But An Impermanent State

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.

All shapes, forms and appearances conform to every situation at hand, responding within identifiable parameters in an unending vacillation between internal causation and external effect. This is a perpetual process that cycles upon itself ad infinitum. In design imbalance is a natural condition and balance but an impermanent state. In this manner permanence, e.g. materialism, becomes an agent for change.

In an unending quest for balance forms are continually being fragmented and reconstructed in reference to and within the parameters of, a greater field of consciousness in which they participate and have their relative “being”.

In reference to humanity, change appears to originate from within the subconscious, which is a virtual field and unidentifiable awareness, a quality that co mingles and interpenetrates consciousness. The subconscious also appears as a causal agent that has the power to influence both the conscious observer and the “material field” that interpenetrates the field of the perceiver, e.g. qualia.

Consciousness has the potential to adhere and connect to a wide variety of systems of formation that are integrated with and molded about, certain archetypal patterns. Experience places conscious/awareness into a contextual environment therefore increasing the potential to generate shifts in awareness, e.g. synchronicity.

A “design” is the result of a number of critical elements that are somewhat “locked” into certain patterns, i.e. meanings and purposes that have been described and defined through experience. These patterns are encoded within the context of the field and are tainted by the intentions and perceptions of the observer. Likewise, all such patterns can be fine-tuned thereby changing the field and the very context in which the phenomenon is perceived and/or observed.

Therefore, both the meaning and the purpose in support of any archetypal directive can be refined and/or altered to accommodate every situation. By adjusting the focus and/or intent of any particular frequency, i.e. pattern, any design can be modified and transformed.

An original intent in support of any archetypal pattern appears as a constant, only its context changes thereby allowing for alteration and adaptation. For example, over the course of human consciousness the field of human awareness has expanded over time due to the context in which these patterns “materialized”. Evolution has been packaged into a vast array of macro and micro experiences that have been both supported and rejected by selection, i.e. choices if you will, made within the parameters of a planetary field of consciousness.

“The brain is not a machine for logic but in fact a construction that does pattern recognition, and it does it by filling-in ambiguous situations.”
Gerald Edelman


Adjustments by iteration are made by a natural sequencing of events and are based upon archetypal templates that originate beyond the scope of human awareness. Although virtual in origin, these permutations are viewed as being physical, mental and/or emotional in content and character, impressions brought on by experiences in relative “form” that appear to emerge from a single mysterious source, i.e. virtual reality.

Consciousness has meaning and purpose, an awareness that is put into context by design. Through experience, awareness can change patterns and ultimately the field in which it appears. Experience encourages awareness and change, thereby altering all perceivable concepts of reality without destroying the original schematic.

“The properties of consciousness are that it is a process and that involves awareness.”
William James

Edited: 11.28.2013, 10.16.2014, 01.11.2017, 08.04.2020

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