Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
The mind is a virtual field and the imagination is a projection of the same. The imagination could be described as being energy-in-motion (e-motion), i.e. a ciphered vibration made viable within the realm, i.e. field, of a conscious observer. This phenomenon is a self-perpetuating, paradoxical methodology made formative by means of design. By virtue of the imagination consciousness is made aware of its self by both generating and interpreting a mental and e-motional model (Kama Manas) of “reality” tailored solely for the purpose of observation. This actuality contains a series of coded configurations in the form of light, energy and information, i.e. holograms appearing both as a particle and a wave. By virtue of this subtle contrast between the mind (yin) and its imagination (yang) each component could be recognized as a catalyst for the other.
“While the brain is a physical mechanism, the mind represents a brain process and is, itself, a non-physical field of information. While properties of physical matter, such as the brain, conform to the principles of Newtonian or classical physics, the operation of the mind’s energy fields employ the fundamental mechanics of quantum physics.”
Bruce H. Lipton, Ph.D., and Steve Bhaerman, Spontaneous Evolution, pg.269
https://www.brucelipton.com/books/spontaneous-evolution/
The mind mirrors its self by means of the imagination. The mind has the capacity to create a virtual reality (field) designed to enhance and/or expand in awareness by merely imagining an "idea". This process becomes tenable by means of gathering, experiencing and projecting light and energy into in-form-ation by means of their most appropriate configurations. These imaginative projections of e-motion, i.e. desire, shape themselves about symbolic patterns, i.e. geometries conjured up by the spiraling vortex of the imagination penetrating the realm of its own virtual “mind field”. By means of enactment every field is comprised of elements of equal or lesser vibration and are in turn, affected by their own projections. These
imaginative vectors are designed to reflect and in essence complement the energy patterns coherent and present within the original zero point field while remaining virtually unconscionable to the observer.
The concept of a “zero
point” is a relative term identified by means of a particular vibration and frequency that appears to propagate its self from a center of origin. This action gives rise to what appears to be a "field" that is both associated and closely related to the qualities that appear to originate from this source. The zero point always remains illusionary.
In other words, the zero point, the source, the One, the Tao is composed of energy of such a high vibrational frequency that it appears unsubstantial, invisible and therefore unimaginable.
In other words, the zero point, the source, the One, the Tao is composed of energy of such a high vibrational frequency that it appears unsubstantial, invisible and therefore unimaginable.
Design consciousness is generated by the imagination and invites the mind to expand beyond the constraints and illusions of form and experience solely to grow in awareness. The zero point acts as a reference point, i.e. a primal integer (0) that centers a universal equation in perpetual opposition. The zero point contrasts all we believe to be known by means of representing the unknown. The concept (idea) of a zero point alludes to the law of opposites that permeates the universe and all its dimensions. In this manner all that is known and unknown within any virtual field (mind) actively participates in accordance to a process of expansion and contraction, i.e. duality. Upon attaining self consciousness the field perpetuates its self further by means of observing the observer.
The mind presumes form to be real while unbeknownst to its self it remains a figment of its own imagination... so too the concept of consciousness.
The mind presumes form to be real while unbeknownst to its self it remains a figment of its own imagination... so too the concept of consciousness.
The imagination is a vehicle
of awareness harbored within the virtual field we believe to be the mind.
This virtual field, i.e. zero point "consciousness" if you will, focuses upon its self by means of
the imagination, i.e. an awareness that can only be made apparent by means of an event or experience. In this fashion we come to know our selves (subjectively) in reference to an imagined reality that exists outside our selves (objectively). Over time we come to know our selves as a "source" by means of what we manifest, i.e. project, outside our selves and internally by what we feel. We come to know our selves to be forms in manifestation and experience by means of what we animate within the field of our own awareness. We are central components of a zero point field and consciousness that has been defined as being human. It is only by design that awareness can be made apparent to an observer.
The imagination shares in the
very same virtual field of consciousness in which it appears to originate. The
imagination describes the mind in focus. Prior to the imagination appearing as
a thought form (holographic geometry) it was a projection, a focused vector that had entered into a virtual field of its own making, a primordial e-motion (desire) stemming from the center (zero point) of its own being. By means
of the imagination every “image” is a reflection, i.e. an observation taking the form of both a wave and a particle. From the position of an observer this phenomenon appears as a single vector penetrating the very field from which it appears to originate.
The mind imagines
itself by means of symbols that both qualify and characterize the existence of an “original” virtual field, i.e. a source. With every thought an emotion and every emotion a thought. Thought is energy-in-motion. Energy-in-motion is thought. It is through this principle that the concept of consciousness can be expressed and made known by means of the virtues inherent to the mind AND the heart. In this fashion consciousness can discover and also return
to the origin of its own source, i.e. desires. Only through symbolic means can the
imagination bring into harmony the frequencies that characterize contrasting events and experiences that similarly configure and substantiate it. This
is time's purpose, because without it the journey of awakening could not be experienced.
Holograms emerge from the virtual field of the imagination in the form of fractal iterations, patterns and
networks. However, due to a perpetually changing environment/context the process towards a symbolic convergence
upon any one specific source while dimensionally positioned within the parameters
of 3D space/time, becomes a difficult undertaking. This accounts for the wide variety
of belief systems and thought forms designed to reveal and experience the most
appropriate pathways, e.g. nature, science, art, literature, religion, music, etc. to symbolically unveil the concept of wholeness (0) to the self.
Holographic projections generated
by the imagination are inherently coded when in the form of light, energy and information.
Some become dynamically extended and capable of absorbing a wide variety of
qualities, i.e. dimensional states. The mind has the dynamic function, by virtue
of the imagination, to symbolically qualify and “materialize” its attributes within the constraints
of the virtual field in which it is sheltered.
Minor symbolic iterations drive
the imagination further and further away from its “origin”. Recognition of this
phenomenon appears as areas of emergence where patterns of energy, light and
information escape the virtual field of the subconscious before symbolically entering
the field of form. Templates, i.e. guidelines, archetypes, founded upon earlier
“experiences” in time/space demonstrate that every blueprint has
the potential to radically change at a fractal level.
Design consciousness is founded upon
symbolic interpretation generated by means of the imagination. Emergence and convergence remain a priori as perceived by the virtue of experience.
Intensity, i.e. a focus of the imagination originating from within the source, prepares the environment (field) for an array of potential relationships between elements that give relative composition to the zero point field. Every field is of significance. Every field is significant. Every field distinguishes itself from itself and all other fields by means of qualification, i.e. resonance and dissonance. By virtue of
design every chaotic element, i.e. fractal awareness, contains the potential of becoming formulated, viable and comprehensible; which in turn creates the appropriate situations for further change, exchange,
expansion and contraction of energy, light and information.
Greater intensity invites stress and polarization. Internal stresses summon
revelations that can become precursors for change, which in turn can expand into a greater awareness of a virtual unknown. Each identifiable fractal of energy harbors the
potential of being released into a more formative matrix that is intrinsic to a greater field from which it was originally conceived.
Consciousness is the consequence of an emergent field appearing as a series of synchronistic, holographic and symbolic events and experiences in 3D space/time.
Consciousness is the consequence of an emergent field appearing as a series of synchronistic, holographic and symbolic events and experiences in 3D space/time.
"Defining
structure and detecting the emergence of complexity in nature are inherently
subjective, though essential, scientific activities. Despite the difficulties,
these problems can be analysed in terms of how model-building observers infer
from measurements the computational capabilities embedded in non-linear
processes. An observer’s notion of what is ordered, what is random, and what is
complex in its environment depends directly on its computational resources: the
amount of raw measurement data, of memory, and of time available for estimation
and inference. The discovery of structure in an environment depends more
critically and subtly, though, on how those resources are organized. The
descriptive power of the observer’s chosen (or implicit) computational model
class, for example, can be an overwhelming determinant in finding regularity in
data."
Crutchfield, James P. (1994), The Calculi of
Emergence: Computation, Dynamics, and Induction, "Special
issue on the Proceedings of the Oji International Seminar: Complex Systems —
from Complex Dynamics to Artificial Reality", Physica D
"Must
the synergies be perceived/observed in order to qualify as emergent effects, as
some theorists claim? Most emphatically not. The synergies associated with
emergence are real and measurable, even if nobody is there to observe
them."
Corning, Peter A. (2002), "The
Re-Emergence of "Emergence": A Venerable Concept in Search of a
Theory", Complexity 7 (6): 18–30, doi:10.1002/cplx.10043
Edited: 06.03.2013, 06.05.2013, 06.06.2013, 06.27.2013, 04.17.2014, 10.17.2014, 11.08.2014, 09.21.2015, 01.11.2017, 03.16.2018, 06.30.2020, 04.29.2021, 06.14.2021, 02.27.2022. 05.07.2023
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