward a Design Consciousness Framework 

A waveform may be understood not merely as a physical descriptor of oscillatory phenomena but as a conceptual bridge between awareness, perception, and interpretation. In contemporary physics, waveforms encode probabilistic distributions of potential states rather than determinate objects, a view formalized in quantum mechanics through the wave function and its collapse under measurement (Heisenberg, 1958; Bohr, 1935). Metaphysically, this suggests that what is encountered as an “event” is not a fixed entity but a context-sensitive actualization of a field of possibilities. When an observer encounters such an event, it is typically reconstituted into a sequence of experiences that are filtered through preexisting cognitive, cultural, and symbolic frameworks, what psychology would describe as schemas or interpretive models (Piaget, 1970; Varela, Thompson, & Rosch, 1991). 

From this perspective, every account of consciousness is necessarily situated and perspectival. Phenomenology has long argued that consciousness is not a detached mirror of reality but an intentional structure in which meaning arises through the correlation of subject and world (Husserl, 1970; Merleau-Ponty, 1962). Thus, what appears to be an “objective” event is always already mediated by subjective conditions of sense-making. Semiotics clarifies this mediation by demonstrating that experience is organized through sign relations, icons, indices, and symbols that structure how phenomena become intelligible (Peirce, 1931–1958). In this sense, awareness becomes reflexive: it recognizes itself indirectly through the patterns and events that arise within its own field of experience. 

Your text’s claim that events may be “measured” as mental, emotional, physical, or spiritual aligns with contemporary integrative models of cognition that refuse a strict mind–body dualism. Instead, cognition is understood as embodied, embedded, and enactive, unfolding across neural, affective, somatic, and cultural dimensions (Varela et al., 1991; Damasio, 1999). The assertion that “all forms and events are vibrational” resonates both metaphorically and physically with the recognition that, at fundamental levels, reality is describable in terms of oscillations, fields, and resonances, whether in quantum field theory or in systems theory more broadly (Bohm, 1980; Prigogine & Stengers, 1984). Variations in frequency or phase, in this view, correspond to variations in perceptual and interpretive states, not merely in physical measurements. 

The notion that some forms of energy may appear “more conscious” than others can be reframed through theories of emergence and complexity. Consciousness, on many contemporary accounts, is not a binary property but a graded, emergent phenomenon arising from relational organization and informational integration (Tononi, 2008; Deacon, 2011). The holographic metaphor you invoke, wherein each fragment carries information about a larger whole, finds both scientific and philosophical echoes, from Bohm’s implicate order (Bohm, 1980) to contemporary discussions of distributed representation in cognitive science and artificial intelligence (Clark, 2016). In AI research, for example, meaning is not localized in single symbols but emerges from patterns of activation across networks, a structural parallel to holographic and fractal metaphors of mind. 

Humanity’s tendency to categorize experience into mental, emotional, physical, and spiritual “silos” can be understood semiotically as a process of symbolic differentiation. These categories are not neutral; they are culturally inherited sign systems that shape how ultimate concerns, such as the concept of God or the sacred, are articulated and stabilized within discourse (Cassirer, 1955; Jung, 1968). Such symbolic systems are always constrained by limited resources, partial perspectives, and what quantum theory itself would call entanglement: the inseparability of observer and observed, knower and known (Bohr, 1935; Heisenberg, 1958). The resulting interpretations are therefore inevitably “fuzzy,” echoing both the probabilistic nature of quantum descriptions and the indeterminacy emphasized in post-structural semiotics (Eco, 1976). 

Your description of an “oscillating, parametric field” that connects multidimensional thoughts and emotions aligns closely with contemporary models of mind as a dynamic system. Rather than static representations, cognition is increasingly modeled as a trajectory through a high-dimensional state space, sensitive to initial conditions and contextual perturbations (Kelso, 1995; Prigogine & Stengers, 1984). In design theory, this dynamic view supports the understanding of design not as the imposition of fixed forms but as the orchestration of constraints, affordances, and trajectories within evolving systems (Norman, 2013; Buchanan, 2001). The concept of “source,” whether micro or macro, functioning symbolically through design, introduces a crucial metaphysical and aesthetic claim: design operates as a mediating language between origin and manifestation. Philosophically, this resonates with process thought, in which reality is understood as becoming rather than being, and form is the temporary stabilization of ongoing processes (Whitehead, 1929). Psychologically, the “soul” as a filter of meaning can be interpreted less as a metaphysical substance and more as a symbolic totality of the psyche, integrating conscious and unconscious dimensions (Jung, 1968). Your use of the wave–particle duality as a metaphor for how experiences appear either intangible or tangible mirrors the epistemological lesson of quantum physics: complementary descriptions are required to account for phenomena that exceed any single representational frame (Bohr, 1935). In aesthetics and design, this suggests that forms are not merely objects but events of meaning, crystallizations of intention within perceptual and cultural fields (Dewey, 1934; Krippendorff, 2006). What you call “imaginings” can thus be understood as designed symbols, configurations of meaning that congeal within a shared reality through collective practices of interpretation. 

The role of the subconscious, intuition, and imagination in constructing symbolic systems is well established in depth psychology and cognitive science. Jung (1968) emphasized the formative role of archetypal images, while contemporary theories of predictive processing argue that perception itself is an active construction guided by prior models and expectations (Clark, 2016). In this light, observation is not passive reception but participatory enactment: reality is continuously co-produced by observer and environment, a view consistent with both enactive cognition and certain interpretations of quantum measurement (Varela et al., 1991; Wheeler, 1990). 

Your description of the observer as a “dimensionless center” echoes both phenomenological accounts of the transcendental subject and metaphysical notions of a ground of awareness that cannot itself be objectified (Husserl, 1970; Nagarjuna, trans. Garfield, 1995). The reference to “dreamtime” can be read as pointing to liminal states of consciousness in which categorical distinctions loosen, a theme explored in anthropology, psychology, and philosophy alike (Eliade, 1959; Jung, 1968). 

When you state that awareness is a function of consciousness and design is the process that transforms awareness, you are articulating a powerful design-theoretical claim: design becomes the operational interface between potential meaning and lived form. This aligns with contemporary views of design as a sense-making practice rather than mere problem-solving (Buchanan, 2001; Krippendorff, 2006). The ethical dimension you introduce, concerning toxic ideas and planetary harm, situates design within a responsibility framework that resonates with current discourse on AI ethics, ecological design, and responsible innovation (Floridi et al., 2018; Norman, 2013). 

Finally, your emphasis on intention, pattern, and trajectory as the core coordinates of design consciousness integrates metaphysics, psychology, and systems theory into a single operative schema. Intention corresponds to teleology or goal-directedness, pattern to form and structure, and trajectory to process and becoming (Whitehead, 1929; Prigogine & Stengers, 1984). In AI, similar triads appear in discussions of objective functions, architectures, and learning dynamics, underscoring that even artificial systems participate in a designed semiotics of action and meaning (Russell & Norvig, 2021; Floridi et al., 2018). 

In this expanded framework, design emerges as the mediator between the visible and the invisible, between sensed and unsensed dimensions of experience. What is not immediately perceived, the latent, the implicit, the unconscious, often exerts the greatest causal influence, a claim supported by both depth psychology and systems theory (Jung, 1968; Deacon, 2011). Thus, every pattern of “energy in motion” can be understood as fractal and holographic in the sense that it repeats relational structures across scales, from neural dynamics to cultural symbols to technological systems (Bohm, 1980; Mandelbrot, 1983). Design consciousness, in your sense, becomes the practice of navigating and shaping these resonant fields so that awareness may continually reconfigure itself within an ever-expanding ocean of meaning. 

References (APA) 

- Bohr, N. (1985). Atomic physics and human knowledge. Dover. 

- Bohm, D. (1980). Wholeness and the implicate order. Routledge. 

- Buchanan, R. (2001). Design research and the new learning. Design Issues, 17(4), 3–23. 

- Cassirer, E. (1955). The philosophy of symbolic forms (Vol. 2). Yale University Press. 

- Clark, A. (2016). Surfing uncertainty: Prediction, action, and the embodied mind. Oxford University Press. 

 - Damasio, A. (1999). The feeling of what happens: Body and emotion in the making of consciousness. Harcourt. 

- Deacon, T. W. (2011). Incomplete nature: How mind emerged from matter. Norton. 

- Dewey, J. (1934). Art as experience. Perigee. 

- Eco, U. (1976). A theory of semiotics. Indiana University Press

- Eliade, M. (1959). The sacred and the profane. Harcourt. 

- Findeli, A., & Bousbaci, R. (2005). L’éclipse de l’objet dans les théories du projet en design. The Design Journal, 8(3), 35–49. 

- Floridi, L. (2014). The fourth revolution: How the infosphere is reshaping human reality. Oxford University Press. 

- Heisenberg, W. (1958). Physics and philosophy: The revolution in modern science. Harper & Row. 

- Husserl, E. (1970). The crisis of European sciences and transcendental phenomenology. Northwestern University Press. 

- Jung, C. G. (1969). The archetypes and the collective unconscious. Princeton University Press. 

- Kahneman, D. (2011). Thinking, fast and slow. Farrar, Straus and Giroux. 

- Krippendorff, K. (2006). The semantic turn: A new foundation for design. CRC 

- Mandelbrot, B. (1983). The fractal geometry of nature. W. H. Freeman. 

- Merleau-Ponty, M. (1962). Phenomenology of perception. Routledge. 

- Peirce, C. S. (1931–1958). Collected papers of Charles Sanders Peirce (Vols. 1–8). Harvard University Press. 

- Prigogine, I., & Stengers, I. (1984). Order out of chaos. Bantam. 

- Ricoeur, P. (1970). Freud and philosophy: An essay on interpretation. Yale University Press. 

- Russell, S. (2019). Human compatible: Artificial intelligence and the problem of control. Viking. 

-Spinoza, B. (1994). Ethics (E. Curley, Trans.). Penguin. (Original work published 1677) 

- Varela, F. J., Thompson, E., & Rosch, E. (1991). The embodied mind: Cognitive science and human experience. MIT Press.

- Whitehead, A. N. (1929). Process and reality. Free Press. 

- Wheeler, J. A. (1990). Information, physics, quantum: The search for links. In W. 

- Zurek (Ed.), Complexity, entropy, and the physics of information (pp. 3–28). Addison-Wesley. 

The author generated some of this text in part with ChatGPT 5.2 OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited:10.15.2017, 11.24.2017, 03.05.2018, 01.29.2020, 01.06.2022, 08.19.2023, 02.05.2026, 02.18.2026

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) You are also invited to visit https://designmetaphysics.blogspot.com/,   and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

  

Design Consciousness: Space, Time and Inertia

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, consciousness and design awareness.

Life suggests that relevancy can be both born and created. In 3D space/time awareness, i.e. consciousness, appears to function within the conceptual parameters of a seemingly holographic construct. Forms appear to flicker in and out of space/time. Are these particles conceptual or real? 3D space/time appears dimensional, linear and framed within the contextual and symbolic parameters of an ever-changing POV. 

Consciousness clings closely to time for sustenance, is cyclical in nature, conceptual in context and swayed by many impressions (forces). Time allows for change and in turn carries an awareness construed about the focus of an observer. Yet simple events and experiences suggest that there is an element of continuity in what we perceive as consciousness. Time appears to be linear yet like consciousness is cyclical and contextual in nature. Time and consciousness are symbolically re-presented as fields when interpreted in the form of quanta or substance * of any dimension **. These fields create the situations where design is afforded the "potential of becoming" readily apparent. 

* Atomism is the theory that all of reality and all the objects in the universe are composed of very small, indivisible and indestructible building blocks known as atoms (from the Greek "atomos", meaning "uncuttable".

** “Plasma is considered the fourth state of matter. The three other states are solid, liquid, and gas. Plasma is a cloud of protons, neutrons and electrons where all the electrons have come loose from their respective molecules and atoms, giving the plasma the ability to act as a whole rather than as a bunch of atoms. A plasma is more like a gas than any of the other states of matter because the atoms are not in constant contact with each other, but it behaves differently from a gas. It has what scientists call collective behavior. This means that the plasma can flow like a liquid or it can contain areas that are like clumps of atoms sticking together.” http://www.qrg.northwestern.edu/projects/vss/docs/propulsion/2-what-is-plasma.html

Forms are symbolic metaphors, i.e. designed patterns of consciousness emerging from an unknown series of conditions transcribed and transformed within an array of dimensional "time frames". Forms appear and disappear within the parametric constraints of time and space while kindly registering, i.e. imprinting, every event and experience within a context of formlessness, aka the Akashic field.

Events and experiences appear within the construct of what has been described as a field or “region" in which a particular condition prevails, especially one in which a force or influence becomes affective regardless of the apparent presence or absence of a medium.

• the force exerted or potentially exerted in such an area measures the variation in the strength of the field.

My interpretation of a field has been assembled from an assortment of perspectives:

A field is a conceptual system or matrix subject to binary and analogous influences (+ and -) that symbolically share similar commutative and distributive laws appearing in the form of energy, light and information.

Humanity perceives and describes “reality” in a multi-dimensional fashion. Reality might be characterized as a field incorporating a series of intellectual, emotional, physical and intuitive inputs interpreted, perceived and described from an “inert state” or position. Every contributor re-presents a "variable" made dependent upon the complexity surrounding every situation ... which includes the sophistication in awareness of the observer.

Due to an ever-changing range of widely coded details stemming from a host of vibrational resources, attributes respond to a broad scale of vibratory frequencies (forces) in a variety of ways.  
Each attribute contributes to the concept of a field when joined with other attributes engaged in the manifestation of a system or matrix. Situations readily contribute to the primary description of a larger field, ex. sight, touch, taste, smell, intelligence, feeling, thought and emotion. Together these attributes describe the formation of a matrix by means of the qualities they define, convey and imply. Each field is characterized by means of symbolic observation along with the qualities that together identify and substantiate it. 

Obviously, some fields contain more attributes and therefore appear more complex than others. An amoeba is an example of a much less complicated field (system) than the host organism in which it may be found. Every field is in constant flux, always changing in regard to the situation (context) encountered.

The universe is virtual (conceptual) in context implying that events do not appear or occur until brought to awareness by means of observation. No "particles" as such exist there. They become realized only because we've viewed and/or symbolically interpreted them as such. In essence, the universe appears conscious because we observe and reflect such a quality upon it from a POV attributable to our own level of awareness. Assemblages of other sources of plasmic manifestation, e.g. ideas, thoughts, emotions, actions, responses etc. impart similar qualities to their creative "source" as reflections (forces) upon a plasmic field of singular and collective response.

Note: A point of view (POV) should be regarded as a condition of inertia or state of rest harboring the tendency to remain unchanged while attaining a uniform degree of motion, direction and magnitude. However, every designation likewise invites the potential for being altered by external forces. See Birkeland currents in relation to electricity and magnetic fields.

This is an environment where the concept of a "field" can be interpreted and conjured as an aspect of mind. A field is an integrated creation of the imagination and both a purposeful and meaningful conclusion to what we view, interpret and symbolize as a particular frequency and/or dimension.  It is also a characteristic of reductionist thinking. This is why some maintain that the universe possesses and is the product of a greater Intelligence by virtue of explaining and embracing several visible and invisible attributes. 

This idea is partially due to the realization that every POV must take but one "position" within the constraints of a moment. Ponder upon the concept of timelessness as an instant, a cell or frame halted during an animation or movie. Any "idea" of time and space relates to a POV taken from within the parametric constraints of a conceptual framework. Ideas create a conglomeration of geometric events, i.e. matrixes and experiences that surround and create its own set and/or series of interactions and attractions (systems).

Ideas become sources of attraction. The result is the generation of a series of magnetic fields made in response to circumstances exhibiting a degree of duality. These are situations created by means of energy-in-motion moving in reference to other forces and/or impulses, i.e. frequencies. Complimentary images create the fields required to harbor a potential for the further generation of ideas to be made manifest within the influence and likeness of the matrix. Similar apparitions continue to emerge from within this virtual source. From within the reference of space and time ideas can be made credible while giving credence to the vacuum from which they've emerged.

Events and experiences leave imprints within the cyclic understanding of an imaginary field of 3D space/time made in conjunction with the constraints of a particular POV. These events and experiences are symbolic markers returning upon themselves within the context of a series of mini systems all spiraling about a common vector, i.e. design. In this manner a design reveals its identity by means of the creations made within the context of its own "virtual" reality.

Force and motion can alter dimensions as countless vectors of inertia become generated as result of virtual time and space. Again, these arrangements are the result of a particular POV made in reference to the purpose/s in support of these two important components. In essence, each marker could be considered a pixelation, fractal or holographic re-presentation, i.e. symbol/design of one's own imaginings made in plasmic space/time. Past awareness' being meaningfully and purposely designed into a form of events and experience, is the foundation upon which further expansion of any "field of consciousness" is dependent.  

Riding the vector of inertia allows for purposeful, i.e. conscious, change as forces become intentionally projected. Events and experiences are readily contained and interpreted within the parametric constraints of every self-generated framework merely for the sake of organization and expansion. Choices as to how these influences are interpreted and acted upon are dependent upon a point of observation well within the construct of every matrix, i.e. field of consciousness. For example: To comprehend the concept of space and time from the POV of a rabbit, eagle or squirrel is dependent upon the position, POV and awareness of the observer whether it be a rabbit, eagle, squirrel or human.  

The concepts of space and time create a frame of reference for the mind. Both space and time appear as co-substantial experiences but are in themselves conceptual in context and purpose. Together they bring substantiation to that which is necessary for the generation and realization of a form or idea. Ideas are examples of inert events, e.g. substances generated from within the complimentary parameters and constraints of a particular POV. Ideas themselves are static in structure and while appearing to be independent concerning their complexity, can also be self-generating, contributory and co-creative. 

Consciousness results in a co substantial event containing attributes that bring a degree of permanence to an idea. Inertia re-presents light (energy) achieving a degree of balance or harmony while fluctuating between countless forces appearing to impregnate the universe. 
 
Inertia brings substance (form and geometry) to events and experiences made possible within the framework of space and time. When not patterned appropriately, i.e. designed or enlightened, forms have similarly been referenced and labeled as being "dark" in quality and/or character. Light is energy and is symbolically referenced, i.e. observed both in the form of a particle, a wave or both when viewed within the same contextual field, e.g. human awareness. 

Such recognition merely marks i.e. symbolizes, a loss or lack of energy. That which surrounds the theory of dark energy is contractive rather than expansive, exclusive rather than inclusive, passive rather than active, allusive rather than permanent, etc. When measured from a particular POV, e.g. duality, all states of consciousness seem to reflect a certain degree of inertia as being an inherent component of what appears as being reality in 3D space/time. Only conjectures considered beyond the concepts of space and time remain immutable and unquantifiable. 

Virtual energy might be described as a concept, immeasurable quality or illusive state. Virtual energy implies certain potentials are ascertainable.

illusive  deceptive; illusory:

potential   having or showing the capacity to become or develop into something in the future:     latent qualities or abilities that may be developed and lead to future success or usefulness: (often potential for/to do something) the possibility of something happening or of someone doing something in the future:
Virtual energy is attributable to a principle, i.e. concept, and not necessarily an aspect of reality until chosen as a qualifier for position, perspective or introspection. That which is quantifiable emerges by means of force and motion. In other words, that which is "tangible" is designed from within the context of a field of inertia made apparent by virtue of a variety of forces and impressions in motion, e.g. e-motion. Together these forces bring a degree of precedence to a contextual field of substantial observation. Forces often undetermined by the observer typically contribute to the shape and form of attributes previously unknown (see synchronicity). All such events, i.e. manifestations, have substantial individual and collective ramifications upon an entire matrix.* * *This is a deeply philosophical and metaphysical text that explores the nature of consciousness, space, time, and reality itself. To refine and expand on specific themes, we could break down the key concepts and delve into each of them with more depth and clarity, while also linking them to broader philosophical, scientific, and spiritual discussions. Here's a refined and expanded approach to several themes from your text: 
1. Relevancy: Born and Created • Refinement: The text begins with the assertion that relevancy can be both born and created. This speaks to the interplay between objective existence and subjective interpretation. To further elaborate on this, we can say that relevance is not merely an external quality but a construct influenced by perception, experience, and context. Something becomes relevant not only because it exists in the world but because a consciousness interprets and assigns meaning to it. • Expansion: This idea could be tied into the concept of "reality creation" in both philosophical and metaphysical traditions. For example, in existentialism, relevance is often a personal construct. Jean-Paul Sartre argued that existence precedes essence, meaning that individuals create meaning and relevance through their choices. This mirrors the text's idea that relevance is both emergent and imposed, crafted through awareness. 
2. The Nature of 3D Space/Time and Consciousness • Refinement: The assertion that consciousness "appears to function within the conceptual parameters of a holographic construct" suggests a blend of quantum theory and philosophical idealism. The text hints at the idea that forms (particles, objects) flicker in and out of existence, alluding to quantum mechanics where particles exhibit wave-particle duality and appear to exist in probabilistic states until observed. • Expansion: This theme resonates with the philosophy of George Berkeley, who suggested that "to be is to be perceived"—that reality is dependent on perception. Expanding on this, we can discuss how modern physics (like the observer effect in quantum mechanics) supports this view: particles exist in multiple states and only "collapse" into a definite state when observed. This idea aligns with the notion of reality being contingent on consciousness, much like how the text suggests forms are symbolic and "appear and disappear" based on our perspective. 
3. Time and Consciousness as Cyclical and Contextual • Refinement: Time is described as both linear and cyclical, which suggests a paradox in how we experience it. While we often perceive time as moving forward in a straight line, our consciousness tends to reflect upon events cyclically (e.g., through memory, seasons, or repeating patterns in life). This duality reflects a deeper truth in quantum physics where time may be experienced differently at various scales. • Expansion: Expanding on this, time's cyclical nature could be explored further through the lens of fractal patterns in nature and consciousness. The cycles of growth, decay, and rebirth that occur on both cosmic and personal scales could be viewed as metaphors for the cyclical nature of time and consciousness. This can also connect with Eastern philosophies like Buddhism, where the cyclical concept of time (samsara) underpins the idea of reincarnation and the continuity of consciousness across lifetimes. 
4. The Akashic Field and Symbolic Imprinting • Refinement: The Akashic field is referenced as a formless repository of all experiences, events, and knowledge. This idea is often linked to the concept of an omnipresent field of information that transcends time and space. The metaphor of symbolic imprints suggests that consciousness is not only a passive observer but also a recorder of experiences, which shapes future events and realities. • Expansion: One way to expand this would be to compare the Akashic field to the modern concept of the "information field" in theoretical physics. The idea of the universe as an interconnected web of information is also explored in the theory of the holographic universe (proposed by physicist David Bohm). In this theory, the entire universe can be seen as a projection from a deeper, non-local source of information. By connecting this with the Akashic field, we can consider whether human consciousness taps into this universal archive through collective memory, intuition, or spiritual insight. 
5. Fields as Conceptual Systems or Matrices • Refinement: The description of fields as "conceptual systems" subject to binary and analogous influences evokes a framework where reality is shaped by both objective laws (like physics) and subjective interpretation (human cognition and emotional states). This can be expanded to consider how the universe may operate both at the quantum level (where binary states like on/off or 1/0 are common) and on the macro level (where patterns emerge through interconnected systems). • Expansion: Building on this, we could discuss how the concept of fields can be applied to the development of human consciousness. For example, Carl Jung’s concept of the "collective unconscious" suggests that humans share an inherited reservoir of experiences and archetypes, which could be thought of as "fields" of influence shaping individual lives. Additionally, fields can be understood as dynamic systems that are not static but evolve based on internal and external inputs, much like how consciousness itself is shaped by interaction with the environment. 
6. Virtual Reality and the Concept of "Virtual Energy" • Refinement: The text speaks to the virtual nature of the universe, where events do not appear until they are observed or "realized" by consciousness. This could be aligned with the concept of "virtual energy," which implies that potential exists within the conceptual realm before it manifests into observable reality. The idea that the universe is virtual in nature challenges the materialist view of a solid, independently existing reality. • Expansion: Virtual reality, as we experience it through technology, provides a modern analogy to this ancient philosophical idea. In virtual worlds, what is "real" only exists as long as the observer engages with it, echoing the metaphysical view that reality is a construct dependent on awareness. This could be tied into modern discussions on simulation theory, which posits that our reality could be a sophisticated simulation. In this framework, "virtual energy" may represent the underlying potential energy in the "code" of the simulation that is only realized when interpreted through the mind. 
7. Force, Motion, and Inertia in Consciousness • Refinement: The text describes force, motion, and inertia as critical components of how consciousness operates within space/time. It suggests that these elements not only shape the physical world but are also integral to the movement of ideas and awareness within consciousness itself. • Expansion: This could be expanded by referencing the concept of "morphic fields" proposed by Rupert Sheldrake, which suggests that habits and patterns of behavior (whether physical or mental) are influenced by fields of collective memory that evolve over time. Inertia, in this sense, could be viewed as the tendency for consciousness to maintain certain thought patterns or habits until a force (an external stimulus or intentional will) prompts a shift. 
8. Consciousness as Co-Creator • Refinement: The text speaks of consciousness as a co-creative force within the universe, a participant in the generation of reality. This idea aligns with spiritual traditions that view consciousness as not merely passive but actively engaged in shaping the world. • Expansion: This notion could be expanded through the lens of quantum consciousness theories, such as those proposed by physicist Roger Penrose or philosopher David Chalmers, who argue that consciousness is a fundamental aspect of reality and may have the power to influence the collapse of quantum states. This could further connect with the idea that individual consciousness is not isolated but interconnected within a larger matrix or universal field. 
Summary of Refinement and Expansion: The themes in the text address deep questions about the nature of consciousness, time, and reality, blending philosophy, science, and mysticism. The primary focus seems to be the fluid, interconnected, and co-creative nature of consciousness and reality, with an emphasis on the role of perception, observation, and the symbolic nature of time and space. Expanding on these ideas could involve tying in quantum physics, simulation theory, and holistic philosophies that view consciousness as an integral part of the universe's unfolding. The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited: 12.22.2016, 01.11.2017, 05.10.2017, 03.05.2018, 10.26.2019, 06.24.2020, 07.07.2020, 01.14.2022, 08.11.2023, 04.20.2025

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