January 19, 2016

An Introduction to Design Thinking


Conceptual impressions surrounding this article are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context, network or post. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

Design thinking is the new normal.


It is best to begin our investigation into design and the design process by considering the fact there are certain principles proven to be self-evident when observing the concept of design from a human level of consciousness. These postulates create a foundation from which we can base future investigations into design. They form a set of guidelines from which a greater understanding of design can be woven and made functional. These postulates are flexible and harbor many opportunities for change and advancement. It remains up to you to determine if you share such points of view. 
postulate suggest or assume the existence, fact, or truth of (something) as a basis for reasoning, discussion, or belief 2 (in ecclesiastical law) nominate or elect (someone) to an ecclesiastical office subject to the sanction of a higher authority, a thing suggested or assumed as true as the basis for reasoning, discussion, or belief  Mathematics an assumption used as a basis for mathematical reasoning.

An important note to consider when contemplating upon design is the realization that in some fashion, we've all been "conditioned" in how to view the world and ourselves. This simple fact is inescapable. Our culture, environment, society, institutions, including our family and friends, all contribute to the formation of our belief system. Our points of view (POV) are strongly rooted in how we've been trained and taught to perceive ourselves and others.





Belief systems construct patterns in our minds and give precedence to certain viewpoints concerning reality. These POV contain ideas * we have chosen to believe as containing certain indisputable truths. Belief systems also harbor the tendency to limit knowledge by negating and/or ignoring certain issues that support the beliefs of others. In essence, belief systems assist us in making certain choices in the attempt to make sense of the world. 




Unfortunately, belief systems can't include every point of view … they aren’t meant to. Some belief systems make it difficult to reach beyond our own self-imposed constraints. Some distort and/or impose their perspective upon the many natural systems made evident in the universe/environment that surrounds us. Many belief systems are highly influential and controlling. Yet every system has its own interpretation concerning issues that surround the concept of "truth" in addition to what is perceived to be real. Yet design thinking brings to our attention the fact that everything is connected ... including every belief system imaginable.

Humanity is an integral participant in the manifestation of energy, light and information into its most appropriate form within the constraints of 3D space/time.

Pre-requisite: An open heart and an open mind
First of all, in order to fully explore the mystery behind the meaning and purpose of design thinking it is imperative that we possess an open mind and an open heart. This position is instrumental in both creating and perceiving the multitude of relationships that can be discovered between elements, experiences and/or events. Design’s symbiotic quality also possesses the capacity to subjectively personify relationships in a manner that can effectively change life's experiences. Each relationship offers a meaningful expression between countless issues brought to light as the result of every situation. 

If we become aware of the multitude of symbolic associations brought before our consciousness, we should also be capable of learning from them. This requires that we possess sensitivity to the patterns that emerge in life as result of these designed relationships. 




It’s the relationship between elements that is of greatest importance. It is why design thinking is the catalyst behind all creative thought.



Consciousness cannot eliminate the simple fact that the concept of awareness is something we all possess, and that what we think and feel are reflections of who we are. Sensitivity to design thinking by virtue of its symbolic power, becomes appreciated once an awareness of its function and meaning becomes felt and experienced by virtue of a synchronistic moment. Life is our instructor, and design helps create the on-going lesson plan for us to follow.

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This text touches on several deep and interconnected themes around design thinking, belief systems, consciousness, and the human experience.
  
1. The Foundation of Design Thinking 
The idea of design principles as self-evident truths forms the groundwork of this investigation, acting as a cornerstone upon which future discussions can be based. These "postulates" are assumptions made to guide understanding, rooted in the essence of human consciousness. From a broader perspective, these foundational truths are the lenses through which we make sense of the world and its complexity. 

In this context, design thinking is not just a process of creating artifacts, but a lens through which we interpret and relate to the world. The principles or postulates mentioned here are flexible, adaptable, and subject to change, emphasizing that design is a living process — a continual evolution, not a static entity. It’s crucial to acknowledge that, as individuals, we each bring our own interpretation of design, based on our unique understanding and worldview. 

The mention of these postulates sets the tone for an ongoing inquiry into design, positioning it as a dynamic system, not a one-time solution, which can flex and adapt to new challenges. 

2. The Role of Belief Systems in Shaping Perspective 
A key concept in this text is the idea that belief systems play a pivotal role in shaping how we see the world, and by extension, how we approach design. Our perspective is shaped by a combination of cultural conditioning, societal influences, and personal experiences. These belief systems are not merely passive ways of thinking; they are active forces that dictate our worldview and therefore influence our decisions — particularly in creative and design processes. 

Belief systems offer structure and meaning, yet they also limit knowledge and perspective by presenting certain viewpoints as truths and dismissing others. This limitation becomes particularly important in the context of design thinking because, for effective design, one must be willing to transcend the constraints imposed by these self-imposed boundaries. It is this tension between the comfort of our established beliefs and the expansiveness of alternative perspectives that fuels creativity. Design thinking offers a way to challenge these belief systems, suggesting that by embracing flexibility and openness, we can create more inclusive, holistic designs that transcend the limitations of personal or cultural perspectives. 

In other words, belief systems frame the reality we navigate, yet they are not absolute. Design offers a tool for breaking through these boundaries, opening up new possibilities for understanding and engaging with the world. 

3. The Influence of Consciousness in Design 
The relationship between consciousness and design is another central theme in this passage. Consciousness is presented as the universal thread that connects all humans, the vehicle through which we process, interpret, and make sense of the world. By acknowledging that awareness is intrinsic to all humans, design thinking invites a broader, more inclusive approach that honors both the subjective and collective nature of human experience. 

The text emphasizes that design is a manifestation of energy, light, and information — concepts that transcend mere material forms and touch upon deeper aspects of existence. This view suggests that design thinking isn't just about creating physical objects or structures; it’s about creating meaningful relationships between energy (ideas, emotions, inspiration) and form (physical, visual, conceptual). 

This idea aligns with contemporary holistic design thinking practices, which see design as a tool for human flourishing — not merely creating functional products, but enhancing the human experience itself through mindful and intentional creation. 

4. The Importance of Relationships in Design 
A central idea expressed here is that design is about relationships, not isolated components. The relationship between elements — whether physical, emotional, or conceptual — is the true essence of design. Every object, experience, or interaction in the world can be viewed as part of an interconnected web of relationships. It’s in these connections where design has its greatest impact. 

This expands on the idea that design thinking is about systems, not isolated events or things. By embracing the symbiotic nature of design, we open ourselves to the possibility that everything is connected, and that design is an ongoing process of negotiation and alignment between parts. The text hints at synchronistic moments where design comes to life, and these can only be understood and appreciated when one is attuned to the underlying relationships that shape them. 

Design thinking, as a catalyst for creative thought, enables us to see not only the tangible elements but the intangible threads that link them. Whether it’s the relationship between a product and its user, or between different cultural perspectives, design thinking helps us understand the patterns that emerge from these connections. 

5. The Symbiotic Nature of Design Thinking 
Finally, the symbiotic quality of design is explored in depth. Design, in this context, is viewed as an ongoing conversation — not just between the designer and the user, but between the designer, the environment, society, and the very forces that influence how we perceive and interact with the world. Symbiosis here refers to mutual benefit and understanding between all involved parties, as each element interacts and influences the others in dynamic ways. 

The text invites the reader to see design as a way of navigating life’s experiences, offering us a way to learn from every interaction, every relationship, and every design solution we encounter. The metaphor of life as a teacher and design as the lesson plan suggests that design isn’t just a tool — it’s a way of being in the world, one that encourages growth, learning, and the creation of meaningful, transformative experiences. 

Conclusion 
By framing design thinking as an ongoing investigation grounded in awareness, open-mindedness, and relational understanding, the text underscores its potential as a transformative tool. It is both an individual and collective process, influenced by belief systems and societal structures, but also a deeply personal exploration of connection, meaning, and purpose. Design thinking, in its most refined form, is about creating connections between things, people, and ideas, leading to a more holistic and inclusive approach to understanding and solving the challenges of the world.

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Questions: Are you willing to look at your world from a different point of view? Are you willing to put your own beliefs aside in order to consider and/or ponder upon a situation from a different perspective? Are you willing to consider the ramifications that may result from your position? Be honest. Are you willing to purposely open your mind and your heart to the world?

Design thinking brings a certain structure to our journey towards self-awareness. Design thinking supports us along the way by bringing to our attention the de-signposts upon which we make our choices and decisions. Design thinking tugs at an intuitive knowledge and awareness we have seemingly ignored or forgotten. What we deem conscious is the product of a series of patterns we ourselves have created, accepted, substantiated and repeatedly followed over time. What we experience today are the remnants of a series of systems we've designated as worthy of believing.



Design thinking brings meaning and purpose into our lives. It is through design that we discover who we are by conveying to ourselves our true nature. Over time design thinking has demonstrated itself as being the means and the instrument by which we can discover the mysteries of our own soul.

Design thinking encourages us to "wear someone else’s moccasins" by becoming sensitive, aware and willing to accept and adapt to change. The ability to empathize is instrumental in creating the symbolic and complementary connection between elements. As stated earlier, design thinkings' symbolic power has the capacity to personify our relationships by understanding the world in a manner that can intimately affect our life.

Something to know rather than believe in
The following postulates attempt to prepare our mind for material yet to be presented. Each visitor should determine for themselves the beliefs they are willing to bring to the design experience. Please understand that there are no right or wrong POV when it comes to understanding the concept of design. In design thinking there are no right or wrong answers. Each of us will naturally resonate to what we both know and feel to be appropriate for ourselves an impression made in reference to the situation at hand.

There is no need to defend your position in design. Everything is in constant flux so there really is nothing to defend. What was once black can instantly change to become white surrounded by shades of grey. Design thinking brings to light the symbolic correspondences reflecting a universe that can be both measured and hidden. Every elemental represents a pattern of energy unlike anything or anyone else. In every moment every form of energy is in the process of becoming an integral part of a multitude of design patterns never known before to exist. 

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"Thoughts always seek their freedom, never answering to one master. They seek free rein and free range trying to avoid all restraint. Thoughts transcend time and space allowing themselves to be birthed again and again into new forms. Thoughts can be kept captive like a genie in a bottle but not for long, they always seem to find a way out."
Gillian MacBeth-Louthan
www.thequantumawakening.comthequantumawakening@hughes.net

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We can only be who we are. We can only believe who we are in the presence of the moment. We can only be sensitive to what we have experienced in the form of a presence partially shackled within the constraints of space and time -no more, no less. This kind of honest introspection is instrumental in bringing enlightenment to the design experience. Truthfulness and integrity are of upmost significance in the virtuous expansion of any consciousness implied human.

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“Humanism is a philosophical outlook, but in itself is a minimalist one, deliberately so because a key requirement of it is that individuals should think for themselves about what they are and how they should live. Standardly, a philosophy is a full fleshed-out affair, consisting in a detailed view of the world, of humanity in it, of the relationship between human beings and the world, and with human beings with each other. All the great philosophies have a metaphysics that underwrites the ethics they urge. But humanism requires no commitment to teaching beyond its two fundamental premises, and it imposes no obligations on people other than to think for themselves. Because it does not consist in a body of doctrines and prescriptions, backed by sanctions for believing in the former and not obeying the latter, it is as far from being like a religion as anything could be.”
A.C. Grayling, The God Argument: The Case Against Religion and for Humanism

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    There exists a nameless mystery from which all things appear to have their being. All things are alive and an indication of this single Life force. Everything seen and unseen is vibratory in character and resonates into and from this same common source.
    
   Design is universal, multi-dimensional and a symbolic expression of this single force as it resonates in all things seen and unseen. Design thinking qualifies this universal source by means of signs, symbols and metaphor.
    
    
   Design thinking illustrates and describes the process of self-empowerment and self-realization by bringing to our awareness the qualities of a universe of our own making in everything imaginable.
    
   The paths we follow are the manifestations of our dreams and the artful creations of our own lives. Design thinking creates the dimensional structure, i.e. frequency modulation, etc. in which our lives and dreams can be realized in space/time.
    
   Everything is illusionary and symbolic in content and context while simultaneously remaining vastly relevant in our quest to know the meaning and purpose of the universe. This process is approachable by virtue of knowing ourself by means of design thinking, i.e. man - wo/man - hu/manity ... know thy self.
    
" "If spiritual science is to do the same for spirit that natural science has done for nature, it must investigate quite differently from the latter. It must find ways and means of penetrating into the sphere of the spiritual, a domain which cannot be perceived with outer physical senses nor apprehended with the intellect which is bound to the brain." 


   Change is an essential element supporting the concept of design and design thinking. Design thinking makes life incredibly simple using signs symbols, metaphor and analogy.


HackerNoon, Marty Groover 

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“ "What humans can do is change the data by adding to it. They cannot alter Prior Data, but they can enlarge the database. They can put into their memory banks new and important information on Everything in Life -- including life itself. When they do this, they create a New Beginning in the Mental Process of Data Analysis through which they make their choices and decisions. They start out from a different place. They do something by this process that is crucial to behavior modification: they alter their perspective. 
   It is important to understand that Perspective is Everything. It is not a little thing. It is everything. Perspective is the way we look at things, and the way we look at things absolutely determines the way we see them”. 




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This text explores a deep and intricate relationship between design thinking and the human experience, emphasizing themes such as self-awareness, personal empowerment, perception, and the metaphysical nature of existence.  

1. Design Thinking as a Path to Self-Awareness Design thinking provides a framework for introspection and self-awareness, guiding us to examine the decisions and patterns we've shaped in our lives. It encourages a deeper understanding of ourselves, revealing that what we consider "conscious" thought is often a product of long-established patterns, systems, and beliefs we've accepted over time. These mental constructs, while potentially helpful, are often unconscious drivers of our decisions. By becoming more mindful of these patterns, we can choose to reshape or let go of limiting beliefs, creating space for deeper personal growth. 

2. The Meaning and Purpose of Life Through Design 
Design thinking is not just a tool for problem-solving—it serves as a medium through which we can discover meaning and purpose in our lives. By applying design principles to our thoughts, actions, and relationships, we begin to understand our true nature. This process helps us uncover and articulate the deeper truths of our existence, guiding us toward a sense of clarity and authenticity. 

3. Empathy and Connection Through Design Thinking 
One of the fundamental tenets of design thinking is empathy—being able to understand and share the feelings of another. This ability to "wear someone else’s moccasins" is not just about recognizing their emotional state; it's about developing a sensitivity to the interconnectedness of all things. Design thinking helps us create symbolic connections between elements, facilitating deeper relationships and a more holistic understanding of the world around us.

4. The Fluidity of Truth and Perspective in Design Thinking 
Design thinking embraces the fluid and ever-changing nature of truth and perception. There are no absolute right or wrong answers in design thinking; instead, it encourages us to explore multiple perspectives and recognize that truth is not fixed. Just as a color can shift from black to white, so too can our understanding evolve as we encounter new insights, perspectives, and experiences. 

5. The Metaphysical and Symbolic Nature of Design 
Design thinking operates on a metaphysical level, drawing from the unseen energies, symbols, and patterns that shape our world. It speaks to the universal force that connects all things—both seen and unseen. Through design, we can express and understand this force in tangible ways, using metaphors and symbols to bring deeper meaning to our experiences. 

6. Self-Empowerment and Self-Realization Through Design 
At its core, design thinking is a process of self-empowerment and self-realization. By becoming conscious of the patterns and structures we create in our lives, we gain the ability to reshape them, aligning our actions with our true desires and values. This process is not just about making external changes but about aligning our inner world with our outer reality. 

7. The Illusory and Symbolic Nature of Existence 
One of the most profound insights design thinking offers is the understanding that everything is, in a sense, illusory—yet deeply meaningful. Our perception of reality is shaped by the symbols, metaphors, and meanings we assign to it. While these symbols may be abstract or fleeting, they serve as tools to navigate and understand the universe. In this sense, design thinking offers a way to engage with the world symbolically, recognizing the deeper patterns that underlie all things. 

8. The Role of Change in Design Thinking 
Change is central to design thinking. Life itself is in constant flux, and design thinking helps us embrace this fluidity by offering tools to adapt, evolve, and create. Whether through symbols, analogies, or metaphors, design thinking simplifies complex realities, making it easier to navigate change and harness it for personal and collective growth. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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Anonymous 





    Edited: 01.21.2016, 04.24.2016, 05.16.2016, 06.24.2016, 11.16.2016, 01.11.2017, 03.28.2017, 08.01.2018, 05.26.2019, 09.16.2019, 09.19.2019, 10.27.2019, 04.30.2020, 11.08.2020, 01.02.2021, 04.12.2021, 02.17.2022, 03.02.2022, 06.24.2022, 07.01.2022, 02.24.2023, 03.25.2023, 04.17.2023, 05.24.2023, 06.10.2023, 11.29.2023, 01.27.2024, 12.14.2024, 02.07.2025, 05.30.2025, 08.05.2025
     Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2016 C.G. Garant. All Rights Reserved. (Fair use notice.) You are invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com/






































January 2, 2016

Design Metaphysics: An Implosion of Awareness


Conceptual impressions surrounding this article are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context, network or post.

The quantum world is a non-local field of virtual energy that entertains the presence of certain conditions or “states” of recognition or being. These circumstances re-present themselves in reference to 3D space/time as a wide array of pulsations in the form of energy-in-motion. The quantum world is in a perpetual state of expansion and contraction, a source of apparent uncertainty; a presence in the form of a virtual field in perpetual transformation, transfiguration, transmutation and metamorphosis.

Within every “unified” field there appears to surface a process towards individuation in which certain tensions are entertained and negotiated. However balance and harmony still remains a probability and may in time become operational leading to a new or greater level of amalgamation.

The virtual world of uncertainty is a complex system yet it can be recognized and characterized by virtue of its qualitative behavior. These observations are intuitive in nature and present themselves as a quality of consciousness by means of design and metaphor.

Mind-fullness might be described as a purposeful (will) yet a non-judgmental (emotional) focus of attention (physical) made in the presence (space) of the moment (time).

In relation to the volatility of this virtual field, without the conceptual realization of a particle one would be unable to determine where one field begins and another ends.* Yet the duality of the particle/wave allows us to approach the unknown universe metaphorically as an endless ocean that embraces the changing tides and dimensions of space and time. It is within this boundless yet multidimensional framework that all things are made apparent by means of design ... including consciousness.

* This phenomenon becomes apparent within the confines of an "objective" world (3D space/time) where individual fields can be found to possess length, width and height. Consciousness remains yet at times appears hidden due to the lack of observer awareness. The dimensions (1st, 2nd, 3rd, 4th .....) bring to "light" to consciousness by reflecting upon the moment, context, situation and/or circumstance in which the event is being observed.

Design consciousness carries us beyond the constraints of duality to where a sense of equilibrium can be significantly approached about the creation of a conceptual center or source, i.e. the self.



The concept of balance reaches a “tipping point” when certain patterns bring forward conditions that correspond to a particular collapse within its contextual framework. These conditions help fashion the changes that might lead to a symbolic implosion within the field. Typically these forces take a path of least resistance while leading to a variety of changes through means of friction and resistance.




“There is another not so apparent reason, why in the natural world around us there are so many spirals, as can be seen in shell-fish, snails, antelope horns, on a small scale in our spiraling DNA molecule and on a large scale in spiraling cosmic nebulae. We are now about to enter the realms of etheric energies, which are widely known and understood in many cultures.”
Dolly Knight and Jonathan Stromberg



(Note: I propose that the space/time vortex is result of a series of consubstantial events within a plasmic medium whose attractive and repulsive activities are sustained by currents (Birkeland) of negatively and positively charged substances. In turn this phenomenon creates a generative field about which these "plasmic substances" are engaged. Each force is co-dependent e.g.Yin Yang, upon the other while being observed within a given (a priori) contextual framework, i.e. POV. See Design Consciousness: Space, Time and Inertia.)


What appears as an explosion, e.g. the big bang theory, is actually the cyclic continuation and response to a spiraling consubstantial implosion (attraction) made within the context of a plasmic, i.e. virtual field of changing energy. Implosions and explosions are characteristics of a plasmic environment (universe). Attractive forces (desire) initiate the motion towards becoming a causal source/s for the attraction and repulsion (separation) of certain elements (plasma) described and recognized as being substantial to the medium being observed. 


“Nuclear bombs explode when unstable material reaches a certain critical density. In order to make the material dense enough to explode when the bomb is detonated, smaller explosions occur all around the outside of the material. All these little explosions push inward on the material in the center, causing it to implode.” 

Design brings substantiation to the contextual framework of consciousness. Design harbors the potential to expand the concept of consciousness by means of the imagination. Such awareness instills a certain sovereignty by first becoming fragmented and then by reuniting within the parameters (qualities) of yet another field. Such a contextual relationship harbors the opportunity to expand beyond the constraints intrinsic to every field. 



In other words, design invites the imagination to create, ingest and further integrate a wide range of correspondences by virtue of creating an attractive situation or circumstance solely in order to bring coherency between elements, e.g. the known and the unknown. These attractions reveal themselves both tangibly and intangibly as a sign, symbol or metaphor. Such events occur by virtue of a deep understanding that creation is both cyclical and spiral in character and will eventually return to a source made self evident by the observer (independent). 

The extreme examples of both attraction and repulsion have the occasion to go beyond the parameters of human imagination and may if necessary, collapse upon themselves. Such events will form within the parameters of the background in which they are observed and by canceling out other fields hosting lesser frequencies. The contextual fields found beyond the parameters of human consciousness may appear irregular in form and vibration, multidimensional in character and lacking in presumed geometry




Point: A fermion might be described as an identifiable tone or vibration that participates in the harmony of the spheres. The boson could be labeled as energy-in-motion and when positioned in a relative state of motionless or static state, a fermion. Every phase has the potential to participate in the creation of a symphony (geometry) by means of association (coherent resonance).


Point: In 3D space/time the intuition is translated into linear thought, events and experiences (images). This is achieved by means of design thinking in the form of a sign, a symbol and/or metaphor. Design creates relevance in the form of a symbolic blueprint made apparent by means of an intuitive gesture. 
Design creates the intuitive bridge between the known and the unknown. Design is the language of the spheres and a catalytic converter of consciousness. 



Point: Energy takes a quantum leap into 3D space/time once a fourth "position" is acquired by virtue of a holographic blueprint. This fourth situation becomes a reference point that resonates within a contextual field (background) that surrounds and interpenetrates its configuration of origin. This POV penetrates the veil of spirit (virtual reality) by assuming a timeless and somewhat changeless position. 



Point: Design allows for the expansion and contraction of energy (consciousness) by creating the most appropriate bridge (patterns) between dimensions (space, time and timelessness). In reference to form every dimension is veiled within a virtual background of ether (plasma) and in due course may be made apparent by means of the very contextual substance from which it has emerged.



Edited: 01.05.2016, 04.11.2016, 12.23.2016, 01.11.2017, 03.16.2018, 07.30.2019,10.26.2019, 04.10.2020, 11.08.2020, 12.14.2020, 01.02.2021, 04.29.2021, 02.01.2023, 06.22.2024
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice.)  AI usage prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com. https://thedesignregistry.blogspot.com/ 


 




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