Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Design is driven by the intuition. Design invites every observer to enter into a virtual field of creativity by means of the imagination. Design separates space into two complementary properties (Kama Manas). Each feature re-presents a pre-condition that is difficult to escape due to past experience.
Due to resistance the intention behind every design tends to spiral within the medium/field in which it is observed, i.e. the contextual field in which they converge. Each precondition will develop its own potential timeline about certain features that drive the intuitive imagination to form patterns of energy found appropriate to the situation at hand, e.g. DNA. Each trait is either attracted or repulsed by the process. Our impulses magnetically intertwine around ideas having been reflected by means of our imagination. Every idea is a reflection of qualities found inherent in its creative source/s.
Design is driven by the intuition. Design invites every observer to enter into a virtual field of creativity by means of the imagination. Design separates space into two complementary properties (Kama Manas). Each feature re-presents a pre-condition that is difficult to escape due to past experience.
Due to resistance the intention behind every design tends to spiral within the medium/field in which it is observed, i.e. the contextual field in which they converge. Each precondition will develop its own potential timeline about certain features that drive the intuitive imagination to form patterns of energy found appropriate to the situation at hand, e.g. DNA. Each trait is either attracted or repulsed by the process. Our impulses magnetically intertwine around ideas having been reflected by means of our imagination. Every idea is a reflection of qualities found inherent in its creative source/s.
Design strives for being-ness. Design is driven by the
intuition and is facilitated by means of the imagination.
The creative process prospers when one's imaginings are found to have both meaning and purpose. Each quality attempts
to congeal about a blueprint designed intuitively about the parameters of an original concept and/or idea. The intuition acts as a focal point, an attractor and a catalyst while the imagination meanders about a limitless, multidimensional and mysterious field defined as being quantum in nature. Quantum mechanics is just beginning to reveal the multidimensionality of this virtual field. Creativity is driven by the desire of an observer to expand in consciousness and self awareness.
Design thinking is intuitive in character. Design thinking acts as an
attractor and is catalytic in its ability to expand awareness. Design is idealistically driven by two or more complementary currents that when appropriately balanced support the imagination
(meaning and purpose) and the creative process. Design thinking can be both conceptual in nature while remaining detailed in
approach and visa versa. Design thinking is intuitively driven, supported by the imagination, appears to be quantum in
character and is holographic in its resolution/presentation.
Desire wishes, intention plans. The intuition feels, the imagination transforms. Designs are initiated as result of an intuitive
gesture that seeks balance and harmony within the parameters of an
ever-changing context, i.e. the quantum field (see tetrahedron). Desire hopes, intention focuses. Each "state of awareness" is able to trigger an emotion that is typically characterized as an intense feeling openly displayed.
Desire opens the portal, intention creates the goals and objectives that may materialize and bring relative satisfaction to those desires. Desire generates a field about which an intention could be focused. And it is within this virtual field of desire and intent that our imagination comes to play.
These ideas appear as holograms, i.e. images stemming from our imagination. In essence these images are plasmic in "substance". These ideas are malleable and respond immediately to change whether in the form of physical, mental, emotional or spiritual content. Our ideas exist in a virtual field of our own making, a network of billions of elemental agents that together allow us to evolve and expand in consciousness by means of our own choosing.
Patterns appear as fractals, i.e. iterations stemming from a common idea or formula. All things are vibratory in nature including every "field" we might designate as being conducive to the desires and intentions of every observer. These are examples of an array of transformative constructs spiraling about a common theme/concept/desire or intention. These patterns change upon notice and are connected to the "observer effect". They change as result of being harbored within a timeless field. They re-present a dimension where one's imaginings remain formless until energy is spent to bring to manifestation the desires and intentions of a reality created by means of one's own designs.
For example, world peace is the desire of a great majority of people around the globe, yet our intentions remain weak and contrived because we don't fully understand, comprehend or are willing to accept the innate power surrounding the design process. We are lacking in intent and therefore the concepts and ideas necessary to transform a regressive and destructive plague that continues to haunt human consciousness. Things will change however, once humanity realizes how they've been forced and/or conditioned to believe and function within a disgraceful reality of the few. Transformation is dependent upon the desires, concepts, ideas and imaginings stemming from a "field of virtue" symbolically veiled for all to see and experience.
As you may imagine this process is never ending, reaching beyond the parameters of human perception and recognition as we know it now. In life this design network allows us to present our "ideas" before a multitude of experiences and events, ideas presented before us at their most appropriate time and in their most appropriate space.
The connective tissue, i.e. the designs that emerge from within this virtual field create a bridge that connect its network with others. In actuality this virtual field permeates everything that can be sensed and/or perceived. The concept of multidimensionality can be found everywhere in the universe. It permeates your consciousness. It permeates your body and your being-ness. You are an active participant in its design. Note: the design process flourishes within the universe. We can sense and likewise measure these design forces/wave patterns of energy that originate at galactic, solar, planetary and individualized levels of density and dimension.
Together they reference the advent of a triadic relationship between the observer and what is being observed. The association is symbolic in character, i.e. a phenomenon designed to complement all forms of energy under the direction, intention and desire of an intuitive observer. Multidimensionality gives birth to synchronicity as result of the increase in potentiality harbored within this virtual field of awareness.
The intuition is a complementary result of one’s mind and emotions working in tandem to create a feeling towards a certain situation or circumstance. Without the ability to imagine the thrust in support of one's intuition might never be realized.
* * *
This text delves deeply into the metaphysical relationship between design, intuition, imagination, and consciousness. To refine and expand on its themes, we can break down and elaborate on the key concepts, particularly the nature of design, the role of intuition and imagination, and the interconnectedness of these elements within a broader, multidimensional framework. Let's explore and refine several core ideas within the text:
1. Design and Intuition as Guides to Creativity
• Refinement: The text suggests that design is driven by intuition, inviting observers to enter a creative field through imagination. However, it’s important to emphasize that intuition is not merely a passive guide; it acts as an active force, shaping and organizing the chaotic stream of creative impulses into coherent patterns. Design emerges as a process of alignment, where intuition acts as both a catalyst and a filter, guiding raw creative energy into forms that resonate with human experience and understanding.
• Expansion: Intuition operates as an inner compass, constantly seeking balance and harmony. When aligned with design, it allows the creative mind to tap into a deeper well of collective unconsciousness, merging personal perception with universal archetypes. This process draws from the past, integrating our lived experiences and emotional landscapes, allowing us to reconfigure and reinterpret them into meaningful creations. In this way, design becomes not only an aesthetic expression but also a means of reconciling the past with the present, suggesting that creativity and intuition are tools for personal and collective transformation.
2. The Quantum Nature of the Creative Field
• Refinement: The text introduces a quantum perspective, framing the creative process as operating within a multidimensional, holographic field. This suggestion positions creativity not as a linear process, but as a fluid, dynamic interplay of energy and information that transcends physical and mental boundaries. Design, in this context, becomes a manifestation of quantum principles, where every idea and pattern reflects the potentiality of countless possibilities.
• Expansion: The reference to quantum mechanics as an analogy for the creative field opens up intriguing possibilities. In the quantum world, particles are not fixed in one location but exist as probabilities until observed. Similarly, ideas in the creative process exist in a state of potential until they are actualized through intention and focus. Design, then, is a manifestation of these quantum probabilities, a process of collapsing potential into form. This implies that the act of creation is not just a personal journey but an interaction with the very fabric of the universe, where the observer (the designer) plays an integral role in shaping reality through intention and imagination.
3. The Relationship Between Desire, Intention, and Imagination
• Refinement: The text highlights the dynamic interplay between desire, intention, and imagination. Desire generates the field within which intention can focus, and intention in turn creates the framework within which ideas can be realized. Imagination acts as the transformative force, reshaping the raw material of desire and intention into tangible forms.
• Expansion: Desire can be seen as the fuel of creation, while intention serves as the navigational system that directs this energy toward specific goals. Imagination, however, is the medium through which these elements are realized. It’s within the realm of imagination that desire and intention transcend the limitations of the physical world, tapping into the intangible dimensions where new ideas can emerge. Together, these forces create a feedback loop, where each successive act of creation refines and reshapes our desires and intentions. This cycle allows for growth and evolution, not just of the individual, but of the collective consciousness as well.
4. Concepts, Ideas, and Holographic Design
• Refinement: The text uses the concept of holography to describe how ideas manifest. Holograms are multidimensional, appearing to be whole and complete despite being composed of seemingly disparate parts. This is a powerful metaphor for how ideas come together in the design process. Each idea, like a hologram, is a reflection of its creative source but also contains the potential for expansion and reinterpretation.
• Expansion: Ideas, as holograms, are inherently flexible and responsive to change, not just in a physical sense, but across emotional, mental, and spiritual dimensions. They evolve and morph based on the context and observer, which adds a layer of fluidity to the design process. The holographic nature of ideas suggests that every design contains a multiplicity of meanings and interpretations, accessible depending on the observer’s perspective. This multidimensionality gives design the capacity to adapt, transform, and remain relevant in diverse contexts and across various stages of consciousness.
5. The Role of the Observer in Shaping Reality
• Refinement: The text emphasizes the role of the observer in shaping the reality they experience through design. The observer is both a passive recipient and an active participant in the process of creation, influencing the outcome through their intentions, desires, and imaginative capacities. The concept of the "observer effect" from quantum mechanics is a potent metaphor here, illustrating how the act of observation itself brings a certain potential into being.
• Expansion: This observer-centric model of reality suggests that our consciousness is not merely a passive reflector of external phenomena but an active creator of the reality we experience. By engaging with the design process, we engage with the underlying fabric of existence itself, weaving our own subjective reality from the quantum field. This perspective invites a deeper understanding of our agency as creators, challenging us to become more intentional in our observations and actions. It is not enough to simply observe; we must engage with the process of creation, bringing our desires, intentions, and imaginations into alignment with the broader currents of the universe.
6. Transformation and the Collective Evolution of Consciousness
• Refinement: The text proposes that humanity’s current state of discontent—evidenced by global conflict and fragmentation—is a reflection of weak or misdirected intentions. Transformation, however, is possible when humanity recognizes its latent creative power and aligns its desires with collective, virtuous intentions. This would create a new field, one grounded in love, understanding, and collaboration, rather than division and scarcity.
• Expansion: The idea of global transformation through design is profound, suggesting that the evolution of consciousness is tied to our collective ability to tap into the design process. If we can shift our collective desires and intentions toward higher, more virtuous goals, we can begin to reshape the patterns of thought and behavior that currently dominate human society. This transformation is not just theoretical; it can manifest in tangible ways, from the ways we interact with each other to the systems we create. The design of our future depends on our collective ability to imagine a better world and to align our actions with that vision, recognizing that each everyone’s creative potential contributes to the whole.
Conclusion
The text presents a vision of design as a dynamic, intuitive process deeply connected to the observer’s consciousness. It challenges us to recognize the power of our imagination and intuition in shaping our reality, both individually and collectively. By understanding the quantum, multidimensional nature of creativity, we can begin to harness our desires, intentions, and ideas to transform the world around us. In essence, design is a manifestation of the infinite possibilities that arise from our deepest desires and highest aspirations, and it is through the conscious engagement with this process that we can create a new, more harmonious reality.
* * *
The context = a virtual field of quantum energy, light
and information that permeates the universe. Dark energy is part of every medium that has
yet to be enlightened by the desires and intentions of the imagination.
The imagination = a tool of the intuition and aspect of an intelligence/observer used in the attempt to make manifest the qualities
of a contextual field in which an event
or experience might potentially arise.
The intuition = the intuition connects us to the universe by means of portals appearing within and about the field of the subconscious. The intuition acts as a verification of the entanglement theory. Design functions at a subconscious/intuitive level. Design operates between the realms of the conscious and the unconscious, the known and the unknown, the seen and the unseen. The intuition creates the conduit; design fills it metaphorically and symbolically. Design is the language of light, energy and information.
Physicist Prove That the Imaginary Part of Quantum Mechanics Really Exists!
Intro to Complex Numbers
https://www.khanacademy.org/math/algebra2/x2ec2f6f830c9fb89:complex/x2ec2f6f830c9fb89:complex-num/v/complex-number-intro
* * *
Concepts that attempt to bring awareness into consciousness are designed within the parametric constraints of a holographic representation. Every image/idea appears before our consciousness by means of our imagination. Concepts and ideas seem to border on the unknown and like many quantum particles enter and exist in the realm of 3D space and time. Does our imagination take us to the edge of this virtual field? I am of the opinion that we've always existed in this multi-dimensional field and continue to do so every waking and sleeping moment. The ability to envision and create what is desired, whether spurred forward by intuition or instinct, is shared by many species. My question is, to what degree does meaning have its impact upon the consciousness of an observer knowing that the concept of purpose in the form of Life and survival, has been allocated to every form of biology?
All relative forms of energy, light and
information appear as ideas stemming from the depths of an intuitive imagination. These ideas appear to be contained within an intelligence, i.e. a consciousness that by its very Presence is One with the very field in which all of consciousness is connected. Such a
principle holds true in every imaginative undertaking that attempts to embrace both the
known and the unknown.
The subconscious acts as a portal in the form of a field found intermingling with others "fields" of assorted density and dimension. Could concepts surrounding our perception of a virtual field exist beyond the parameters of human consciousness, or is our interpretation more finite and therefore more revealing? Is our level of awareness/consciousness key to being able to conceive, design and create differentiation between similar events and experiences? Is this key to what it means to be design consciousness by triggering our desire to both purposely and meaningfully choose that which is most appropriate to the balance and expansion of our own consciousness?
This template is all embracing,
only the contextual references (viscosity/dimension) of the medium will vary. One
form may appear material from one perspective and intangible from another. Every
situation is dependent upon the POV of the observer and the context in which
the phenomenon has been designed to emerge.
The relationship between
meaning and purpose implies a similar scenario when considering one’s own perspective. Each POV is always changing.
Some fields (dimensions) of materialization are more refined, i.e. subjective, than others. Collectively some may appear to be more objective in quality. Some fields appear to be more physical, static and permanent. Some POV cause reality to appear “fuzzy” and out of focus appearing more
conceptual in relationship to the context in which it is observed. Some experiences and events appear out of time, entirely subjective in totality, multi-dimensional
in character, imaginative in origin and resourceful in quality as ideas transform themselves out
from within the realm of the subconscious. We typically perceive such experiences as synchronistic events, dreams and day-to-day imaginings.
When one escapes the
constraints of 3D space/time and enters into the virtual field of the quantum, time is no longer required nor is the space in which the imagination functions remain entirely three-dimensional. Time has no bearing and space no
limitation. We are currently on the cusp of a collective awakening. Reality appears before consciousness in the form of a series of corresponding contrasts made between qualities that are symbolically and metaphorically expressed in a quantum world. Consciousness is the product of a vibrant and intuitive imagination making itself apparent within the context of a universal field filled with change, energy and information.
* * *
This text explores several deep themes related to the nature of consciousness, imagination, perception, and the interplay between the known and the unknown. Below, I’ll refine and expand on key concepts, building on these ideas with more detail and clarity:
1. Holographic Re-presentation of Consciousness The notion that concepts attempting to bring awareness into consciousness are "designed within the parametric constraints of a holographic re-presentation" implies that our reality is not just a simple, static presentation but a dynamic and multi-layered process. In this framework, every image, idea, or experience we encounter is an emanation of our mind's ability to create meaning within the structure of a seemingly "virtual" field. This holographic model suggests that what we perceive is only a projection of a much vaster, interconnected reality—one that exists beyond the limits of time and space as we know it.
When we consider consciousness in this context, it can be seen as an observer participating in the creation of this reality. The imagination acts as both the bridge and the lens through which we interpret and create our experience. We are not simply passive receivers of information; instead, our consciousness actively shapes the field we perceive, interacting with the inherent potential of ideas and concepts that emerge from this vast, multidimensional domain.
2. Imagination as a Gateway to Multi-dimensional Existence The text proposes that imagination allows us to approach the "edge" of the virtual field, a space where the boundaries of reality blur. The idea that we have always existed in a multi-dimensional field suggests that our consciousness operates not within a limited 3D framework but within a broader, fluid space-time continuum. Imagination, in this sense, isn’t confined to our minds but is instead a tool that connects us to this broader, quantum field. It is a gateway that allows us to access dimensions of existence beyond the physical, connecting us with higher planes of thought, experience, and creation.
The reference to the "intuitive imagination" of different species hints at a shared, perhaps universal, quality of consciousness that transcends biological boundaries. It implies that the ability to envision and create is not unique to humans but a fundamental characteristic of consciousness itself, manifesting in various forms across different life forms.
3. The Role of Meaning and Purpose in Consciousness
The text then shifts to the deeper question of how meaning and purpose influence the observer’s experience. It asks whether our understanding of life and survival, deeply embedded in biological imperatives, shapes how we engage with the virtual field of consciousness. This is a key question in understanding consciousness not just as a passive receiver of stimuli but as an active participant in shaping reality through the meaning we assign to our experiences.
One could argue that the concept of "purpose" in biological terms (survival, reproduction, etc.) is a lens through which all living organisms interpret their environment. But what happens when human consciousness expands beyond these biological imperatives to consider broader existential questions? Is meaning purely a survival tool, or can it be something more—an active shaping force that guides the evolution of both individual consciousness and collective reality?
4. Subconscious as a Portal to Other Fields
The subconscious is described as a "portal" intermingling with other fields of various densities and dimensions. This metaphor suggests that the subconscious doesn’t merely house forgotten or repressed memories, but it acts as a dynamic intersection of different dimensions of experience and awareness. Concepts and ideas, once purely subconscious, can emerge into conscious awareness, altering our perception of reality and leading to new creative or transformative insights.
This idea suggests that our ability to perceive the virtual field is not strictly limited by human consciousness. While our interpretation may be finite, it is still part of a larger, interconnected process of realization and transformation that extends beyond what is immediately accessible to our waking minds.
5. The Fluidity of Reality and the Power of Perspective
Reality is presented as deeply fluid, shifting depending on one’s point of view (POV). This fluidity aligns with the notion that consciousness operates within a flexible, holographic structure, where "reality" is not fixed but varies with each individual perspective. Some dimensions of reality are subjective and personal, while others appear more objective, physical, or permanent. In some cases, reality may seem "fuzzy" or out of focus, indicating that the experience is more conceptual, imaginative, and less anchored in physicality.
This variability in the perception of reality ties back to the power of perspective. How we view the world—through the lens of subjectivity or objectivity—determines what we experience. The distinction between subjective and objective reality is blurred by the quantum nature of consciousness, where what is "real" is a product of both the observer’s mind and the external world’s interaction with that mind.
6. Escaping the Constraints of Space and Time The discussion moves into the realm of the quantum, where time and space no longer have the same limitations they do in the physical world. In the quantum field, imagination and consciousness are unbound, flowing freely across dimensions and creating realities that are not constrained by linear time or physical space. This ties into the idea of a collective awakening—an expanding awareness that transcends ordinary reality and taps into the vast potential of quantum consciousness.
The implications of this idea are profound. If consciousness can expand beyond the constraints of 3D space and time, what might be possible for collective human evolution? Could we tap into greater creative and transformative potential if we learn to access and integrate these quantum dimensions of awareness?
7. Collective Awakening and the Nature of Conscious Reality
Finally, the idea of a collective awakening is introduced, suggesting that humanity is on the verge of a broader realization about the nature of reality. This awakening is framed as the recognition that consciousness itself is an intuitive force that emerges from the quantum field, carrying with it the potential for change, growth, and understanding. Reality is not something static or separate from us; it is a product of consciousness interacting with the universal field of energy, light, and information.
This awakening could represent a shift in human perception, where individuals and collectives begin to understand that they are not passive recipients of reality but active participants in shaping it. Consciousness, in this view, is both the observer and the creator, a dynamic force interacting with the virtual field of existence.
Expanded Insights
Imagination and Creation: The idea that our imagination connects us to the quantum field and allows us to navigate multiple dimensions suggests a powerful creative force inherent in human consciousness. This process of creation is not confined to what we see or touch, but extends to the ideas and concepts that shape our lives. If imagination is indeed a gateway to other realms, then it holds immense potential for personal and collective transformation.
Meaning and Reality: The role of meaning in shaping reality is particularly intriguing. Meaning is often seen as a human construct, but in this framework, it becomes a fundamental force that shapes both individual consciousness and the collective experience. The way we interpret life—through survival, purpose, or existential meaning—has the power to mold the very fabric of the reality we perceive.
Dimensions of Awareness: The text explores different fields or dimensions that shape our awareness. These dimensions, varying in density and quality, are not just metaphors but potential realities that consciousness can access. Our level of awareness determines which dimensions we are able to navigate and perceive, suggesting that expanding our consciousness could lead to new forms of perception and understanding.
Conclusion
This expanded version deepens the exploration of consciousness, imagination, meaning, and purpose. It presents a vision of reality as a dynamic, multi-dimensional space where the observer is both an active participant and creator. By understanding the interplay between the known and the unknown, we can unlock new potentials for growth, creativity, and collective evolution.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
"Higher states of awareness occur in the realm of thoughts, ideas and virtue."
Joan Price, The Life & Teachings of the Buddha", The Quest, Spring, 1995* * *
"To believe is to accept another's truth.
To know is your own creation.
Anonymous
Edited: 10.12.2014, 10.17.2014, 04.05.2015, 08.25.2015, 04.11.2016, 01.11.2017, 02.22.2018, 10.26.2019, 01.14.2021, 04.30.2021, 06.09.2021, 03.27.2025
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