Showing posts with label virtual energy fields and particles. Show all posts
Showing posts with label virtual energy fields and particles. Show all posts

November 30, 2017

Design Consciousness: A Metaphoric Stream of Changing Awareness


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

So what could be considered a “field” of consciousness? What might it be? What does it consist of? How can I achieve a better understanding of what I feel as a permanent awareness centered within my being? What is the essence of this something? Why is it always changing? 

Know that consciousness is multi-dimensional. And what might that mean? Multidimensionality implies that you have a multitude of thoughts and feelings surrounding your every day experience. A conscious type of awareness impregnates your subjective and objective perceptions of roles (identities) and patterns in which you actively participate. 

These impressions mix, match and overlap. These impressions are mental, emotional, physical and "spiritual" in context. These feelings and impressions typically flow, pool and over time and in space simultaneously affect each other. Together they give precedence to a personal recipe filled with awareness. Insights stemming from a blueprint that gives relative structure to a specific awareness (identity) that is all your own.

Consciousness is much like this. Every broth begins with a certain desire. This desire inscribes the characteristics of a personal “source”, i.e. a perspective that has evolved and been conditioned by many events. Together and from a macro POV they appear to identify what seems to be a single point of view. Together they give precedence to what might be considered a type of "singularity".  To a certain degree this is true, every desire is a compilation of many experiences and events all having been accepted, interpreted and described as being “real”.




"The “swirlon” — a novel state of active matter — displayed a stunning behavior whereby instead of moving with acceleration, the quasi-particle groups moved with a constant velocity, proportional to the applied force and in the same direction of the force. This conduct seemingly violates the Second Newton’s Law, currently taught in secondary schools across the UK. Professor Nikolai Brilliantov who led the investigation at the University of Leicester said:- “We were completely baffled to witness how these quasi-particles swirl within active matter, behaving like individual super-particles with surprising properties including not moving with acceleration when force is applied, and coalescing upon collision to form swirlons of a larger mass. “These patterns have previously been observed for animals at different evolution stages, ranging from plant-animal worms and insects to fish, but rather as singular structures, not as a phase which borders other phases, resembling gaseous and liquid phases of ‘normal’ matter.” https://scitechdaily.com/swirlonic-super-particles-physicists-baffled-by-a-novel-state-of-matter/

Jung observed similar patterns or roles in his desire to resolve the inner workings of the psyche. Jung attempted to label these impressions as a venture to objectify them, give them an identity and harness their qualities for others to see, evaluate and imagine. In a sense he believed these categories needed to be determined so as to signify the differences between an impression and an observation. His was a scientific approach implemented in order to distinguish the lobster from the bisque. The idea of consciousness would never be the same. 

Separation and fragmentation are necessary. They are integral contributors every creative act. Jung felt that the psyche that harbors the concept of consciousness, was multi-dimensional in character and unique to every individual. Jung felt that the psyche along with experience, offered the opportunity to generate impressions surrounding the concepts of Life and reality. Multidimensionality affirmed the realization that the psyche was always changing based upon information brought forward by means of experience and awareness. 

" ... awareness is the catalyst Life responds to."
Jayme Price

Consciousness like quick silver is always changing and playing games by means of perception. Belief systems, events and experiences remain fundamental to every view of reality.

What could we ever know about a phenomenon that appears to substantiate our own personal view of ourselves, others and the world? Consciousness is both divisive and enlightening while likewise masking the reality behind a veil of unknowing. 

Consciousness creates a conceptual origin re-presenting* an imaginary source. It is what we search for in ourselves and project upon others including forms. Consciousness is a multidimensional idea, a dominant, over seeing and omnipotent concept of awareness that fuels the imagination and projects light upon "reality". 

* Re-presenting describes the symbolic interchange between a subjective and objective perception that surrounds an earlier creative experience. What is made holographically apparent is a re-flection of a re-source-full field composed of many observations that in unison and with direction give awareness a meaning and a purpose, i.e. reality. Part of design's function is to clarify the blurring affects of 3D space/time. Design achieves this objective by revealing the dynamics, i.e. differences and similarities, between what is felt and what is observed. 

This mirage likewise creates the institutions ordained to control us from cradle to grave. Or more aptly to control an innate freedom of awareness meant to explore its own "source" by means of its own needs and desires.

We are all sources of luminescence made apparent by means of our own light, i.e. consciousness. We are reflections of what appears to be generated from a common "source". We are holographic ingredients simmering in a metaphysical cauldron where the process of creation can be observed, brewed and tasted, i.e. experienced. Consciousness facilitates a certain focus, i.e. an interest about which virtual energy in motion can be attracted and conversely repulsed. 

Consciousness predicates that there is a source. Design gives credence to the concept of a virtual "field" by bringing expression to a realm (field of awareness) in relative stasis. Consciousness is the broth that contains the impressions and emotions we feel and interpret as reality. Design is the process that gives this stock figure and relish.

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The Field of Consciousness: An Interdisciplinary Inquiry into Awareness, Identity, and Design 
What constitutes a "field" of consciousness? Can it be defined as a quantifiable domain, or is it better understood as an evolving, relational phenomenon? At the center of this inquiry lies a fundamental question: what is the nature of the enduring awareness we perceive as “self”? This inquiry into the architecture of consciousness has fascinated disciplines ranging from metaphysics and psychology to quantum physics and design theory. 

Consciousness, when framed multidimensionally, transcends reductionist definitions. It becomes a latticework of perceptions—mental, emotional, somatic, and ineffably "spiritual"—each occupying and influencing subjective experience. These layers interact non-linearly across the temporal and spatial domains, constructing a dynamic, emergent identity. In this sense, consciousness is not a static thing but an unfolding process akin to a quantum field: probabilistic, contextual, and inherently participatory (Zohar, 1990). 

From a metaphysical standpoint, the idea of selfhood arises not from isolated egoic separation but from a perpetual interplay of archetypal patterns, resonant with Jungian psychology. Jung (1960) identified these archetypes as universal, symbolic motifs that shape and are shaped by the psyche. They act as attractors in a psychological field, much like strange attractors in chaos theory, pulling our perceptions and beliefs into recognizable forms. His effort to categorize and externalize these inner figures served not only a diagnostic function but also a semiotic one—translating the ineffable into signs and symbols communicable across cultures and consciousnesses. 

Such an endeavor is echoed in design theory, where the ambiguous boundaries between what is felt and what is observed must be resolved through intentional structure. Design operates within and upon the field of awareness, shaping symbolic forms that articulate difference, meaning, and value (Krippendorff, 2006). Consciousness here becomes a designable medium—a field in which impressions, ideas, and emotions are both encoded and decoded. 

Quantum physics offers an analogous perspective. The observer effect reveals that the act of observation collapses potential states into realized ones (Heisenberg, 1958). Consciousness, therefore, cannot be divorced from the phenomena it perceives. The observer and the observed are interdependent. This aligns with the philosophical notion of non-duality found in both Eastern metaphysics and postmodern epistemologies, wherein the separation between subject and object is an illusion born of language and conditioned perception (Barad, 2007). 

Artificial intelligence, in its quest to simulate human cognition, similarly confronts the paradox of self-awareness. Neural networks and generative models operate on complex feedback loops, wherein emergent patterns resemble forms of proto-consciousness—structured yet context-dependent. While AI lacks qualia—the experiential interiority of human awareness—it mirrors the pattern-recognition and integration mechanisms that define consciousness in humans (Tononi & Koch, 2015). This comparison invites a reconsideration of whether consciousness is a discrete faculty or an emergent property of sufficient complexity. 

Design, as a semiotic act, bridges this inquiry. It serves as both method and metaphor: the intentional structuring of the “broth” of impressions that define identity. As in a recipe, ingredients—memories, beliefs, emotions, and perceptions—are blended into a unique signature dish. The recipe evolves with time, space, and desire, a notion consistent with Deleuze and Guattari’s (1987) rhizomatic model of becoming, where identity is not fixed but dynamically reconstituted across fields of interaction. 

Consciousness, thus, is not merely a container of experience but the very medium through which experience gains coherence. It is both wave and particle, myth and code, design and desire. The mirage of separateness—reflected in sociocultural institutions, belief systems, and symbolic frameworks—is necessary for meaning-making yet ultimately illusory. As such, design becomes a revelatory force, one that renders the invisible visible and the ineffable tangible. 

We are not passive recipients of this phenomenon. We are sources of light—metaphysical projectors casting realities onto the fabric of spacetime. Each consciousness acts as a node in a vast, interconnected field, participating in a holographic unfolding of Being. The light we project—our perceptions, our choices, our dreams—gives shape to reality. In this interplay, consciousness becomes both the creator and the created, the design and the designer. 

In conclusion, consciousness may be conceptualized as a multidimensional, designable field of awareness. It is at once subjective and universal, local and nonlocal, symbolic and experiential. Design functions not only to externalize the patterns within this field but also to clarify the relationship between the virtual and the real. Consciousness, then, is the broth; design is the alchemy that flavors it with purpose. 

References (APA Style) 
- Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, Trans.). University of Minnesota Press.
- Heisenberg, W. (1958). Physics and philosophy: The revolution in modern science. Harper & Row. 
- Jung, C. G. (1960). The structure and dynamics of the psyche (Collected Works Vol. 8). Princeton University Press. - Krippendorff, K. (2006). The semantic turn: A new foundation for design. CRC Press. 
- Tononi, G., & Koch, C. (2015). Consciousness: Here, there and everywhere? Philosophical Transactions of the Royal Society B: Biological Sciences, 370(1668), 20140167. https://doi.org/10.1098/rstb.2014.0167 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.




Holography Quantum Leap Could Revolutionize Imaging

We contain attributes described as human. Every source might be considered virtual, i.e. conceptual, in character. Consciousness will continue to remain incomprehensible due to our tendency to attribute to it every power we wish or desire ... including omnipotence.** In essence, we can fashion the concept of reality into anything we want while subsisting within a conscious framework of our own making.
** It becomes apparent in the evolution of every solar (soul-ar) journey that humanity will have access to its own grade of omnipotence when viewed from other dimensions. Each ingredient is uniquely patterned about a moment in time, designed if you will, within the parameters of a greater contextual field of perpetual motion.

Within the parameters of this field can be found the "qualities" that combine to create it, fractal patterns that when appropriately designed make us human. These states of energy appear as spiraling vectors that magnetically encircle our sense of being (awareness) …  we are  designed conglomerations of energy in motion made apparent within the context of a greater awareness. These traits are expressed and made “real” by means of our personality. It is here where we can individually sense our own multi-dimensionality. As personalities we take on many roles. Within the context of a personality we can bring relevance to who we are, what we re-present and how we perform within certain dimensional constraints, i.e.  "classifications" of a greater consciousness within. When occupying 3D space/time we cannot be anything but human including all its foibles.

The concept of there being an innate knowledge of virtual re-cognition exists and when found appropriate can be made apparent in 3D space/time. We are many things to many people including ourselves. Our personalities are multidimensional. Our roles and actions influence others. 

Some human traits are more apparent than others. Some traits/qualities fall short of a holographic emergence by remaining dormant within the virtual domain of formlessness. Some traits convolute the concept of awareness, i.e. consciousness, to a point where the overseeing "soul" withdraws upon itself. Denial is reflected back to its source until it can be subjectively recognized by the observer (personality). In essence, a field of consciousness, viewed from a soul's POV, is in a mode of perpetual expansion and contraction while dependent upon experiences in 3D space/time.

The affiliation between the macro field of virtual energy and a virtual field of micro awareness is born of a soul-ar intention by inviting the patterns and geometries of the universe to expand and develop by means of design. Each quality re-presents a timeline about which certain events and experiences can emerge. Time changes all. Experiences can add or detract from a POV thereby affecting the expansion and contraction of a field of awareness and observation.

Every trait (quality) adds to the broth of the particular universe encountered. We each bring a flavor to the recipe, i.e. consciousness, of our own making. Evolution suggests humanity will eventually unleash the strappings that harness the soul's recognition. Individual enlightenment demands penetration and exploration into the unknown by reaching beyond the false constraints of self imposed belief systems. Unity is re-discovered by means of re-positioning every re-source within a greater field of virtual non-dimensionality. A well designed consciousness is instrumental in affording every soul this option.

We as a species are presently on that brink. New situations demand new conditions. New awarenesses impart greater expansion. The web is a designed network. One POV embraces a certain level of conscious awareness other expand upon it. They are one in the same. Our POV merely alters our comprehension and understanding of an interchangeable series of events.

It goes without saying that the planet (Gaia) is similarly recalibrating its own frequencies in collaboration with other formations, i.e. waves and particles of light ... mineral, plant, animal, human, solar. The consciousness of the planet holds the cards. Supporting Gaia's transformation during this transition period is imperative in sustaining changes yet to be created or experienced during recalibration.

The Birkeland *** currents act as a metaphor to describe what might be considered a collective stream of consciousness. These occurrences appear as holographic events grouped about a collective source in the form of series of impressions forming iterations and collaborations common to a particular frequency, pattern or series of patterns. 

For example, the keynote of “G” can be resonate at different octaves. It is within the parameters of every field (octave) we can recognize a G chord. There exists a resonance between octaves, i.e. a vibration that emerges from within every note found to be in tune with a common source or frequency. Synchronicity stages the resonance ... its affects make it real. Vibratory sharing creates the framework necessary for unification and expansion of any source harnessing micro and macro connotations.

*** Note: Please observe and seriously ponder upon the intimate relationship between the Z pinch as an affect generated by a Birkeland current and its relationship to the geometry of the vesica piscis.

These permutations are based upon an assortment of connotations. These events expand upon permutations stemming from a collective frequency or matrix, bundled and packaged about a shared concept of identity. Examples of this process become unified within a common spiraling field by means of its own electric pulse and magnetic strength. 

Humanity is an example of this phenomenon. We represent a shared configuration of patterned energy made actively apparent within the constraints of 3D space/time. Every iteration is different in its own right. Every permutation sustains a common vibratory bond (frequency) with its associates. Every human is unique in representing its own “characterization”, i.e. holographic expression, of reality. 

"The essence of the human condition is the clash between our emotional unconscious that has guided our ancestors for millions of years and our noisy, overzealous consciousness that enables us to exquisitely perceive our own struggles for existence." 

It is important to remember that the basis for this process is founded in what we've labeled as light formations. We are light bodied configurations of energy in motion based upon human patterns and a universal geometry. We are elemental expressions in the form of holograms stemming from a virtual field that is continuously changing, expanding and contracting within a contextual consciousness construed as the cosmos. 

Humans like animals, plants and minerals are embellished with similar vibratory configurations patterned about different qualities and characteristics that stem from a common contextual field. Humanity is but a single expression of a greater field of awareness. Humanity is the configuration of a set of energy patterns set in motion, i.e. e-motion. Humanity is a macro conscious impression made symbolically apparent by means of a field of energy in motion (desire) that can meaningfully and purposely transition its focus (creation) between the tangible and the intangible, the concrete and the abstract. 




* * *


"To believe is to accept another's truth.
To know is your own creation."
Anonymous






Edited: 11.30.2017, 02.17.2018, 03.05.2018, 10.26.2019, 08.31.2020, 11.08.2020, 01.28.2021, 02.16.2021, 10.21.2021, 01.10.2024, 08.07.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice.) You are also invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com.


 
























January 2, 2016

Design Metaphysics: An Implosion of Awareness


Conceptual impressions surrounding this article are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context, network or post.

The quantum world is a non-local field of virtual energy that entertains the presence of certain conditions or “states” of recognition or being. These circumstances re-present themselves in reference to 3D space/time as a wide array of pulsations in the form of energy-in-motion. The quantum world is in a perpetual state of expansion and contraction, a source of apparent uncertainty; a presence in the form of a virtual field in perpetual transformation, transfiguration, transmutation and metamorphosis.

Within every “unified” field there appears to surface a process towards individuation in which certain tensions are entertained and negotiated. However balance and harmony still remains a probability and may in time become operational leading to a new or greater level of amalgamation.

The virtual world of uncertainty is a complex system yet it can be recognized and characterized by virtue of its qualitative behavior. These observations are intuitive in nature and present themselves as a quality of consciousness by means of design and metaphor.

Mind-fullness might be described as a purposeful (will) yet a non-judgmental (emotional) focus of attention (physical) made in the presence (space) of the moment (time).

In relation to the volatility of this virtual field, without the conceptual realization of a particle one would be unable to determine where one field begins and another ends.* Yet the duality of the particle/wave allows us to approach the unknown universe metaphorically as an endless ocean that embraces the changing tides and dimensions of space and time. It is within this boundless yet multidimensional framework that all things are made apparent by means of design ... including consciousness.

* This phenomenon becomes apparent within the confines of an "objective" world (3D space/time) where individual fields can be found to possess length, width and height. Consciousness remains yet at times appears hidden due to the lack of observer awareness. The dimensions (1st, 2nd, 3rd, 4th .....) bring to "light" to consciousness by reflecting upon the moment, context, situation and/or circumstance in which the event is being observed.

Design consciousness carries us beyond the constraints of duality to where a sense of equilibrium can be significantly approached about the creation of a conceptual center or source, i.e. the self.



The concept of balance reaches a “tipping point” when certain patterns bring forward conditions that correspond to a particular collapse within its contextual framework. These conditions help fashion the changes that might lead to a symbolic implosion within the field. Typically these forces take a path of least resistance while leading to a variety of changes through means of friction and resistance.




“There is another not so apparent reason, why in the natural world around us there are so many spirals, as can be seen in shell-fish, snails, antelope horns, on a small scale in our spiraling DNA molecule and on a large scale in spiraling cosmic nebulae. We are now about to enter the realms of etheric energies, which are widely known and understood in many cultures.”
Dolly Knight and Jonathan Stromberg



(Note: I propose that the space/time vortex is result of a series of consubstantial events within a plasmic medium whose attractive and repulsive activities are sustained by currents (Birkeland) of negatively and positively charged substances. In turn this phenomenon creates a generative field about which these "plasmic substances" are engaged. Each force is co-dependent e.g.Yin Yang, upon the other while being observed within a given (a priori) contextual framework, i.e. POV. See Design Consciousness: Space, Time and Inertia.)


What appears as an explosion, e.g. the big bang theory, is actually the cyclic continuation and response to a spiraling consubstantial implosion (attraction) made within the context of a plasmic, i.e. virtual field of changing energy. Implosions and explosions are characteristics of a plasmic environment (universe). Attractive forces (desire) initiate the motion towards becoming a causal source/s for the attraction and repulsion (separation) of certain elements (plasma) described and recognized as being substantial to the medium being observed. 


“Nuclear bombs explode when unstable material reaches a certain critical density. In order to make the material dense enough to explode when the bomb is detonated, smaller explosions occur all around the outside of the material. All these little explosions push inward on the material in the center, causing it to implode.” 

Design brings substantiation to the contextual framework of consciousness. Design harbors the potential to expand the concept of consciousness by means of the imagination. Such awareness instills a certain sovereignty by first becoming fragmented and then by reuniting within the parameters (qualities) of yet another field. Such a contextual relationship harbors the opportunity to expand beyond the constraints intrinsic to every field. 



In other words, design invites the imagination to create, ingest and further integrate a wide range of correspondences by virtue of creating an attractive situation or circumstance solely in order to bring coherency between elements, e.g. the known and the unknown. These attractions reveal themselves both tangibly and intangibly as a sign, symbol or metaphor. Such events occur by virtue of a deep understanding that creation is both cyclical and spiral in character and will eventually return to a source made self evident by the observer (independent). 

The extreme examples of both attraction and repulsion have the occasion to go beyond the parameters of human imagination and may if necessary, collapse upon themselves. Such events will form within the parameters of the background in which they are observed and by canceling out other fields hosting lesser frequencies. The contextual fields found beyond the parameters of human consciousness may appear irregular in form and vibration, multidimensional in character and lacking in presumed geometry




Point: A fermion might be described as an identifiable tone or vibration that participates in the harmony of the spheres. The boson could be labeled as energy-in-motion and when positioned in a relative state of motionless or static state, a fermion. Every phase has the potential to participate in the creation of a symphony (geometry) by means of association (coherent resonance).


Point: In 3D space/time the intuition is translated into linear thought, events and experiences (images). This is achieved by means of design thinking in the form of a sign, a symbol and/or metaphor. Design creates relevance in the form of a symbolic blueprint made apparent by means of an intuitive gesture. 
Design creates the intuitive bridge between the known and the unknown. Design is the language of the spheres and a catalytic converter of consciousness. 



Point: Energy takes a quantum leap into 3D space/time once a fourth "position" is acquired by virtue of a holographic blueprint. This fourth situation becomes a reference point that resonates within a contextual field (background) that surrounds and interpenetrates its configuration of origin. This POV penetrates the veil of spirit (virtual reality) by assuming a timeless and somewhat changeless position. 



Point: Design allows for the expansion and contraction of energy (consciousness) by creating the most appropriate bridge (patterns) between dimensions (space, time and timelessness). In reference to form every dimension is veiled within a virtual background of ether (plasma) and in due course may be made apparent by means of the very contextual substance from which it has emerged.



Edited: 01.05.2016, 04.11.2016, 12.23.2016, 01.11.2017, 03.16.2018, 07.30.2019,10.26.2019, 04.10.2020, 11.08.2020, 12.14.2020, 01.02.2021, 04.29.2021, 02.01.2023, 06.22.2024
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice.)  AI usage prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com. https://thedesignregistry.blogspot.com/ 


 




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