Treading Upon the Tail of the Tiger

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

All formations in the universe are made complete by means of design. Formative patterns of energy appear to emerge from within the depths of a virtual unknown as they configure themselves about a network of consubstantial events that vary in dimension, spatial context and time. These events along with their coinciding "experiences" relating to such an observation seem to materialize from within the parametric constraints of a POV positioned within an even vaster field of plasmic substance. 

These plasmic networks appear to substantiate a countless number of microcosmic fields that "come to light" within the embrace of every swirling event. In essence these networks substantiate the existence of a countless number forces hidden behind the veil of every observation. Examples of attraction and repulsion are found in a state of perpetual fluidity both nourishing and destroying every design imaginable in a chaotic dance between form and formlessness, the known and the unknown, consciousness and the unconscious. 

The tangible and the intangible appear to emerge from within the depths of the unknown into a configuration of plasmic substance that from certain perspectives, might be considered unified, complete or perfect while in the moment. A "moment" is merely an abstraction of time and space. Every moment is contingent upon the context in which it is referred. The concept of time can run so rapid as to eliminate any reference it may have to the dimension, i.e. spatial context, being experienced. 

Time frames experience. Time is very meaningful in its relationship to space especially when a particular circumstance may plan or allow for it ... all in search for that synchronistic moment. Time is but another aspect of energy-in-motion. When certain frequencies outside the observer's space/dimension are attained time can speed up, slow down or disappear within a contextual framework. In this manner space can appear to be non-conditional and non-dimensional. By virtue of the experiences encountered an observer facing such a circumstance naturally or by any other means, will experience what might be construed as another dimension.

Other frequencies not acquainted with those inherent to 3D space/time can be reached by many means. Not all the experiences associated with these "states of consciousness" will resonate to a common network of symbolic relationships. Consciousness runs the gamut of frequencies found appropriate in every dimension. Other levels of consciousness have a symbolic relationship to an assortment of forms by means of a resonance that can be found attainable within the conceptual framework of time. 

I propose that entrance into other dimensions is accommodated by the frequency in which the concept of time is experienced. Time holds open the door that allows consciousness to enter other dimensions including timelessness itself. In a sense time is the paradox upon which timelessness is based. These states can be attained by means of natural or synthetic hallucinogens, mental disciplines or by the influx of other frequencies that harbor the capacity to trigger elements vital to the creation of a network (field) of symbolic association.  

Design re-presents a series of never ending moments that are symbolically reconfigured between stages/phases of awareness/focus. In this rapid (holographic) process a state of being emerges where the tangible can appear intangible and the intangible tangible, the unknown known and the imagined real. The universe harbors, supports and designs this process of perpetual fragmentation and assimilation (reconfiguration) through the action of consubstantiation.

“Consubstantiality,” in rhetoric, is often associated with Kenneth Burke. It is defined by Burke as "a practice-related concept based on stylistic identifications and symbolic structures, which persuade and produce acceptance: an acting-together within, and defined by, a common context."^[5] To be consubstantial with something is to be identified with it, to be associated with it; yet at the same time, to be different from what it is identified with.^[6] It can be seen as an extension or in relation to the subject.

Philip A. Cruden

There is a rhythm in the universe, a tempo if you will, appearing at both micro and macro levels of consciousness. A perpetual flux of energy in the forms of change, light and information couple every universe. Exchanges of energy appear to come into being as a consequence made reference to by means of observation. 

By virtue of attraction and repulsion rhythmic gestures of energy (pulsations in the form of vibrational frequency) appear to integrate their modifications within the field (POV) of the observer ... and that "in time" appear to materialize within the contextual space of surveillance. 

Tempo generates and in turn directs rhythmic pulsations of plasmic substance into its most appropriate pattern as result of an observable attempt to find equilibrium. In a sense tempo accommodates for the fluctuation of material found within the parameters of every field that might be considered a contextual re-source.

Change is the result of two or more consubstantial events made apparent by virtue of design. These events are symbolic in quality and experience. Attraction and repulsion appear within every chaotic event and/or experience. They are seemingly patterned about forces unknown, misunderstood and at times, appear unimaginable within the dimensional context of 3D space/time. Time along with the imagination plays an important role in the observation of this fractal phenomenon. Forms of energy, light and information reciprocate within a contextual motif that appears to sustain an infinite number of archetypal blueprints. There is always a common field (source) that appears to respond, accommodate and in turn simultaneously fulfill every minor re-source that substantiates its very existence. 

In essence, a multitude of ideas, i.e. resources stemming from the imagination, are essential (soul) expressions of a conceptual singularity symbolically represented as a virtual field/reality made apparent for reasons known only to the observer/creator. All "states" of awareness (ideas) are inaugurated within the parameters of an every-changing series of timeless phenomena found in a perpetual state of modification and metamorphosis. Levels of consciousness are slowly released, i.e. substantiated, in the form of an idea made "manifest" within the parametric constraints of a specific dimension. This dimension is one of a countless number of interpretations that can be discovered within the plasmic field of virtual space/time. It is a situation where the concept of Oneness appears as a hologram; a design representing the constraints of a certain space/time for the purposes of experience, expansion and integration.  

Consciousness appears to categorize, reconfigure and recondition itself within the parametric constraints of 3D space/time. What is virtual in character congeals within the influence of an apparent intelligence made discernible by means of an electric awareness. What appears to be an "idea" penetrates yet another density forming a magnetic, i.e. morphogenic field of attraction about a particular intention. A gamut of resourceful intentions can be found within the plasmic origins of every virtual space ... if the appropriate vibration can be discovered. 

"The archetype does not "denote an inherited idea, but rather an inherited mode of functioning."
Carl Jung

Each category acts as a symbolic filter configured about a center of its own creation. Relationships are the result of a series of contextual associations. These associations give reference to a particular dynamic (composite duality/structure, network) established between two or more symbolic events, e.g. bosons, humans, galaxies, plants, fermions, animals, atoms, planets, solar systems, universes, etc. Every context can be separated into a variety of configurations while harboring the capacity to merge into situations that give meaning to every purpose and a purpose to every meaning. 

Example: the concept of there existing an eternal being-ness permeating the universe as we know it is an idea found to be formable within the field of human consciousness. In other words, our mind has been inclined to accept the idea of a universal presence/figure as the source of a certain "reality". This all-inclusive concept is an innate human quality made palpable by means of design, i.e. the capacity to use our imagination in a symbolic manner. Identifiable proof of the likelihood of this phenomenon can only be found by virtue of one's own sensitivity and awareness. 

Consciousness appears before our awareness (central core) in a symbolic fashion whether we are entirely aware of it or not. Over time we have categorized our focus within the constraints of 3D space/time merely for the sake of survival, a perspective inflicted upon humanity by virtue of a number of arresting belief systems and civilizations. 

Every configuration of thought (inductive or deductive) harbors a persuasive meaning within the constraints afforded every observation. Every conceivable configuration of energy retains it own unique vibration in dimensional space/time. Yet due to the unpredictable quality common to every field of change no specific effect, event, or experience can be exactly duplicated. Each situation is unique. Networks (holograms) tend to frame and color the source/re-source of their observation. Inherent filters arrange these sightings into an array of belief systems and perspectives where energy, light and information can easily alter the original intent. 

Energy-in-motion (e-motion) is meaningful in content, specific in composition, multidimensional in scope and at the center of every source and re-source. Energy-in-motion (seen as change) is visceral in its context, purposeful in its desire and infinite in scale. Meaning in the form of change affords Life the impetus to support the creations to which we resonate and uphold. 

Experience allows for the transformation of events into the shape and frequency of an idea. Energy-in-motion seems to move about within a magnetic field of its own creation. A central vortex attracts to its central core substances that provide a symbolic balance to a much larger contextual event. The core of this phenomenon penetrates the unknown by magnetically returning upon itself by means of a series of transformations construed within a field of its own making

You are the center of a universe of your own creation where false and ill-conceived impressions and formations can appear and likewise be cast away. The body is simply a purposeful expression, i.e. a network in 3D space/time, intended to experience the concept of consciousness while designed with the "idea" of expanding such awareness beyond the constraints of its own cognition.

Comments:

Design allows for a penetration into the unknown by means of the experiences make apparent in the dimensions of space/time. The mind projects and the heart nurtures.

Design prefers and brings into justification a non-linear path. Design recognizes that being central to the freedom that you symbolize contributes directly to the overall matrix of every universe.

Design attempts to qualify an omnipresent event that is both changing and timeless.

The center of consciousness is found in a freedom that appears hidden behind the veil of dreamtime. One's own awareness appears before consciousness in the form of a design symbolic of all that can be found within the core of its vortex.

A network is a shared experience found deep within the dimensions of space and time. True freedom remains internal.

Design allows for magic to emerge in the form of a series of snap shots in space and time. In essence consciousness merely flows before our awareness in a way that allows us to pick and choose those qualities to which our hearts are attracted. Consciousness resonates to that which has a meaning and purpose in reference to our own heart’s desires.

Meaning and purpose can be found, comprehended and intuitively understood by discerning the events and experiences that appear before consciousness.

Edited: 10.26.2019, 03.25.2023

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