Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Form is the product of a desire or intention emanating from both the mind and the heart made relatively apparent within a quantum field of virtual potential and probability (QFVPP) the result of which gives relative form to what is described as a hologram. Vibrations are linked by means of coherent resonance and according to virtual blueprint, a design imagined as being real, which in turn affects all other adjacent fields, mediums and contexts. Lasers create the vibratory impulse, the virtual dimensions the context and the perceiver/observer/designer the plan.
Note: Dimensions overlap therefore every design is multidimensional in character and can be affected by other influences/impressions/ideas/concepts. Symbols and metaphor create a common attraction, i.e. a formless "source" of eternal potential, configuration and reconfiguration. Design affords the observer/creator/perceiver an opportunity to mix, join and unite/design these intentions/circumstances/dimensions into a never-ending creation of patterns and networks of energy in motion (EIM). Design in the form of signs, symbols and metaphor have the power to pierce, attract and repulse energy, light and information.
The Emergence of Holographic Video https://www.nsf.gov/news/news_images.jsp?cntn_id=117998&org=NSF
Imaginings of self are projected onto and reflected upon a virtual field of finite plasmic/quantum "substance” pre-calculated to fashion an intention or desire. From a three-dimensional POV, field resistance splits the coherency of this single preconception into two distinctly impressionable forces we interpret as meaning and purpose. (See Kama/Manas) These qualities merge symbolically and into relative "form" by combining mental/emotional/physical imaginings, impressions and feelings of varying frequency. These intentions appear as impulses within the virtual field, i.e. consciousness of the observer/perceiver.
Remember ... the quantum universe (QFVPP) is multidimensional; therefore every impression is supported by the surrounding context/field/energies in which it is observed. These patterns are typically based upon current and past experiences and events. These impressions can lead to either stagnation or expansion dependent upon the observer's choice.
The moral lesson is that symbols of all kinds are visible shadows of invisible truths.
Manly P. Hall
What appears to be real is symbolic in character; holographic images appear within the virtual parameter of the field/s in which our intentions are projected. In reference to the quantum experience, our choices are limited only by what we can conceive, comprehend and respond. In other words, our ability to appropriately co-create holographically is closely aligned to our awareness and more broadly our level of consciousness.
The moral lesson is that symbols of all kinds are visible shadows of invisible truths.
Manly P. Hall
What appears to be real is symbolic in character; holographic images appear within the virtual parameter of the field/s in which our intentions are projected. In reference to the quantum experience, our choices are limited only by what we can conceive, comprehend and respond. In other words, our ability to appropriately co-create holographically is closely aligned to our awareness and more broadly our level of consciousness.
It is important to become aware of those concepts that surround the theory of a fractal universe ***** in reference also to the process used in creating a holographic image in 3D space/time. In other words, the macrocosm is reflected/mirrored in every microcosmic "piece" of this universal puzzle. Each piece has already been appropriately appointed its position in 3D space/time (circumstance). Each piece has been designed/projected from its source as being in the most appropriate space at the most appropriate time. Each piece is an integral part, image or idea reflected within a larger holographic part, image or idea. This realization is entirely dependent upon the position of the observer's own POV.
appropriate adjective | əˈprōprēət | suitable or proper in the circumstances: a measure appropriate to a wartime economy.
For humanity this field affords us a universe that hosts its imaginings within the constraints of a three-dimensional space and linear time framework. Experiences that appear in relative “form” circumscribe the accumulative characteristics of an imagination unfolding from within a unified field consisting of physical, mental and emotional characteristics.
appropriate adjective | əˈprōprēət | suitable or proper in the circumstances: a measure appropriate to a wartime economy.
For humanity this field affords us a universe that hosts its imaginings within the constraints of a three-dimensional space and linear time framework. Experiences that appear in relative “form” circumscribe the accumulative characteristics of an imagination unfolding from within a unified field consisting of physical, mental and emotional characteristics.
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This passage seems to touch on concepts from metaphysics, quantum physics, consciousness, and the nature of reality, blending them into a description of how form, intention, and perception intersect to create the world we experience. Let's break it down:
1. Intention and Desire as the Source of Form: The passage begins by stating that form originates from a desire or intention that emanates from both the mind and the heart. This intention interacts with the quantum field of virtual potential and probability (QFVPP), which is a field of infinite possibilities that has yet to be materialized into form. This alignment of intention, mind, and heart brings forth a result—a holographic representation of reality, a projection of what is imagined as real.
2. Vibrational Impulse and Resonance: The concept of resonance here suggests that everything in the universe is connected by vibrations, and these vibrations are shaped and influenced by a "virtual blueprint." This blueprint acts like a design, imagined to be real, which in turn affects adjacent fields, mediums, and contexts. The mention of lasers and their vibratory impulses could be a metaphor for the energetic push or catalyst that brings this process into action.
3. Symbols, Metaphors, and Design: The text emphasizes that symbols and metaphors serve as conduits for energy, light, and information, organizing reality and perception. These elements have the power to attract or repel, shaping experiences and the flow of energy.
4. The Role of the Observer/Creator: There is a focus on the observer/creator's role in shaping reality. The observer is not just a passive experiencer but an active participant, designing and projecting intentions and desires onto the quantum field. This process involves the merging of mental, emotional, and physical energies and impressions, which form the reality we experience.
5. Multidimensionality of the Quantum Field: The field is described as multidimensional, meaning that every impression or experience is influenced by the surrounding context and energies. The observer's current and past experiences shape how they perceive and interact with the world, and their choices can either lead to stagnation or expansion.
6. Holographic Nature of Reality: The passage states that what appears to be real is actually symbolic and holographic in nature. Our perception of reality is shaped by our intentions, and these intentions create holographic images within the quantum field. The extent to which we can co-create and shape our reality is based on our level of consciousness and awareness.
7. Fractal Universe and Holographic Projection: The passage introduces the idea of a fractal universe, where the macrocosm (the universe) is mirrored in every microcosm (individual pieces of the universe). Each piece has its designated place and time within the larger whole, and the observer's point of view determines how they see and experience these interconnected pieces. The idea here is that reality is an intricate, self-replicating pattern, and every part of the universe reflects the whole.
8. Humanity's Experience of Space and Time: The final thoughts focus on humanity's experience within the constraints of three-dimensional space and linear time. Our experiences are shaped by a field that contains physical, mental, and emotional elements, creating a unified field in which imagination unfolds and creates our reality.
In Summary:
This passage offers a perspective on the universe that integrates quantum physics, consciousness, and the idea of a holographic reality. It suggests that we are co-creators of our experience, projecting our intentions onto a field of infinite potential, with symbols and metaphors helping to shape our perception. Reality is multidimensional and fractal, and our awareness and consciousness determine how we interact with it, how we create, and how we perceive meaning and purpose in our lives.
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1. Reverberation = resonating and/or responding to the frequency of information/energy (light) within observable constraints … sometimes generating change aka feedback.
2. Imagination = the translation of a frequency of information/energy (light) made within systemic parameters.
3. Projection = output, information/energy (light) translated into a frequency and viewed as an intention.
4. Resistance = limitations inherent within a field of intended projection, i.e. density.
5. Relative Manifestation = holographic summation of information/energy (light) made apparent within a field of intended projection.
6. Reflection = input, information/energy (light) vibrating within observable constraints.
… sometimes generating change aka feedback.
Design affords consciousness the opportunity to symbolically project a holographic image/impression into another space/time in reference to a quantum interpretation, i.e. a dimensional/fractal field without limits or constraints. Realize the fact that the Light in support of our projections/desires/intentions originate from within that which substantiates the field we call consciousness, aka the Self. This force will coalesce into relatively abstract and plasmic patterns/forms of light meant to be interpreted experientially and symbolically.
Experience creates the situations/contexts vital to growth and expansion within a field of consciousness we describe and embrace as our own. By design, thought focuses our mindful desires and intentions into their most appropriate meaning and purpose by means of a faulty yet causal separation. In other words, our desires and intentions are brought before our consciousness in the form of a symbolic package. That "package" can takes the form of a holographic image made of quantum mind stuff/frequencies and if appropriately nurtured by means of the design process, may become greater or lesser in density by virtue of observation and the creative impulse.
When pushed forward by means of desire and intention (creativity), higher density leads to lower frequency as to congeal symbolically into relative matter/form. By tethering the mind into identifiable streams of awareness, i.e. designs, these forces fashion the process into a controlled holographic, fractal and spatial matrix and giving structure to our individual interpretation of consciousness, reality and our place in the world.
density noun (plural densities) the degree of compactness of a substance: a reduction in bone density. • (also packing density) Computing a measure of the amount of information on a storage medium (tape or disk). For magnetic tape it is the amount of information recorded per unit length of tape (bits per inch or millimeter); for a disk, a fixed number of bits per sector, sectors per track, and tracks per disk: chip density doubles every eighteen months | [as modifier, in combination] : a low-density 5.25-inch floppy disk | a drive capable of handling high-density 1.44 megabyte disks. • Physics degree of consistency measured by the quantity of mass per unit volume. • the opacity of a photographic image. • the quantity of people or things in a given area or space: areas of low population density | a density of 10,000 per square mile.
Authenticity does not need approval.
Mind harbors the quantum mystery surrounding the unknown. What appear to be units, i.e. spheres/fields, of awareness actually appear as electric streams of light* (information/energy) about which electromagnetic fields are formed and created.
Authenticity does not need approval.
Mind harbors the quantum mystery surrounding the unknown. What appear to be units, i.e. spheres/fields, of awareness actually appear as electric streams of light* (information/energy) about which electromagnetic fields are formed and created.
What has not yet been awakened by experience, i.e. the unenlightened mind, defines that which is unknown. Consciousness contained with the parameters of three dimensional space and time is interpreted symbolically by means of the qualities that surround the speed of light, i.e. its contextual reference.
The design "experience" is void of space and time and therefore the concept of speed is no longer relevant. When designing in 3D space/time, time and space become timeless and spaceless because a sense of balance is being acted upon and experienced "in the moment".
Holograms represent the emanations of one's mind, heart and imagination and like all creation, appears as a designed projection of its own Light. These are the forms that create the boundaries between "dimensions" where the concepts of time/space appear more wave like and spiral in character. However, this all remains conjecture until made mindful and viscerally coherent.
* see Birkeland current and Marklund Convection
“As above so below corresponds to that which is below, and that which is above corresponds to that which is below to accomplish the miracle of the one thing.”
From the emerald tablet of Hermes Trismegistus translated by Dennis W. Hauck
* see Birkeland current and Marklund Convection
“As above so below corresponds to that which is below, and that which is above corresponds to that which is below to accomplish the miracle of the one thing.”
From the emerald tablet of Hermes Trismegistus translated by Dennis W. Hauck
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"To believe is to accept another's truth.
To know is your own creation.
Anonymous
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Edited: 05.28.2013, 11.28.2013, 10.16.2014, 01.11.2017, 09.25.2019, 09.228.2021, 02.27.2022, 02.10.2025, 03.14.2025
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