Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
When Should Someone Trust an AI Teammate’s Predictions?
By ADAM ZEWE, MASSACHUSETTS INSTITUTE OF TECHNOLOGY JANUARY 19, 2022
Hussein Mozannar wrote this paper with Arvind Satyanarayan, an assistant professor of computer science who leads the Visualization Group in CSAIL; and senior author David Sontag, an associate professor of electrical engineering and computer science at MIT and leader of the Clinical Machine Learning Group. This research will be presented at the Association for the Advancement of Artificial Intelligence in February 2022.
For sake of clarification, I have highlighted certain phrases and comments I believe support the concept of Design and its relationship to Consciousness. My sincere gratitude to SciTechDaily and the authors.
***
“To help people better understand when to trust an AI “teammate,” MIT researchers created an onboarding technique that guides humans to develop a more accurate understanding of those situations in which a machine makes correct predictions and those in which it makes incorrect predictions.
By showing people how the AI complements their abilities, the training technique could help humans make better decisions or come to conclusions faster when working with AI agents.
“We propose a teaching phase where we gradually introduce the human to this AI model so they can, for themselves, see its weaknesses and strengths,” says Hussein Mozannar, a graduate student in the Clinical Machine Learning Group of the Computer Science and Artificial Intelligence Laboratory (CSAIL) and the Institute for Medical Engineering and Science. “We do this by mimicking the way the human will interact with the AI in practice, but we intervene to give them feedback to help them understand each interaction they are making with the AI.”
By showing people how the AI complements their abilities, the training technique could help humans make better decisions or come to conclusions faster when working with AI agents.
“Cognitive science suggests that humans make decisions for complex tasks by remembering past interactions and experiences. So, the researchers designed an onboarding process that provides representative examples of the human and AI working together, which serve as reference points the human can draw on in the future. They began by creating an algorithm that can identify examples that will best teach the human about the AI.
“We first learn a human expert’s biases and strengths, using observations of their past decisions unguided by AI,” Mozannar says. “We combine our knowledge about the human with what we know about the AI to see where it will be helpful for the human to rely on the AI. Then we obtain cases where we know the human should rely on the AI and similar cases where the human should not rely on the AI.”
The researchers tested their onboarding technique on a passage-based question answering task: The user receives a written passage and a question whose answer is contained in the passage. The user then has to answer the question and can click a button to “let the AI answer.” The user can’t see the AI answer in advance, however, requiring them to rely on their mental model of the AI. The onboarding process they developed begins by showing these examples to the user, who tries to make a prediction with the help of the AI system. The human may be right or wrong, and the AI may be right or wrong, but in either case, after solving the example, the user sees the correct answer and an explanation for why the AI chose its prediction. To help the user generalize from the example, two contrasting examples are shown that explain why the AI got it right or wrong.
“The participants who received teaching did just as well as the participants who didn’t receive teaching but could see the AI’s answer. So, the conclusion there is they are able to simulate the AI’s answer as well as if they had seen it,” Mozannar says.
“When teaching is successful, it has a significant impact. That is the takeaway here. When we are able to teach participants effectively, they are able to do better than if you actually gave them the answer,” he says.
Reference: “Teaching Humans When To Defer to a Classifier via Exemplars” by Hussein Mozannar, Arvind Satyanarayan and David Sontag, 13 December 2021, Computer Science > Machine Learning.
arXiv:2111.11297
Premise: An investigation to determine the ramifications surrounding the use of artificial intelligence (AI) as a “teammate” in the decision-making process.
Commentary: Everything changes in the quantum field of virtual potential (QFVPP), and in reference to human consciousness, categorized symbolically in and for, the moment (3d space/time constraints).
Question: Therefore, what might be considered intuitive and what is not?
Answer: The intuition is a design principle, archetypal, quintessential and consubstantial in origin. Intuition is innate and key to human/design consciousness. Everything changes in the moment/awareness and therefore made conscious by design.
Design questions of choice.
What is its purpose? What does it mean? Will it, can it, has it been designed appropriately in order to expand human knowledge, understanding, compassion, efficiency, awareness and consciousness? Does it encourage and harbor future potentials? Does it embrace and cooperate with the design of the planet? Are there any safeguards in place assuring that this tool will be used appropriately? Who is the user? Is the immeasurable worth measuring in the conscious search for balance and harmony?
Intelligence exemplifies change. Intelligence is perpetually being redefined by virtue of symbolic transmission interlaced within every form of conscious awareness.
Generally speaking, intelligence describes a vibratory state with purposeful intentions Understanding describes a vibratory state with meaningful intentions. Both become one in the same by means of coherent resonance/design.
Understanding _______________ Intelligence
Meaning _______________ Purpose
^
Coherent Resonance
(Design)
Intelligence like love, is a vibratory expression of perception/ observation and participation. Both impressions are made apparent by virtue of a symbolic spectrum of vibratory exchange and balance.
The concept of intelligence is but a single feature of consciousness “as we know it”.
Intelligence and technology are intimately linked by design.
Whether digitized for collective reference or subjectively inspired for individual intent, the intuition cannot be denied. Context is everything.
Science, art and philosophy caress a broad range of design perspectives (vibratory frequencies) by means of a vocabulary of symbolic languages designed to bring meaning and purpose to Life.
Science, art and philosophy each describe a POV within a symbolic framework created/designed in order to perceive, observe and interpret reality.
* * *
- Design Metaphysics: An Exercise in Abductive Reasoning I
Consciousness describes an amalgamation of mind (intelligence), emotion (feeling), matter and spirit (tangible and intangible), made self-evident through symbolic awareness.
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective, global and soular balance and harmony.(07.01.2023)
* * *
By virtue of design, AI provides us the opportunity to learn what it means to be human.
Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Our shadow selves have
been designed to bring to fruition truth, beauty and goodness by means of a
road enlightened. Train the mind and the heart by focusing upon the light,
information and symbolic energy stemming from knowledge of your own center/source. Relish the forms in which Light makes its daily transition and transformation.
So why do we so easily
acclimate and sacrifice our energy and grace to that which wants to control us? Master that which
you are by disengaging in every parasitic pattern that attempts to generate and control your fears.
Why succumb to ignorance
and hypocrisy when you know they will never harbor the truth? Do you know your
consciousness for what it is? Lack of mastery invites distortion while others ignore their own truth while taking
yours.
Know your source (center) by bringing
to Life the concept of an earthly consciousness. Know that you are a
contributor and co-creator of a multitude of design patterns beyond your own awareness. You are an integral point in the creation of a greater network, i.e. a specific consciousness resonating
within the geometry of a greater wisdom (fabric) loosely bound together by quantum/fractal and holographic levels of attraction and repulsion. This is where the concepts of unity and separation are experienced and allowed. Together these factors set the stage for greater awareness.
Awareness incubates and then is born from within the dynamic turbulence (chaos) created between opposing yet complementary points of view (POV).
This presents a field where an added concept of singularity can evolve, be discovered and in time ideally e-merge. Designs are coded
for creative purposes … compilations of light, energy and information that
reflect upon a conceptual knowledge within its own re-source/s.
Consciousness becomes recognizable at certain levels, i.e. dimensions, of awareness and is
patterned about a multidimensional concept of both knowing and feeling (Kama Manas). Discover your
Self in order to experience what this level of integration might be. Know that what you have designed for your self
has been created to find your own truth. Relative sources change by design yet remain the same.
As we inquire into the
depths of the "unknown" we are typically presented with more than just one meaning or purpose surrounding an event or experience. We are usually
presented with a handful of interpretations and connotations. Every
clarification is important and every interpretation relevant; we are often left to determine which is most appropriate. This is where the cognitive
qualities of the rational mind (purpose) and the empathic strength of the heart (meaning) resolve the intuitive “feelings” required for evaluation and appropriate action.
ENERGY PROJECTION, REFLECTION, TRANSITION, TRANSFORMATION
Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Numbers, like letters of the
alphabet, are designs, i.e. symbolic representations of a specific system of images
and forms geometrically encoded; patterns of energy, light and information created
in order to direct awareness and cohesively make sense in what appears to be a sense-less world
through cognitive reasoning and feeling, i.e. intuition. Symbols are forms designed to resonate
within the mind and emotions of an observer. In coordination and in context
with form they together exhibit a specific purpose and meaning.
Plasmic ethers are virtual in
character. Plasma's origin lies within the etheric depths of the universe.
Plasma's "substance"* is a geometric, i.e. tangible, reflection of its somewhat intangible source. Substance is merely an early step in the design process towards manifestation, aka creation. Substance makes its appearance in the formation of the
Cosmos (Universe). Plasma is quantum in essence and when patterned about certain
influences (forces) in the universe become metaphysical in character while straddling the line between vapor and solidarity. Substance becomes visible and forms become apparent (form-like) by means of a holographic geometry. Etheric substance
(plasma) changes and adapts according to the context in which it is contained (space),
felt (imagined) and/or observed (time). Plasma is instrumental in giving rise to the metaphysical.
* Plasma can fluctuate between form and formlessness, a quantum characteristic describing the dynamic relationship and transformation between the concepts of a particle and a wave. Plasma can be controlled by means of an outside influence patterned about the designs of a conscious observer.
Forms appear in graduated
degrees of density.** Every geometry brings expression to a different set of configurations in the form of energy,
light and information. All kinds of forms can be found in nature.
Substance (matter) appears to be wrapped, packaged and patterned
about different configurations based upon the context in which they are
observed. Substance under the influence of a dualistic context (Kama
Manas, Yin Yang), are made "known" by means of these two "opposing" yet complementary frequencies. Together
these forces command a tertiary position of influence in the form of a dynamic force/source that will emerge as result of the conditions/situation observed. The affect of this circumstance is made symbolically apparent and the result /product of every dynamic relationship. They are the designed reflections of an Original Intelligence.
density: the degree of compactness of a substance: a reduction in bone density.
• Computing a measure of the amount of information on a storage medium (tape or disk). For magnetic tape it is the amount of information recorded per unit length of tape (bits per inch or millimeter); for a disk, a fixed number of bits per sector, sectors per track, and tracks per disk : chip density doubles every eighteen months | [as modifier, in combination ] a low-density 5.25-inch floppy disk | a drive capable of handling high-density 1.44 megabyte disks.
• Physics degree of consistency measured by the quantity of mass per unit volume.
Matter labels a
certain vibratory “state” or design which is the product of a series of
dualistic influences. Substance (matter) brings significance to this intangible relationship. Substance is rooted in plasma. And by means of
the formation of these ethereal forces, shares in what might be considered the changing state of physical, mental and emotional impermanence.
Matter might be
described and interpreted as a source of Light (consciousness) captured within the context of a conceptual space for the moment (time). In this example the end result of this relationships might be a pattern or network of significant energy, i.e. a form.In this sense light can appear to be tangible while remaining motionless (in phase) in reference to a conceptual context we've called space. Time is the container in which a universal Light is made apparent and appear to be solid. Time is required for the formation of Light. The density of 3D space/time facilitates this transformation within a background of perpetual change.
Note: Please ponder upon the concept of plasma being the original "material" of light, energy and information. Consider the formulation of this energy as the reflection of an Intelligent mind along with its physical, mental, emotional and "spiritual" implications. Is the Cosmos the holographic imagining of a Universal Intelligence or combination of Intelligences? Can the idea of a universal Light source be found in every form of energy be the basis of a higher meta-physics? Does "star stuff" possess an etheric and plasmic origin and therefore be considered the expression of a common universal mind? Are the designs of this Intelligence a reflection of its own DNA made apparent in a celestial field (universe) for all to experience a hologram? Does the concept of "dark" matter re-present un-enlightened, unactivated DNA strand not yet included in the design of the Universe? Is this what might be meant when we consider the axiom "As above so below"?
* * *
This passage presents a deeply philosophical and metaphysical perspective on the nature of reality, symbolism, energy, and matter. It blends concepts from science, consciousness, and spiritual philosophy to explain the formation of existence. Let's break it down a bit:
1. Numbers as Symbols: You begin by describing numbers (and symbols in general) as designs that represent a system or order in the universe. Numbers are not just abstract entities; they are forms that resonate with both the mind and emotions, guiding awareness and understanding in a world that may appear chaotic without these symbols.
2. Plasmic Ethers and Plasma: The concept of plasmic ethers touches on the idea that the universe has an etheric or spiritual origin, and plasma serves as a tangible reflection of this origin. Plasma, which is both physical and metaphysical, occupies a unique position between the ethereal and the material. It is a substance that exists in a quantum state, existing between vapor and solidity, shaped by forces within the universe.
3. Manifestation and Creation: Plasma, as described, plays a pivotal role in the process of creation. It represents the earliest stages of substance or matter coming into form. It is shaped by the environment (space), consciousness (thought and imagination), and time (observation). The holographic geometry of plasma serves as a bridge between the intangible and the tangible, allowing for the manifestation of material forms.
4. Dualism and the Emergence of Forms: Dualistic principles, like the interaction of opposing yet complementary forces (e.g., Yin and Yang), are key to the formation of matter. These forces interact to create a dynamic position of influence, bringing forth the resulting forms in the universe. Every form in nature can be seen as a product of this dynamic interplay of energies, patterns, and influences.
5. Matter as a Representation of Light: Matter is described as a vibratory state or design, created through dualistic interactions and giving substance to the intangible. In this framework, matter is not an absolute, fixed entity but a product of forces within a conceptual space. Time is essential for this transformation, and it is the container that allows light (or consciousness) to take form and appear as solid, tangible matter.
6. The Role of Time in Manifestation: Time is seen as the necessary dimension in which light (or consciousness) can solidify into matter. In the context of the 3D world, the density of space and time facilitates the transformation of this universal light into the physical world we experience.
Overall, the passage combines ideas from quantum physics, metaphysics, and spiritual philosophy, suggesting that reality is an interplay of energy, consciousness, and patterns of light, with time being the medium through which these energies manifest into tangible forms. There is a strong emphasis on duality as a fundamental principle in the creation and evolution of the material world, with everything ultimately stemming from a deeper, original intelligence or source.
This perspective invites the reader to view the universe not as a collection of random, disconnected events but as a purposeful and intelligent design where every form and experience is interconnected.
* * *
Mind, matter and our
emotions are ways in which we detect, feel and observe our
“objective” world. Our five senses resonate (vibrate) to a
multitude of frequencies that complement the forms we create. These patterns are partially discovered by focusing upon the astrological arrangement of geometric events and states as expressed in 3D
space and linear time.
Form and formlessness are
both contained within the margins, i.e. frequencies, of observation. Every impression is both felt and observed by our
senses. We observe all phenomena from within the parameters of a field described as 3D
space/time. We perceive and respond to these vibrations because we are composed of the same star stuff (substance). Therefore, we resonate (respond) to energy resources beyond our knowing.
Our challenge as a species is to sustain
our concentration towards bringing light, energy and information from the universe into balance with the parametric constraints of an Earthly existence. Our presence (light) is focused and concentrated in 3D
space/time. Our presence likewise includes an awareness of 2D, 4D and 5D expressions in space/time. Due to an ever-changing universe all "things" have been designated to expand awareness. Humanities expansion is a reflection of
planetary significance. Every dimensional field of consciousness, i.e. mineral,
plant, animal and human, together create a network of global, solar,
galactic and universal expression and consequence. Dimensions overlap and humanity by nature is multi-dimensional in character. When conscious, humanity possesses the ability to become an active beacon and co-creator of Light.
Design is a harbinger of Light***. Design is an event/experience of great importance.Humanity must now make mental, emotional, physical and spiritual sense out of every "situation" in order to survive. Due to the ever increasing complexity of life upon this planet design's relevance has become essential to the survival of the species.
harbinger: a person or thing that announces or signals the approach of another : witch hazels are the harbingers of spring.
• a forerunner of something : these works
Survival is dependent upon choices made within a global matrix (network) shared by all life forms. Each has been designed, i.e. designated, to purposely contribute its own unique qualities to the mix in order to create a balance, i.e. harmony, between “states” of light
and energy. All networks are linked. Life forms overlap in response to their own survival. Consciousness will change and/or adapt in its own distinctive way. Change is made apparent within the form and context
of every observer.Change in reference
to survival is linked to the ability to maintain balance. Energy must be appropriately distributed within the complex nature of every planetary matrix. Resolution remains difficult due to the intricacies surrounding the complex nature of the system. Inadequacy and imbalance is easy to find. Progress, knowledge and growth in awareness become the results of an ever expanding and contracting process. Growth, fragmentation, change and expansion are inescapable principles found throughout the universe. Dependency and accountability must be shared as concepts and ideas surrounding the idea of "complexity". Every system will experience a certain degree of error and distortion. Consciousness (awareness) is a fluctuating point of focus, i.e. an integration of a variety of vibrational states "positioned" strategically by means of a resonant geometry pattern founded upon meaning and purpose, aka a design. The universe remains active in a contextual consciousness created by virtue of the dynamic interface created between opposites while remaining virtual in character until purposely acted upon. Ethereal interpretations can be both plasmic and "spiritual" in composition. They can be read as elements readily transforming themselves into formable systems of energy, light and information. Together they harbor a universal desire for meaning and purpose known only to the creative "source" about which these forms emerge. In reference to humanity, design appears self centered and based in the ego. Humanity appears as another link in a chain of events, events that harden the transfer, absorption and distribution of universal energy, light and information.
Responsibility lies in sustaining balance while in quest for knowledge,
understanding and universal wisdom. It appears to be in humanities best interest to bring equilibrium to every fabric of a collective consciousness.
Forms change. Substances change. Design remains critical. Humanity both directly and indirectly affects every aspect of consciousness physically (earth),
mentally (air), emotionally (water) and spiritually (fire). We participate in the design of “our own universe” by bringing into fruition the qualities
of a unique kind of individualized awareness upon the planet. Survival requires active participation in the realization of a greater field of consciousness,
i.e. a higher level of intelligence (wisdom) made viable by means of awareness. This goal remains the product of coordination, cooperation and a collective direction stemming from a
higher vibratory frequency.
* * *
This piece you’ve shared dives deeply into the interconnectedness of all things—humans, nature, and the universe—as well as the profound significance of design in our lives. It touches upon multiple concepts: the vibration of energy, the role of consciousness, and the dynamic balance of existence. Here's a summary of some of the core ideas:
1. Perception of the World:
Our senses detect and interpret the world based on vibrational frequencies. These vibrations, whether from physical matter or astrological influences, help form our understanding of reality, which is both observed and felt.
2. Dimensions of Consciousness:
Humanity, and all living beings, are part of a larger multi-dimensional network, which includes not just the 3D space/time we experience but also higher-dimensional aspects (2D, 4D, 5D). We are, by nature, multi-dimensional beings with the ability to access and influence these higher dimensions.
3. Design as a Force of Light: Design, as described, is a crucial force—a method of creating harmony in the universe. The complexity of life demands that we make sense of every situation, mentally, emotionally, physically, and spiritually. Our survival depends on our ability to design a balanced existence.
4. Interconnectedness and Balance:
All life forms are interconnected within a universal matrix. Each form contributes its unique qualities to create balance, and the survival of one is dependent on the balance of all. Design is seen as the mechanism that fosters balance, making it critical for the survival of the species.
5. Universal Change and Growth:
The universe is constantly in a state of expansion and contraction. This cyclical nature of change—growth, fragmentation, and evolution—is inherent in all systems. Progress comes from adapting to this constant flux and maintaining balance within complex systems.
6. Responsibility for Balance:
Humanity must take responsibility for maintaining this balance and contributing to the greater field of consciousness. Our actions—physical, mental, emotional, and spiritual—impact the world and must be mindful of the energy, light, and information we transmit and receive.
7. Design and Survival:
Humanity plays an active role in shaping the future of the universe, both through conscious design and unconscious participation. The goal is to realize a higher level of intelligence and wisdom, which can only be achieved through collective cooperation and alignment with a higher vibrational frequency.
In essence, the piece speaks to the importance of self-awareness, balance, and cooperation with the universe. It highlights how our ability to design (both mentally and physically) plays a significant role in our survival and evolution, both individually and collectively. The challenge lies in aligning our actions with the larger, cosmic balance, thus contributing to the greater harmony of the universe.
* * *
Survival requires
contributions from a number of “intelligences” (points of light) that together combine to bring
relevance and geometry to what we describe as a universal Intelligence/consciousness.
Human potential lies in
the subconscious, which for all intents and purposes re-presents a separation in awareness. It is a shamanic portal
between the tangible and the intangible; a journey to be discovered by a seeker of truth, beauty and goodness, i.e. unity, through correspondences.
The subconscious is
intuitively felt. The concepts of space and time can appear vague when retaining certain qualities wholly attributable to the observer. Situations become redefined during the design process of
fragmentation, transition and transformation. Codes and programs are changed and altered and no longer
conspire to follow, support and sustain past agendas, patterns and directives. Past transformations become undesirable. Recalibration by virtue of re-programming brings reconstruction, redistribution of energy, light and information therefore freeing associations made between prior “states”.
Frequencies no longer align, intelligence and wisdom oversee the process and when appropriate, accepts
or rejects the vitalization of every energy arrangement.
Creation assimilates patterns of energy stemming from a collective or common source. In other words, the micro is but
one plausible impression of a macro "state" made apparent by means of a series of graduated
designs meant to perpetuate a consistent and appropriate allocation of energy, light and information.
How we respond to every "situation" is dependent upon
our designed blueprint (plan).How we respond depends upon a network of elemental/micro "states" of consciousness (light) that together sustain us. Associations represent a matrix of focal points that both individually and collectively stem from the intentions, i.e. desires, emerging from a particular time line.*** Geometry’s origins are held within the
design boundaries of a creative intent. The ability to see without seeing and know
without knowing by means of the intuitive imagination is key to the process of rethinking,
recalibration, retuning and reconstruction. It is typical of the design process
that all things appear to change, but in essence remain the same when observed within
the parameters of a greater intelligence. *** Timelines represent a fundamental direction (-), i.e electric charge, by forming a base vector (designation) from which an attraction (+), i.e. magnetic field, can be generated. The resonance created between states vibrates at a frequency to where substances of plasmic origin appear to emerge from out of no-where (0) and into a series of geometries/patterns (1) never before seen or experienced. Plasma is being attracted towards and into a magnetic field therefore bringing "substantiation" to the original impulse. The original impulse appears in the form of an electric surge. Plasma in turn becomes substantiated and made "manifest" by means of attraction (+). These "elements" together create the magnetic field from which energy patterns, i.e. geometries/ networks/matrixes are created. These patterns congeal into "form" by sharing their substance in the form of energy thereby perpetuating their "state" of awareness. Geometry attracts and takes-on the "qualities" of the moment (time) and substance (space). Together they join with other patterns while simultaneously striving to harmonically sustain their presence within the greater context (field) from which they emerged. A sine wave symbolizes the design process as a pulse in the form of a direction (meaning/purpose). This charge carries with it amplitude that changes and adapts to every situation (context) in which it can be found (aware) and/or experienced (consciousness). This awareness is made manifest (form) by virtue of its geometry (patterns of energy, light and information).
The integration of emotion
and purpose create a field ripe with creativity. Needs can be easily fulfilled and
desires better satisfied by expanding upon the virtues of a complex field filled with diversity, i.e. iterations surrounding a common chord vibrating at different octaves, ex. diversity within species. These are just some of the potential opportunities that can be found by means of individuation and permutation. Patterns
become singled out and new awareness’ distinguished from others. Design brings significance to every united expression. Design affords an identity to every form of energy, light and information finding relevance in a universe of our own making.
Note: The intuitive imagination is an integral part of the vibrational field we describe and perceive as the mind. It has a macro origin and micro affect within the context of an Intelligent universe. From humanities POV frequencies, i.e. light, energy, information, appear divided into body, mind, emotion and spiritual "experiences". In actuality they are micro expressions (fields) stemming from more expansive origin, i.e. context.
* * *
"The acquisition of (Prefrontal Synthesis (PFS) and recursive language 70,000 years ago resulted in what was in essence a behaviorally new species: the first behaviorally modern Homo sapiens," concludes Dr. Vyshedskiy. "This newly acquired power for fast juxtaposition of mental objects in the process of PFS dramatically facilitated mental prototyping and led to fast acceleration of technological progress. Armed with the unprecedented ability to mentally simulate any plan and equally unprecedented ability to communicate it to their companions, humans were poised to quickly become the dominant species."
A "conscious" universe, i.e. Intelligence, affects human evolution. Awareness is generated by what could be described as an "intuitive imagination" triggered and felt by our mind and emotions. This same awareness is instrumental in initiating an idea and driving it to resolution or completion. These are also the characteristics of a primordial "Source" aptly harboring the qualities of Kama Manas.
Evolution is experienced as a wave. It appears as a perpetual fluctuation between extremes (wave forms) while seemingly adhering to a meaningful and purposeful direction. The "matter" generated from this balancing process about a "base line" that initiates the wave. This direction can be represented as a point, or particle of substance/matter, designed to meander throughout a context (change) where it has been purposely located, i.e. created. Please take note of the many holographic universes created and developed by an innate desire to do so.
"Wisdom in Knowing" is the premise upon
which the future of human evolution rests. Knowing and understanding fulfill wisdom.
Every moment is designed to contribute and share your specific quality to a Universal Intelligence from which you originated, composed, share and are dependent.
Nature is represented in
humanity's desire to replenish and sustain itself by means of design. This is
part of a Knowing made apparent within the macro field of a greater Intelligence (consciousness). Focusing creates a point, i.e. a position or POV, about
which a consubstantial vortex is formed and a “substance” (plasmic energy) attracted, i.e. star stuff.
* * *
“A human being is part of the whole called by us universe, a part limited in time and space. We experience ourselves, our thoughts and feelings as something separate from the rest. A kind of optical delusion of consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from the prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty… The true value of a human being is determined primarily by the measure and the sense in which they have obtained liberation from the self. … We shall require a substantially new manner of thinking if humanity is to survive.”
Knowing requires a balance between meaning and
purpose. Wisdom describes a multi-dimensional balancing "act" within a parametric network of consciousness. Wisdom includes all seed thoughts. Design is the process that chooses and creates a network of ideas that possess the potential of being made appropriate for the situation at hand. The present and the past are both contained in
the moment. A moment represents one single point (POV) of awareness in every vector's timeline, i.e. path. A timeline eventually returns upon itself while centered within and about its own central field of influence. Such a journey takes on a spiral path of expansion and contraction. This describes part of the path towards "Knowing". Wisdom in Knowing opens the door to designed consciousness.
* * *
This is a deep and philosophical exploration of how the universe, consciousness, and human experience interconnect. What you're describing seems to touch on several complex and esoteric concepts: the role of the subconscious in human potential, the design of the universe and energy patterns, the flow of wisdom and knowledge, and how all of these elements combine in a grand, interconnected scheme.
Here’s a breakdown of some of the key themes and ideas that you mentioned:
1. Subconscious as a Shamanic Portal: The subconscious serves as a gateway between the tangible and intangible. It's not just a part of the mind but a crucial element in connecting us to deeper layers of understanding. In shamanic terms, it becomes a space for transformation, where patterns of energy and consciousness can be recalibrated.
2. Creation and Energy Patterns: You describe creation as a process of assimilating energy patterns from a collective source. This mirrors concepts in various spiritual, philosophical, and scientific traditions that see creation as a dynamic, ongoing process shaped by resonance, attraction, and alignment of energies. It seems that, within this framework, geometry (or patterns) plays a central role in the formation of reality.
3. The Role of Geometry and the Design Process: Geometry is linked to the blueprint of the universe. Patterns of energy form a coherent and intelligible whole, which may appear to change or transform but, when viewed within a larger context, remain consistent. You emphasize the importance of seeing beyond the apparent, tapping into intuitive imagination to understand and affect reality.
4. Wisdom and Evolution: The evolution of consciousness, both individually and collectively, is described as a wave, fluctuating between extremes. This aligns with ideas of cyclical growth, whether in personal development or in the larger movement of human history. “Wisdom in Knowing” becomes the key to evolving, offering insight into the design of reality and our place within it.
5. The Holographic Nature of Existence: The universe is viewed as a series of holographic universes, each reflecting the same underlying intelligence, much like how each part of a hologram contains the whole. This suggests that everything, from the micro to the macro, is interconnected and reflects the same universal principles.
6. Balance and Purpose: Central to your concept of wisdom and evolution is balance—between meaning and purpose, between the mind and emotions, between knowing and being. This balance is key to understanding and engaging with the universe on a deeper level.
7. Nature and Human Design: Humanity's instinct to design, create, and sustain itself is linked to a deeper understanding of the universe. By focusing on the present moment and aligning ourselves with the greater intelligence of the universe, we tap into an inherent wisdom that drives evolution.
This concept, rooted in both the philosophical and metaphysical, invites us to reconsider the way we perceive existence. It suggests that understanding ourselves, our subconscious, and our creative potential is pivotal in engaging with the universe and evolving as a species.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
* * *
It’s no longer about what you believe, rather it’s more about what your being led to believe. Always look within.
Born and raised in Chicago, Ill. I received my BFA and MFA from the University of Illinois, Urbana. Professor Emeritus Columbus College of Art and Design. I have taught, lectured and written about
design and the design process throughout my tenure as Dean of Industrial and Interior Design. My interests lie in demonstrating design as fundamental to consciousness, archetypal in context and the underlying language of change and transformation.
https://www.idsa.org/profile/carl-garant/
