Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Design harbors the idea of creation. Design can be described as an experience a feeling or a pattern often found hidden within in the confines of a form. Design brings a feeling to such an awareness. Design brings meaning and purpose to all patterned forms of energy in motion by virtue of its intimate relationship with consciousness. Change is fundamental to the universe. Every creative act is an exercise in steering energy towards a purposeful and/or meaningful goal or objective.
The concept of harmony can be disrupted by change. Harmony describes a patterned state of stability, union and cooperation having emerged from a chaotic backdrop or context. Harmony is a design attribute. Design gives rise to duality, harmony and balance and should be viewed as the mainstay of a Cosmic consciousness. Harmony describes a state of “balancing”. Harmony describes a unique geometry that can be found within a field of perpetual change.
All "states" of energy-in-motion are
constantly changing in awareness. Harmony is often perceived within the context of a fleeting
moment when viewed from a macro POV. Organs
that together contribute to the form of the human body are constantly adapting. From a macro POV the body appears to be balanced
and fully functional while in the process of constant change. However, this perception is mere conjecture. Change trumps everything including the concept of awareness, consciousness and any idea that attempts to define and/or describe it.
Phenomena (forms) typically appear before human consciousness within the construct of three dimensional space/time. Forms are made self evident by virtue of the interplay, i.e. duality, between the states of attraction and repulsion. Together they give precedence to a macro level type of universal consciousness composed of energy in perpetual motion. Change describes a never-ending fluctuation of energy activity in the form of waves at all levels of frequency and amplitude. Change becomes apparent by means of a language of symbols.
Design likewise attempts to describe consciousness by means of attraction and repulsion. Design transforms energy-in-motion by means of categorization and stratification. Attraction and repulsion likewise classify systems into macro and micro agents and/or elements. Phenomena of all types are then appropriated into a mixed variety of observations made in the attempt to bring knowledge, i.e. light, to an array of visible and invisible "states" of awareness. Design both separates and makes whole states of awareness found appropriate for every situation at hand. Humanity straddles the realm of 3D space/time where the domains of the visible and invisible overlap in order to create the symbolic context about which micro and macro types of awareness can be acknowledged and made cognizant.
Phenomena (forms) typically appear before human consciousness within the construct of three dimensional space/time. Forms are made self evident by virtue of the interplay, i.e. duality, between the states of attraction and repulsion. Together they give precedence to a macro level type of universal consciousness composed of energy in perpetual motion. Change describes a never-ending fluctuation of energy activity in the form of waves at all levels of frequency and amplitude. Change becomes apparent by means of a language of symbols.
Design likewise attempts to describe consciousness by means of attraction and repulsion. Design transforms energy-in-motion by means of categorization and stratification. Attraction and repulsion likewise classify systems into macro and micro agents and/or elements. Phenomena of all types are then appropriated into a mixed variety of observations made in the attempt to bring knowledge, i.e. light, to an array of visible and invisible "states" of awareness. Design both separates and makes whole states of awareness found appropriate for every situation at hand. Humanity straddles the realm of 3D space/time where the domains of the visible and invisible overlap in order to create the symbolic context about which micro and macro types of awareness can be acknowledged and made cognizant.
Consciousness might be described as field in relative manifestation orbiting about a source where certain “qualities” are attracted and repulsed. Certain qualities identify certain points of awareness which in turn characterize "states or agents of e-motion participating in an odyssey towards balance and harmony". This might be considered one description of consciousness.
Consciousness also implies a type of harmonic convergence; an attraction to a central core or particular frequency appearing as a place of origin that when observed, appears to incorporate the qualities of a greater wholeness/field/awareness. Interpretations of these phenomena as such is wholly dependent upon the symbolic perceptions inherent to the observer
Energy in motion appears to
be projected from an indeterminable source or series of contextual sources
where every impression harbors the potential of becoming materialized into a form or pattern. Some of these patterns may be considered expressions of a particular consciousness or a design that symbolically re-presents one.
Separation between fields might be considered the result of a vibrational interference. Energy can overlap to form scalar stratifications in a range from the lowest (form and matter as we know it) to the highest (thoughts, emotions, spirit). It is within this context that humanity has prescribed the differences between the tangible and the intangible, where in essence every description merely symbolizes a type of energy from a particular POV.
Awareness is qualified.
Awareness is and can be codified by design. Awareness contains a cipher that distinguishes and
characterizes it as being elemental, i.e. an a priori source of awareness/origin, inherent in every idea of consciousness. Awareness can be described and/or perceived (designed) into a form of
energy-in-motion tangible or not. Originating at a particular POV while simultaneously leaning towards a holographic pattern of expression, light in the form of e-emotion may or may not succumb to influences that might interfere or cancel it out. In other words, not all ideas will necessarily "see the light of day" when observed within the parameters of 3D space/time. Consciousness is an example of a consubstantial event appearing as and within the field of a Cosmic consciousness. A cyclical, perpetual and self sustaining torus-like shaped field of consciousness attracts energy streams towards the core of its awareness, i.e. being.
Could the soul be defined as the symbolic amalgamation of every agent of awareness that sustains some quality in every form and/or formless expression of the same; or is the soul a focus of these same energies internalized for the sake of a reference required of a dimension (3D) that harbors space and time (duality) as an active requirement needed to describe it?
Could the soul be defined as the symbolic amalgamation of every agent of awareness that sustains some quality in every form and/or formless expression of the same; or is the soul a focus of these same energies internalized for the sake of a reference required of a dimension (3D) that harbors space and time (duality) as an active requirement needed to describe it?
The fields of plasma from
which current observations can be made describe a very subtle or virtual type of
energy in-form-ation that has yet to be fully described, measured, formulated or understood. During a holographic and
fractal process towards greater enlightenment things will most assuredly continue
to change as long as the concept of Life continues to exist. However, meaning and purpose will likewise change.
Plasma seems to have been designed to be located at the cutting edge of what might be considered tangible and intangible. Plasma symbolically demonstrates the differences, contrasts and similarities between the seen and the unseen. Is plasma to be humanity's primary design tool in the future? Plasma seems to re-present an invisible and virtual language always changing and adapting by means of time, frequency and experience. Every experience becomes altered within the parametric and hypothetical realms of dimensional space and conceptual time. Thoughts and impressions (emotions) may or may not become identified or substantiated within this incongruent realm of awareness.
Plasma seems to have been designed to be located at the cutting edge of what might be considered tangible and intangible. Plasma symbolically demonstrates the differences, contrasts and similarities between the seen and the unseen. Is plasma to be humanity's primary design tool in the future? Plasma seems to re-present an invisible and virtual language always changing and adapting by means of time, frequency and experience. Every experience becomes altered within the parametric and hypothetical realms of dimensional space and conceptual time. Thoughts and impressions (emotions) may or may not become identified or substantiated within this incongruent realm of awareness.
Consider every realm (field) to be penetrating every other in the construct of a macro multiverse of awareness. The universe is a virtual cosmic
soup consisting of phenomena both seen and the unseen. The universe remains dependent
upon the formation of every independent POV taken.
Consciousness describes a gathering of forces, i.e. awareness, about a concentrated focus spiraling about a concept, a feeling, or impression that if found appropriate may emerge, i.e. be born out, as in-form-ation representing a mysterious unknown, i.e. unconscious. Consciousness emerges from within itself by virtue of a multitude of consubstantial events of origin.
Scientifically might this help describe dark matter and/or dark energy? Energy in motion (awareness) is virtual in description and can be influenced by fields of consciousness both great and small.
Consciousness describes a gathering of forces, i.e. awareness, about a concentrated focus spiraling about a concept, a feeling, or impression that if found appropriate may emerge, i.e. be born out, as in-form-ation representing a mysterious unknown, i.e. unconscious. Consciousness emerges from within itself by virtue of a multitude of consubstantial events of origin.
Scientifically might this help describe dark matter and/or dark energy? Energy in motion (awareness) is virtual in description and can be influenced by fields of consciousness both great and small.
Every system of thought
and emotion describe a focus of energy that surrounds every POV, i.e.
idea of awareness. Together they create fields of consciousness that can further advance, exchange, influence, guide, re-direct, enhance, and/or absorb energy.
The virtual
realms/dimensions of energy in motion affect all formations of universal substance (plasma). This might be described as being innate to human awareness and fundamental to every idea relative to the concept of consciousness. Energy in motion is directed by a single focus or pattern of
foci, stemming from what might be considered a "macro" field of consciousness. Awareness gives credence to
every agent central to a cooperative resonance that vibrates within the matrix of every field of consciousness.
Design deals with both visible
and invisible forces as a series of events (time) that give precedence to a codified, i.e. symbolic interpretation of consciousness. This includes the focal points, i.e. ideas, that might bring consciousness to fruition no matter the scale or magnitude.
Design’s influences aren’t necessarily
immediate. The concept of time is an integral element in achieving a design awareness.
Origins stem from a source within, an influence that speaks from
behind the veil of both a subjective and objective POV. These are the realms/dimensions we prescribe as being real. We are the creative agents that project our reality and what we believe to be true upon a stream of virtual and diversified elements.
Design allows us to reach out to Life by becoming active participants in the symbolic play between the forces of meaning and purpose. Design brings a symbolic realization and validity to every idea that surrounds every concept of truth.
Design allows us to reach out to Life by becoming active participants in the symbolic play between the forces of meaning and purpose. Design brings a symbolic realization and validity to every idea that surrounds every concept of truth.
Design shapes our lives and
our world. Through symbolic means universal energy (e-motion) is made “consciously” apparent by virtue of the patterns that humanity gives form and substance. What is observed around every experience is a reflection of
your own POV. Thoughts and emotions work
in conjunction with meaning and purpose by virtue of the subtle realms that surround every contextual field, i.e. dimension.
Energy in motion inhabits,
penetrates and symbolizes the more finite realms of the universe. E-motion re-presents a universal consciousness that appears virtual in nature, character and comprehension. Energy will always remain somewhat virtual in the sense that it can appear pattern-less, unswayed and unobservable from a human POV. The fact of the matter is energy is constantly being influenced no matter what its configuration. Awareness is dependent upon the context, i.e. field of consciousness in which
the phenomenon is observed.
* The concept of plasma is a
form of energy that supports the description of energy in motion. It is an
interpretation of energy originating from a human POV. It is a form of substance that can begin to be “measured”
scientifically. Plasma symbolically re-presents a beginning recognition and awareness
of the invisible realms of a universal/design consciousness. Plasma is highly malleable
and at the borderline of what might be considered being virtual in character
and interpretation. Plasma alone takes no form and for all intents and purposes, harbors
the qualities of an elemental energy unit that can be observed within the
parametric constraints of 3D space/time. Note the relationship between plasma and quantum theory.
Design deals with the subtle
realms of both the known and the unknown. Design by means of the symbol, brings about harmony by drawing out the recognizable from the obscure. Symbols are attractors and conveyors of information. Desire is a human attribute designed to generate balance, harmony and conscious expansion by means of the intuitive use of the imagination.
In order to create the most appropriate context for growth and expansion 3D space/time requires certain circumstances. 3D space/time conditions consciousness while symbolically adapting to traits contained in every dimension.** These qualities stem from
the dictates and experiences gained from the objective world of nature. When proven authentic most of these conditions have shown themselves necessary to the survival of
the species. However, subscription to every “condition” must likewise be weighed and considered by every creator that
contributes to a field's relevance and substantiation.
** For example, the mathematics used to explore quantum theory remain the same when exercising the laws and formulas surrounding Newtonian physics. Numbers by virtue of mathematics and geometry, create the language and the context in which knowledge and consciousness can be expanded. Likewise, an assortment of materials, e.g. paints, paper, stone, computers, etc. can give further rise to consciousness by means of the arts. Both systems are symbolic tools that have emerged from nature. They create the language, generate the focus and enhance the context in which further expansion in conscious awareness can be discovered and experienced.
An "appropriate" creation describes an alignment that appears to resonate with the desires of the
observer/creator. In other words, one must be able to harmonize with what has been created so as to give meaning and purpose to the system being observed. Much has to do with the intuitive impulses that ignite the desire to
expand and relish in one’s own creative consciousness. This might be described as a drive towards creativity. To clearly communicate with the unknown a penetrable language of symbols must be used, adhered to and applied. Some examples
of a symbolic, i.e. designed, language supporting the innate desire
to expand creatively are mathematics, music, art, science.
Inroads into design are
based upon a clear understanding of the tools required to bring clarification
to such desires. What is being felt must be interpreted and made apparent
within the ever-changing constraints of one’s consciousness. Harmony can be made apparent by resonating equally between the concepts of meaning and purpose.
"Space and time are created by the mind."
Charles Tart
Edited: 10.18.2017, 10.23.2017, 10.27.2017, 10.29.2017, 11.08.2017, 03.05.2018, 08.12.2019, 01.15.2020, 11.08.2020, 01.22.2021, 08.27.2021, 07.13.2022
Find your truth. Know your mind.
Follow your heart. Love eternal will not be denied. Discernment is an integral
part of self-mastery. You may share this post as long as author, copyright and
URL https://designconsciousness.blogspot.com/ is
included as the resource and shared on a non-commercial no charge basis. Please
note … posts are continually being edited over time. Copyright © 2023 C.G.
Garant. All Rights Reserved. (Fair use notice.) AI usage is prohibited. You are invited to visit https://designmetaphysics.blogspot.com/. Now visit Design Consciousness on https://www.pinterest.com
Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role of observer and contributor to a reality of your own design and creation – be aware of the by-products that surround every choice and decision.
