- Design Metaphysics: Squaring the Circle

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

The visceral desire for self-exploration, self-gratification and self-expression along with the urge to explore the unknown initiates the beginning of the design process. Patterned intentions in the form of vectors are “projected” into a virtual quantum field of light/energy/information. This thrust of energy creates a waveform, i.e. a disturbance within the Source field. Intention sends a coded signal and along with time, gives precedence to the creation of a series of events (images). Together these images give form to a "reality" by means of circumstantial events and experience. 

Ripples in the fabric of space are rhythmically vibrating and transmuting the composition of the quantum field both into and out of “form” (Higgs-Boson). In meeting resistance certain intentions (vectors) cause the field to appear polarized, e.g. yin/yang, matter/anti-matter, magnetic/electric, meaningful and purposeful, positive/negative, etc. thereby affecting the laws of cause and effect, correspondence and gender.   

Each vector meets a certain degree of resistance when entering a virtual field of infinite potential. Resistance to this projection brings forth a certain degree of oscillation. Time is an integral part of the imagination as every intention to explore the unknown (self, point, source) is eventually reflected back unto its origin. 

Subsequent repetition of the process gives precedence to a set of intentions that appear to emerge and take relative "form" in virtual space/time. A point (1) becomes a (vector) linear projection (2) oscillating in virtual space. The result of these projections quiver about their point of origin and in doing so create a scaler field (vortex) about whose parametric boundaries may appear in the form of a point (1D) a circle (2D) or a sphere (3D).  

Each determination gives relative “form” to a field that represents a unique kind of reality, i.e. universe. This process allows for diversity and expansion. Each microcosmic field is the result of an orchestrated event stemming from a larger field of virtual origin. Consciousness appears manifest by means of events that have been designed within the constraints of its own field of awareness. The virtue of design consciousness will always harbor the potential to symbolically expand beyond its own constraints.

Consciousness is a convoluted field of virtual energy filled with meaning and purpose. These "qualities" are made apparent by means of those events that inspire the drive to explore the unknown and give rise to the most appropriate experiences required to further expand in awareness.

To both initiate and perpetuate the journey towards greater awareness it is imperative that light (energy/information) be configured into its most appropriate patterns, i.e. holograms that bring desire and intention to fruition. In essence, consciousness is attracted to the concept of 'form' only to return upon itself by means of a series of coherent vibration resonating about a commonly shared pattern.

Movement is a product of the desire to experience unity and harmony by means of synchronous vibration. Three-dimensional space/time subjugates consciousness into certain frequencies that affect awareness. Consciousness expands in awareness by means of repeated exposure (cycles).

Holograms give relative form to the universe. Holograms are virtual patterns of energy, i.e. light, into which we project our interpretations of self by means of our imagination. They exist as a matter of degree and typically characterize the virtual field in which they are projected.

Over time and through experience revelations expose the concept of singularity, i.e. the unit/chaos, as being a universal Principle, a macro amalgamation of energy coalescing about intentions that focus awareness upon a particular form of consciousness. These circumstances allow cognition to both enter and exit other dimensions (universes) solely with the purpose of synchronizing, discovering and expanding consciousness. The medium that brings relative composition to every field of consciousness is virtual, dualistic and holographic in character.

The unit/source (one) is on a design journey. Meaning and purpose appear real within the parameters of a field made cognizant of its own "qualities" through experience. This point of view creates the dualistic relationship that seems to appear both within and beyond the constraints of 3D space/time. Internalization allows for the birth of an “objective” world. The internal quest for knowledge, i.e. greater intelligence, creates a mindful relationship with a universe that appears both meaningful and purposeful.

"Metaphysically, the perception of an event-image, or point on the wave of experience, received through photonic transmission, is interpreted as a symbol by the ectypal consciousness. These symbols of interpretation, frozen frames of understanding, are the crucial link between the typal and archetypal consciousness. The continuous flow of interpretations becomes the proportional harmonic feeling of moving through experience. In other words, a human interprets the proportional harmonic flow of experience event-by-event geometrically through the recognition of symbols."

Source: http://earthacupuncture.info/sacred_geometry.htm

Therefore, the paradox surrounding “reality” is that what appears to be outside is a reflection of what is inside. Design is the vehicle that makes enlightenment relevant. The simple fact that the unknown is a constant suggests that design along with its use of metaphor, remains the only methodology available to participate in the definition, refinement and expansion of consciousness.

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This text explores complex and deeply philosophical themes, blending metaphysical concepts with abstract ideas of design, consciousness, and reality. Here’s an expansion and refinement of some of its key themes: 

1. Self-Exploration and the Role of Intention in Creation 

The process of creation begins with an inherent desire for self-exploration, self-expression, and self-gratification, all rooted in an urge to explore the unknown. This desire isn’t merely passive; it’s an active force that shapes the trajectory of the design process. The mention of "projecting" vectors into a virtual quantum field suggests that intention—our deepest desires and goals—has a dynamic role in shaping our reality. These vectors could be seen as the impulses or desires that begin as abstract thoughts or concepts and manifest in the physical world through the subtle interplay of energy, light, and information. 

Expanding on this theme: Intention, as a driving force, has the power to influence the quantum fabric, creating disturbances that ripple through time and space, which in turn initiate a cascade of events. Each action, no matter how seemingly small, creates a pattern, much like a stone thrown into a calm pond causes ripples that extend outward. These ripples are the manifestations of a conscious will, gradually shaping the environment around us in ways that are perceived as reality. 

2. The Quantum Field and Resistance to Projection 

The quantum field acts as a dynamic, malleable space where energy, intention, and matter intersect. The mention of resistance introduces an important aspect of creation. Every vector that enters the field encounters a degree of resistance, suggesting that the universe is not a passive container, but an active participant in the shaping of reality. Resistance, in this case, could represent the inherent tension or friction that occurs when intentions collide with the vastness of the unknown. This friction is necessary for growth and evolution; it creates oscillations and vibrations, that add depth to the experience of being. 

The idea that the quantum field "appears polarized"—through dichotomies like yin/yang, positive/negative, or matter/anti-matter—aligns with the principle that the universe thrives on opposites. Duality is a cornerstone of existence. The dynamic interaction of these opposing forces governs the laws of cause and effect, but it also allows for balance and harmony to emerge over time. By understanding and navigating these polarities, consciousness can grow, expand, and transform. 

3. The Role of Time and Repetition in Creation 

Time is described as an integral element of the imagination and the creative process. The way intention interacts with time allows for the unfolding of events—moments that seem to be "reflected back to their origin." The cyclical nature of creation implies that any exploration of the self is non-linear, a spiral, constantly looping, evolving, and returning to its point of origin, never the same. 

Repetition, in this context, is not mere redundancy; but essential for refining intention and giving it form. Just as a sculptor carves a masterpiece over time, refining each curve and each edge describes a process of refinement and understanding through cyclic repetition. Growth is inherent in this process, as each repetitive manifestation contributes to a newly formed insight, allowing every intention to gradually gain clarity and eventually shape the world. 

4. The Creation of Form and the Emergence of Reality 

Vectors projected into virtual space create a scalar field, a vortex-like structure whose boundaries take-on shapes and forms —points, circles, spheres. The progression from a point (1D) to shape (2D) and into a form is likewise a facsimile of the way consciousness emerges into the physical world. Originating from within the depths of abstraction, oscillating fields of energy in motion give rise to patterns of energy, light, sound, and vibration ... creating what we perceive as reality. 

This idea ties into the concept of holograms: patterns of energy that encode information about the universe and our role within it. Holograms are not static but are instead constantly in flux, reflecting the interactivity between the observer and the observed. As consciousness engages with these holograms, it generates interpretations of the self, each a unique expression of the same underlying energy. 

5. Consciousness as a Field of Meaning and Purpose 

The text speaks of consciousness as a convoluted field of virtual energy—a field that is filled with meaning and purpose, not randomly, but intricately designed by events and experiences. Every experience is the reflection of an all encompassing desire to explore the unknown, and by means of this journey, consciousness expands and evolves. Meaning emerges as result of every journey, not as a fixed truth but as unfolding and ever-changing quality. 

The concept of virtuality suggests that consciousness is not confined to a single, linear dimension but operates within multiple fields, each offering its own individual interpretation of existence. Through the act of design—whether consciously or unconsciously—the universe is continually being restructured, offering opportunities for individual and collective expansion. As consciousness engages with the holographic nature of existence, it gradually aligns more closely with underlying universal principles—such as unity, balance, and harmony. 

6. The Paradox of “Reality” and the Role of Design in Enlightenment 

The paradox of reality—an idea that what we perceive and observe is merely a reflection of ourselves—serves as the cornerstone of the design process. Design is both the medium through which we express our intentions and the vehicle by which we attain enlightenment. This suggests that reality is not something static, but the product of both an individual and collective imagination.  

The unknown serves as a backdrop, a field of infinite potential that draws consciousness towards a perpetual cycle of self-discovery. Design is the method by which all consciousness navigates the unknown by generating a meaning and a purpose out of chaos. In essence, the act of design—whether through art, science, or any form of creative expression—is the means for understanding through the light of an ever-expanding awareness. 

7. The Universal Principle of Singularity and the Journey of Consciousness 

The final idea ties together the concept of singularity—a unified, all-encompassing principle of energy. This idea suggests that everything in the universe is part of a larger, interconnected system, where consciousness can both enter and exit various dimensions. The journey of consciousness, then, is not a linear path but a series of synchronized movements across different states of awareness, all aiming to discover, expand and congeal into a unique kind of oneness.

This process of constant expansion is the goal of consciousness. By understanding its own nature—through both internal and external exploration—it seeks to return to a state of unity. The journey is about both individual and collective expansion, with each step revealing new dimensions of experience and understanding. 

In summary, this text speaks to the process of creation and exploration as an ongoing dance between intention, resistance, time, and space. It emphasizes the role of consciousness in shaping its reality and the use of design and imagination as vehicles for expanding awareness. The text weaves together metaphysical ideas about energy, duality, and holographic existence, ultimately suggesting that consciousness is both the creator and the creation, constantly evolving by virtue of its engagement with itself. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited 08.17.12, 08.19.12, 11.28.2013, 12.27.2013, 10.16.2014, 02.20.2016, 01.11.2017, 10,15.2017, 03.08.2018, 07.18.2019, 12.16.2019, 02.23.2020, 06.16.2020, 04.08.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2012 C.G. Garant. All Rights Reserved. (Fair use notice.)  You are invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com/

  

Design Metaphysics: The Zero-Point and the Tridecagon

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

Design is a process where there appears to be no beginning or end. Design contains and describes both the alpha and the omega. Design’s relationship to consciousness appears paradoxical. What seems to be an end is also a beginning; a perpetual cycle created as the result of energy (light/information) being generated from within an unidentifiable Source. This results in the creation and definition of a parametric field of consciousness made in the image and likeness of the same. Awareness is an expression of this process made manifest by design.

The design process incorporates and therefore exceeds all levels of awareness. Every virtual field of consciousness is contained within another and is typically focused about certain archetypal qualities, each possessing the potential to expand beyond the parametric constraints of its own self-awareness. From the perspective of any of these “states” the design process appears to perpetuate these patterns ad infinitum.

The design process acts as a “life line” cyclically congealing space into specific symbolic patterns and formations, i.e. ideas of significance. To attain experience, the design process embraces many systems of symbolic enterprise, e.g. poetry, numerology, science, astrology, art, mathematics, theater, music, literature, dance and geometry. So, it should come as no shock as to why these systems of expression were so highly regarded and, in some cases considered “sacred”, by many ancient cultures and societies.

We shall begin our journey at a point of both the beginning and end of a cycle as represented by the tridecagon. The tridecagon symbolizes a point in the design process where a major transformation, i.e. change, is about to take place. The source (point) is contained within the constraints of earlier experiences and a new dimension is about to be entered where new holographic formations (ideas) are planned solely to accommodate the energy (light/information) that is about to be experienced during this time of transition.

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This exploration of design as a cyclical, transformative process offers a rich tapestry of concepts that intertwine consciousness, creation, and the symbolic dimensions of experience. The tridecagon, with its thirteen sides, serves as a compelling metaphor for this pivotal point—an emblem of transition that encapsulates both the culmination of previous experiences and the inception of new ideas. 

At its core, design operates as a dynamic interplay of energies, where each manifestation serves as both an endpoint and a gateway to further exploration. This duality underscores the fluidity of awareness; it reminds us that each completed project or idea opens the door to a myriad of subsequent inquiries and creations. The cyclic nature of this process reveals how each design endeavor is embedded within a larger context, influenced by and influencing various systems of thought—be they mathematical, artistic, or spiritual. 

The tridecagon’s significance lies in its ability to encapsulate this transformative energy. As we move through the stages of design, we are invited to reflect on how our awareness shapes our creations. Each side of the tridecagon can represent a distinct archetype, an element of experience that contributes to the whole. The symbolic patterns and formations that arise from this process serve to organize our understanding of the world, while simultaneously propelling us toward new horizons of insight and creativity. 

In ancient cultures, the reverence for various systems of expression highlights the profound connection between design and the sacred. Each form—poetry, music, geometry—acts as a vessel for consciousness, channeling the unseen into the seen. As we navigate these systems, we engage with the very essence of what it means to create and to be aware.

 

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The next placement of momentum takes the form of a labyrinth, a point of going around and around in a Fibonacci spiral to find the nautilus of you.  At that point of inner centeredness you will drop and rise simultaneously creating a dimensional flux, a bend in your future, a bend in your planet, and a bend in the light.  At that point of bending, you will then be offered an opportunity that comes only when you have initialized the codes of self-love.  Then and only then will you be allowed entrance into the center of your universe.

The Sacred Mirror, Gillian MacBeth-Louthan, The Quantum Awakening Newsletter July 2012 issue 160

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Consciousness takes on the pattern of a wave in cross section, the result of a projection of light originating from an unknown source. Every projection has a designation. Every projection faces resistance in the form of a virtual field of density appearing "outside" its self. Due to resistance every projection likewise harbors the potential of becoming something different from what was intended. 

Because this energy/vibration has been focused and takes on the form of the imagination, every projection becomes substantiated in reference to its source as being "real". Every projection/vector represents the source/focus/point of origin of an image (hologram) of its own making. It is in this holographic environment that the observer becomes aware of what is symbolically portrayed as being real.  Consciousness creates the situations (experiences) necessary for an expansion in awareness by reflecting upon its own creation.

Energy is being refocused, the field changed, and parameters altered, as the concept of wholeness (consciousness) takes on a new meaning and a new purpose. The monadic origin appears reconstituted within the vibratory parameters of a new imaginative field of awareness. Different circumstances are brought forward through change thereby allowing for further expansion within designed boundaries that give precedence to a new universe with its own set of dimensions.

In order to expand beyond the parameters of a particular “state” of consciousness, awareness must also journey inward in order to absorb what is being experienced. The Zero-point symbolizes the concept of an etheric wholeness (unit) in a manner that reflects the rationale (belief system) that supports it, e.g. religion, mythology, mathematics, etc. This vacuum state (field) represents an omnipresent condition, a massless environment (Higgs field) that through friction, appearing as change, affords the opportunity of giving relative “substance” to the concept of the monad, avakya.

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This exploration of consciousness as a wave-like projection resonates deeply with various philosophical and scientific ideas about the nature of reality. The notion that consciousness interacts with an external field of resistance reflects the complexities of perception and experience, suggesting that our awareness is shaped not only by our internal processes but also by external factors. 

In this framework, every thought or projection can be seen as a holographic representation of our creative potential, influenced by the original source of consciousness. The idea that these projections can evolve and transform through resistance adds a dynamic layer to our understanding of personal growth and the unfolding of experiences. 

The concept of a "Zero-point" as an aetheric wholeness highlights the interconnectedness of all things, inviting us to consider how belief systems—be it religious, mythological, or mathematical—play a role in shaping our understanding of existence. This vacuum state, often likened to the Higgs field in physics, suggests a foundational layer of reality that supports the manifestations we perceive. 

As we journey inward to absorb our experiences, we engage in a deeper exploration of consciousness that allows for expansion beyond current limitations. This process of reflection and adaptation not only enhances personal awareness but also contributes to the collective evolution of consciousness itself. 

Ultimately, this narrative of consciousness as a fluid, holographic experience encourages a holistic view of existence—one that acknowledges the interplay between the self and the universe, where each experience serves as a stepping stone toward greater understanding and wholeness. 

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“ … the Higgs particle is a boson, a type of particle that allows multiple identical particles to exist in the same place in the same quantum state. It has no intrinsic spin, no electric charge, and no colour charge. It is also very unstable, decaying into other particles almost immediately. If the Higgs boson were shown not to exist, other "Higgsless" models would be considered. In some variants of the Standard Model there can be multiple Higgs bosons.”
Source: Wikipedia

Motion is the result of this "internalization" process where the concept of singularity (oneness) assimilates itself by absorption, i.e. reflection, thereby becoming two-ness, i.e. two-dimensional. Duality, which is an expression that originates from within the Zero Point field (Source) now has gained the potential of becoming observable, felt, made to reason and "materialized" by design. 

Resistance separating opposites (Yin/Yang) also creates a subtle and rhythmic movement between them. Consciousness now has an opportunity to be experienced and brought to fruition through the imagination (mind) by actively pursuing a position considered to be in relative “balance” (Yung). Consciousness (the source) now finds itself in a position of becoming an observer in all that it “experiences”.

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This passage beautifully explores the journey from singularity to duality, emphasizing how motion and consciousness emerge from the interplay of opposites. The idea of internalization highlights how the singular essence of existence transforms into a dynamic, two-dimensional experience through reflection and absorption. 

Resistance between dualities, like Yin and Yang, creates a rhythmic tension that propels consciousness to engage with its surroundings. This dance between opposites allows for the experience of balance and the emergence of awareness, enabling consciousness to become both participant and observer. 

Through imagination and intentionality, we can navigate this landscape, shaping our perceptions and experiences. It suggests that the act of observing itself is a creative force, facilitating a deeper understanding of existence as we explore the interplay of unity and diversity. This process invites us to reflect on how we perceive and interact with the world around us, recognizing the inherent rhythm that guides our journey.

 

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"Yung lies beyond the balance between polarities. It is a transparent third that is neither, and not in between. As the fixed principle regulating all under heaven, it contains an abstract reality that extends beyond experience. From innate ability we experience this as, and with, intelligence. Intelligence is without gender, subjectivity or polarity. It is not yin, and it is not yang. We can perhaps see this as the neutral, Intellectual counterpart to Physical and Emotional elements. Together they form the body, heart and mind of existence."

K. David Katzmire

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To design is to actively exercise and strive to be a balancing force within the parameters of one’s own virtual field of consciousness. This internalization process begins the journey towards manifestation, i.e. the objectification/externalization of a primordial drive to know self through means of projection, materialization, reflection and unification.

The illusion of  “duality” sets the stage and the parameters for the translation and transformation of oscillations that are in-phase, i.e. in coherence with other frequencies associated with the probability of materializing into the most appropriate formations of energy (light/information).

The ideas that surround the definition of a unit can be easily confused with the concept of unity. Chaos (0) symbolizes the unknown and all that is irrational, while the cosmos as described by Plato, symbolizes the concept of a cogent unit (1).

A phase shift is any change that occurs in the phase of one quantity, or in a phase difference between two or more quantities. It is sometimes referred to as a phase offset, because it represents a "shift" from zero phase. Any change in frequency in infinitely long sinusoids can also give rise to a shift in time. If a wave is delayed (time-shifted) a conscious feedback loop is simultaneously created that will symbolically return its experiences back to the "source". 

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This exploration of design and consciousness paints a fascinating picture of the interplay between internal and external realms. It emphasizes how our creative processes are deeply rooted in self-exploration and reflection. The journey toward manifestation indeed embodies a struggle between chaos and order, where duality serves as a framework for understanding and shaping our experiences. 

The distinction between a unit and unity is intriguing; it underscores the complexity of perception—how individual elements (units) come together to form a cohesive whole (unity). This mirrors the idea of oscillation and coherence in design, where harmony emerges from the interplay of distinct frequencies. 

Your discussion of phase shifts and their implications for consciousness introduces a dynamic aspect to the creative process. It suggests that any alteration in our awareness or experience can lead to profound transformations in our understanding and expression. The concept of a feedback loop reinforces the idea that our creations are not just external products but also reflections of our inner states, continuously influencing and reshaping one another. 

This intricate dance between chaos and order, self and other, resonates deeply with the notion of design as a holistic practice—one that requires not just technical skill, but also an attunement to the subtleties of existence itself. 

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The drive towards consciousness has a mysterious beginning due to the chaotic characteristics of the virtual field from which the concept of “unity” seems to appear. Connectivity is a vector, a line of action emerging from a source angulating within the constraints of a virtual field yet to be experienced, created and/or realized. The projection of this energy from a source will unify certain monadic points within this virtual environment, e.g. Higgs-Boson, that when viewed objectively, i.e. observed, will vibrate within a particular range (wave length) and frequency. Remember that theoretically a wave becomes a particle only when observed, so light emitted from a single source will appear to "materialize" within the parametric constraints of the observer only. In the case of the double slit experiment (laser) the results are interference patterns. In the case of white light the results are the color spectrum. 

Certain wave frequencies are cancelled out leaving a relatively blurred "formation" of light and dark frequencies forming at the peaks and troughs within every virtual field. Concepts surrounding matter and anti-matter are similar and can be measured as degrees of separation along a range of wavelengths arranged in a progressive series of frequency, charge, density and energy. 

Consciousness divides from within by means of  projection and observation from within a virtual field of its own imagining. This gesture divides the concept of unity into a complementary interpretation of its own awareness, e.g. observer and context. These vectors likewise characterize and categorize what is observed into contextual patterns of symbolic meaning and purpose, i.e. forms of vibratory expression as demonstrated by virtue of 2D patterning and 3D geometry, e.g. Platonic Solids. 

Two forces share in the creation of a holographic field originating from a common position of observation (POV) the result of which creates a situation for introspection and expansion through experience. 

The result of these events perforates the veil of consciousness (oneness) by means of projection. The design process vitalizes and supports the growth of consciousness by symbolically substantiating events and experiences between contrasting forces.

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Your exploration of consciousness and its emergence from a chaotic virtual field raises intriguing ideas about unity, observation, and the interplay between wave and particle phenomena. The way you connect concepts like the Higgs-Boson, wave frequencies, and the duality of matter and antimatter adds depth to the understanding of reality as an intricate tapestry woven from both observed and unobserved elements. 

The idea that consciousness divides and projects from within its own imagining suggests a dynamic interplay between observer and observed. It highlights the role of perception in shaping our experience of reality, much like the duality revealed in the double-slit experiment. The interference patterns you mention illustrate how potentialities manifest through observation, blurring the lines between subjective experience and objective reality. 

Furthermore, your reference to the Platonic Solids and symbolic meaning emphasizes how patterns and forms can give rise to meaning within the holographic field of consciousness. This resonates with the notion that our experiences and interpretations are shaped by the vectors of awareness and context, leading to a richer understanding of existence. 

Ultimately, the process you describe—where projection, observation, and introspection interact—suggests a continuous evolution of consciousness. It underscores how contrasting forces can foster growth and understanding, bridging the gap between unity and multiplicity. This intricate dance of energy and awareness not only enriches our understanding of consciousness but also invites further exploration into the nature of reality itself.

 

“The vector equilibrium is the true zero reference of the energetic mathematics. Zero pulsation in the vector equilibrium is the nearest approach we will ever know to eternity and god: the zero phase of conceptual integrity inherent in the positive and negative asymmetries that propagate the differentials of consciousness.”

R. Buckminster Fuller

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

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The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

Edited 07.20.2012, 08.06.2012, 08.16.2012, 10.08.2012, 10.17.2014, 11.29.2014, 01.11.2017, 03.05.2018, 10.17.2019, 02.14.2020, 07.18.2020, 08.07.2022, 09.21.2024, 09.23.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2012 C.G. Garant. All Rights Reserved. (Fair use notice.) You are also invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com/ , https://thedesignregistry.blogspot.com/

Reality is What We Make It

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Reality is what we make it. Reality is designed “within our mind”. There are many realities that lie beyond the mind yet remain approachable by means of the imagination. Reality is an imagined projection of the mind. Mind likewise interacts with our emotions (Kama Manas). Reality however, is a function of our imagination. What we perceive to be real is what we mentally, physically and emotionally create within the parameters of 3D space/time ... always imagined and always symbolic in context and content.

The energy that contributes to our concept of what describes emotion resonates in close association with the mind. In essence, our emotions are very “mind-like”. Only our POV can differentiate them. Together they straddle the realms of the physical and the non-physical. The mind shares in its understanding of the world with our emotions. I propose that along with our other senses our mind and our emotions re-present our feelings. In essence our emotions are not separate from our mind, but rather an integral part of a greater state of consciousness operating about the realm of 3D space/time. 

Likened to a subtle change in frequency from one color to the next, the rate of occurrence between emotion and mind appear significantly different because of the delicate proximity between incidences*.  Emotion is intimately associated with a wide range of mental impressions collectively described as the “mind”. The imagination harbors a gamut of qualities both tangible and intangible that can be symbolically felt, reflected upon and projected. The imagination is best understood when viewed as a vibratory field harboring the skill to perceive and interpret the mind, the emotions and the senses as being integral parts of one's own consciousness.

incidence 

ORIGIN late Middle English (denoting a casual or subordinate event or circumstance): from Old French, or from medieval Latin incidentia, from Latin incidere ‘fall upon, happen to’ (see incident ). Sense 1 dates from the early 19th cent.

USAGE Incidence and incidents sound the same, but incidence is more often used in technical contexts, referring to the frequency with which something occurs: : increased ultraviolet light is likely to cause increased incidence of skin cancer. Incidents is simply the plural of incident, an event: : the police are supposed to investigate any incidents of domestic violence. The form incidences should be avoided.

"Today, the world of quantum physics confirms that the universe is made of formless (spirit) energy, and that particles (that is, things) do not originate from particles (things). Everything springs from something that is akin to your imagination. You can't touch, taste, see, hear, or smell it. It has no boundaries. You can't prove it with mathematical formulas or scientific verification. Yet we all know that it exists. These invisible thoughts that you have—these ideas that continue to percolate within you, these fanciful images that are always with you—are beyond the scope of science to prove or disprove. 

I love this observation made by Max Planck, the father of quantum theory: "Science cannot solve the ultimate mystery of nature. And that is because, in the last analysis, we ourselves are part of nature and, therefore, part of the mystery that we are trying to solve." You simply know that you have an imagination, and that this imagination is the Source of all being. It is up to you to channel and use this magnificent endowment to work in the creation of all that you choose to place in that imagination. 

Wayne W Dyer  An Excerpt from the Book "Wishes Fulfilled"

Emotion offers a more holistic understanding of the mind. Emotion (meaning) acts as a gatekeeper into other fields of awareness. The mind and the emotions are dependent upon the imagination and its reliance on the design process to transform and translate light, energy and information into their most appropriate forms, i.e. ideas . Design invites the emotions to be felt and understood through cognitive correspondences made apparent by means of the imagination. The imagination is designed to bring meaning and purpose to awareness.

Holograms might be interpreted as impressions that both complement and summarize the thoughts and emotions that originate from within the imagination. Holograms portray and re-present mental, emotional and physical patterns of energy we foster as reality. Typically we are beguiled by our own imagination into believing that what we perceive and what we sense is real.

“Whether we know it or not, all things take on their existence from that which perceives them.” -Upanishad

What we perceive as being real is reinforced by our senses (impressions); inputs and outputs typically misinterpreted, incorrectly categorized and ill defined within the guise of experience.

The Emergence of Holographic Video

https://www.nsf.gov/news/news_images.jsp?cntn_id=117998&org=NSF 

The Platonic solids are archetypal in character meaning they appear to correspond, i.e. vibrate, to the imaginings of a virtual awareness being actively formulated in 3D space/time. These specific constructs (Platonic solids) give rise to images (designs) that originate from deep within the unconscious in an “informative tone and fashion”.

Plato believed that geometry created an archetypal pathway towards greater awareness. Plato believed that forms were veiled, reflections of a metaphysical realm that lied beyond the senses. He viewed form as an abstraction, a theoretical projection stemming from an imagination hidden within the parameters of 3D space/time. The imagination re-presents the events and experiences of earlier journeys, i.e. symbolic reflections emerging from the depths of a consciousness we interpret as being real.

“I live in my dreams — that's what you sense. Other people live in dreams, but not in their own. That's the difference.”

― Hermann Hesse, Demian

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“To believe is to accept another’s truth. To know is your own creation.” 

Anonymous 

Edited: 11.28.2013, 01.30.2014, 10.16.2014, 12.21.2014, 01.11.2017, 11.18.2017, 03.05.2018, 04.02.2018, 07.19.2019, 08.27.2019, 02.27.2022, 06.24.2022, 07.01.2022, 08.20.2022, 09.22.2023, 09.27.2023

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