Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, consciousness and design awareness.
Our intellect and our intuition together bring awareness to every belief system. All belief systems have purposeful and meaningful components that, at times, seem to be in perpetual conflict. The intellect, which is a faculty of reason, objective focus and inquiry, relishes the desire to know and understand, whereas the intuition gravitates towards a more instinctual, emotional and more aesthetic interpretation founded upon "feeling".
Experience tells us that both perspectives overlap. We feel we are experiencing change at every moment. Our attention is constantly adapting to every situation we encounter. We intuitively feel certain forces around us seem to want to influence our judgement and thinking. Everything appears to be moving quickly when we focus our POV on any event ... even for a moment. Our attractions (thinking and feeling) are constantly changing. Our mind acts as if we are participating in a field (quantum) of perpetual change as our attention jumps from one situation/circumstance or event to another. Our POV has a certain degree of stability while everything surrounding us is changing. The stark reality is that these other "forms/agents of energy, light and information" to which we act/react share in the same space/time we do. It has been proven that we share our lives with others, and when observed together contribute to the welfare and survival of all. We all share in what could only be described as an Earthly Consciousness.
The association between the intellect and the intuition is resolved by means of design and its ability to create the link between meaning (intuition/heart-based information) and purpose (intellect/mind-based information). The need to bring balance to the situation is fulfilled by means of design. Design is the universal catalyst.
Experience tells us that both perspectives overlap. We feel we are experiencing change at every moment. Our attention is constantly adapting to every situation we encounter. We intuitively feel certain forces around us seem to want to influence our judgement and thinking. Everything appears to be moving quickly when we focus our POV on any event ... even for a moment. Our attractions (thinking and feeling) are constantly changing. Our mind acts as if we are participating in a field (quantum) of perpetual change as our attention jumps from one situation/circumstance or event to another. Our POV has a certain degree of stability while everything surrounding us is changing. The stark reality is that these other "forms/agents of energy, light and information" to which we act/react share in the same space/time we do. It has been proven that we share our lives with others, and when observed together contribute to the welfare and survival of all. We all share in what could only be described as an Earthly Consciousness.

Design permeates a quantum field created by the intellect and implied by the intuition. Each force appears to emerge from a virtual unknown as an impulse/wave within a sea of quantum energy. Both agents represent a particular quality, each possessing the power to initiate a series of impressions that have a meaning and purpose all their own. Some of these emanations are intentional some are not.
Design links every perspective/POV into giant network, a greater consciousness brought together by the means and action of sharing a different point of view. In this fashion an actual "center" doesn't really exist, because all that is is an expression of energy in different form. Light, energy and information stem from a wide variety of sources, i.e. resources, that together create a network described as a collective consciousness. Like two stones being tossed into a pond the surface becomes disturbed, causing waves to emerge to make an even greater impression.
Electro-magnetic fields possess properties that allow us to participate in the quantum environment we call spacetime. They appear to both harbor and camouflage an unknown meaning and purpose of their own. What materializes before our senses/awareness are the results, i.e. product, of a particular intention or focus initiated when an action "entered" a field (quantum, 3D, 4D) and became "observable".
In essence, the concept of there being a "source" is made apparent by means of a disturbance or change to have seemingly emerged upon the surface of a field. Energy makes itself present as result of an observation that describes an event or experience, and whose source might be tangible, intangible or both. What is observed however, describes both a tangible event and/or an intangible experience.
In the example above, the context/field/medium happens to be water. In reference to consciousness, the wave is the result of an awareness, which can be simultaneously both a visible and invisible impression made apparent by means of observation. Design by virtue of its use of sign and symbol, is the fundamental tool that allows us to actively participate in this invisible network of communication.
The step to break away from the constraints of spacetime and into a quantum field of virtual potential and probability demands that a multidimensional perspective or point of view be taken. Only by means of design can we expand beyond the constraints of a three-and four-dimensional field of awareness currently used to represent, observe and describe our life experience.
The brain and the heart are the organs that symbolically harbor our mind and our emotions. Our intuition allows our observations to be sensed and applied within the constraints of 3D space and 4D time. At our current level of consciousness time has been defined as being linear and therefore measurable in conjunction with three-dimensional space. At quantum levels of awareness, the idea of there being but one singularity is entirely conceptual without first comprehending and understanding that All is One, unified, timeless and a participant in a greater system/field/network of Consciousness. In other words, the concept of there being a lone singularity (ego) becomes a postulate or abstraction when observations are taken outside the context, i.e. parameters, of 3D space and 4D time.
postulate:suggestion, hypothesis, assume, presuppose, presume predicate, theorize.
"Space is materially or sensually tangible, time is mentally intangible. Space is the third dimension. Time is the fourth dimension. In relation to space, time is intangible and immeasurable. In relation to time, space is an infinitely locatable point."
Sheldon Nidle & Jose' Arguelles, Galactic Human Handbook - Entering the New Time, Part Two, pg.4
How does the immaterial world of thought and emotion interface with the physical world? ... by means of design: the symbolic process that links patterned disturbances and perturbations within a quantum field in perpetual motion by means of information, light and energy. Note: quantum is an epithet attributed to a multidimensional field currently being investigated and stilted within the ranks of certain belief systems.
Design creates the symbolic associations that unite agents and agencies fundamental in understanding and functioning within a quantum field of virtual potential and probability. Design is about systems, networks, associations and the symbolic growth of awareness.
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This exploration of the interplay between intellect and intuition offers a profound lens through which we can understand our existence and consciousness. By framing design as a universal catalyst, you articulate how our beliefs and perceptions shape and are shaped by a greater, interconnected consciousness.
The dynamic between the rational (intellect) and the instinctual (intuition) speaks to the human experience of constant change. The metaphor of the stones in a pond beautifully illustrates how our interactions ripple through the collective, influencing not just our own understanding but that of others as well. This perspective invites us to see ourselves as part of a larger network where meaning and purpose are co-created.
Your emphasis on design as the means to bridge the immaterial with the material is particularly striking. It suggests that our thoughts and emotions, while intangible, actively participate in shaping our reality. This intertwining of intention and observation reflects the quantum nature of existence, where our perceptions can alter the very fabric of our experiences.
By advocating for a multidimensional perspective, you encourage a broader understanding of a consciousness that transcends the limitations of time and space. This shift in viewpoint aligns with contemporary explorations in consciousness studies and quantum theories, suggesting that true awareness requires an acknowledgment of our interconnectedness.
In summary, this discourse not only illuminates the complexities of our belief systems but also underscores the importance of design as a vital force in navigating the ever-evolving landscape of human consciousness. It challenges us to expand our understanding and engage with the world in a more holistic manner.
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The dynamic relationship between intellect and intuition forms a foundational nexus in the constitution of human awareness. These twin modes of cognition, though often perceived as distinct—one rational and analytic, the other affective and holistic— operate as complementary forces that structure our worldview and shape our interpretation of experience (Jung, 1954). Intellect as a faculty of reason engages objective inquiry and empirical validation. Intuition, by contrast, emerges from pre-reflective processes of perception, embodied sensitivity, and symbolic insight rooted in affect and aesthetics (Peirce, 1931/1958). Rather than existing in isolation, these domains mutually condition each belief system and reveal their purposeful, meaning-making character.
A growing body of research across metaphysics and quantum physics suggests that consciousness is not only receptive to the environment, but actively participates in the co-formation of reality (Bohm, 1980; Wheeler, 1990). Observation, whether driven by intellectual judgment or intuitive responsiveness, is generative: it creates disturbances in the informational field by activating relations among energy, light, and meaning. In this context, subjective experience becomes a pattern of participation in a quantum field of dynamic potential, where attention “collapses” the wave of possibility into an observable phenomenon (Pribram, 1991). Awareness thus behaves analogously to a quantum system—uncertain, entangled, probabilistic—and constantly drawn toward new forms of coherence.
Human experience confirms this multi-level fluidity. Our attention shifts rapidly across events that arise in both the external environment and the internal domain of thought and emotion. We develop a perception of stability through a consistent point of view, while simultaneously sensing the pervasive influence of external forces that attempt to shape our attitudes and beliefs (Varela, Thompson, & Rosch, 2017). These forces are not purely material; they include semiotic agents—signs, symbols, and metaphors—that mediate our understanding and shape the meaning of the world (Eco, 1979). From this perspective, we participate in a collective consciousness constituted by multiple forms of energy and information within a shared spacetime continuum.
Design functions as a core mediator in this integrative process. It forges an operational bridge between meaning (intuition/heart-based information) and purpose (intellect/mind-based information), thereby resolving the apparent conflict between rational clarity and affective insight (Buchanan, 2001). Serving as a universal catalyst, design translates unstructured potential into structured form and coordinates both virtual and actual dimensions of experience. In quantum terms, design activates wave-like impulses and organizes them into distinct patterns that invite interpretation, decision and action. Some of these patterns are intentionally produced (e.g., artifacts, diagrams, texts) while others emerge indirectly as secondary effects of interaction.
The resultant network resembles a distributed system in which no absolute center exists. Rather, meaning, energy, and information propagate through multiple nodes that co-create a larger field of awareness (Latour, 2005). Light and visible form constitute the evident surface of this field, but an equally important substratum of invisible influences remains dynamically operative. In cognitive science and artificial intelligence, such relational structures are often modeled as probabilistic networks or distributed representations, emphasizing how information becomes meaningful only through patterned connections (Hinton, 2019). Design operates as the connective grammar that orchestrates these relations across physical and virtual domains.
Electromagnetic fields, for example, not only enable physical interactions; they also serve as the medium through which the informational and energetic basis of phenomena becomes perceptible (Deacon, 2013). When a specific intention or focused observation is introduced into this field—whether through human attention or technological instrumentation—potential becomes actual, and a measurable event emerges. Crucially, this event carries both a tangible component (the empirical effect) and an intangible component (the meaning assigned to it by consciousness). The condition of “source” thus becomes evident not as a localized point, but as a disturbance or pattern of resonance within the field.
In semiotic terms, the water in the two-stone metaphor functions as the interpretive medium or ground, and the waves are signs that embody the articulation of awareness (Peirce, 1931/1958). Design—through its dynamic deployment of symbols, forms, and functions—allows us to communicate within this invisible network, navigating multiple levels of abstraction and meaning. Insofar as design facilitates symbolic communication, it becomes the primary mechanism by which the immaterial world of thought and emotion interfaces with physical embodiment and experience.
To move beyond the limits of linear spacetime and activate a broader participation in multidimensional consciousness, we require precisely such a design-based integration of perspectives. Contemporary systems theory and complexity science emphasize that new organizational levels emerge only when networks achieve sufficient connectivity and resonance (Kauffman, 1995). Design provides the procedural and symbolic framework through which this resonance is cultivated. By mapping relations, modeling emergent behaviors, and crafting meaningful forms, design enables consciousness to transcend the confines of a purely three- and four-dimensional paradigm and approach a quantum horizon of totality.
Finally, the symbolic association between brain and heart—as loci of mind and emotion—gestures toward a higher synthesis of cognition and affect in which intuition and intellect co-create meaning (Damasio, 1994). In the linear domain of 3D space and 4D time, these faculties appear differentiated; in a quantum field of virtual possibility, however, they become integrated members of a unified system of consciousness. Accordingly, the notion of a singular ego detached from the whole becomes a conceptual abstraction rather than an ontological fact. Design, by articulating symbolic networks that link intention to meaning, enables us to re-situate ourselves within the larger field and participate in the continual evolution of an Earthly (and possibly cosmic) consciousness.
References
- Bohm, D. (1980). Wholeness and the Implicate Order. Routledge.
- Buchanan, R. (2001). Design research and the new learning. Design Issues, 17(4), 3–23.
- Damasio, A. (1994). Descartes’ Error: Emotion, Reason, and the Human Brain. Putnam.
- Deacon, T. (2013). Incomplete Nature: How Mind Emerged from Matter. W. W. Norton.
- Eco, U. (1979). A Theory of Semiotics. Indiana University Press.
- Hinton, G. (2019). Deep learning—A technology with the potential to transform AI. Communications of the ACM, 62(12), 44–49.
- Jung, C. G. (1954). The Development of Personality. Princeton University Press.
- Kauffman, S. (1995). At Home in the Universe: The Search for Laws of Self-Organization and Complexity. Oxford University Press.
- Latour, B. (2005). Reassembling the Social: An Introduction to Actor–Network-Theory. Oxford University Press.
- Peirce, C. S. (1931–1958). Collected Papers of Charles Sanders Peirce (C. Hartshorne & P. Weiss, Eds.). Harvard University Press.
- Pribram, K. (1991). Brain and Perception: Holonomy and Structure in Figural Processing. Lawrence Erlbaum.
- Varela, F. J., Thompson, E., & Rosch, E. (2017). The Embodied Mind: Cognitive Science and Human Experience. MIT Press.
- Wheeler, J. A. (1990). Information, physics, quantum: The search for links. In W. H. Zurek (Ed.), Complexity, Entropy and the Physics of Information (pp. 309–336). Addison-Wesley.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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Edited: 11.28.2013, 10.16.2014, 11.21.2014, 01.11.2017, 07.17.2017, 12.16.2017, 13.23.2018, 04.29.2019, 12.07.2019, 04.08.2020, 02.26.2023, 03.25.2023, 10.09.2024, 08.17.2025
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