Showing posts with label contextual field. Show all posts
Showing posts with label contextual field. Show all posts

November 30, 2017

Design Consciousness: A Metaphoric Stream of Changing Awareness


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

So what could be considered a “field” of consciousness? What might it be? What does it consist of? How can I achieve a better understanding of what I feel as a permanent awareness centered within my being? What is the essence of this something? Why is it always changing? 

Know that consciousness is multi-dimensional. And what might that mean? Multidimensionality implies that you have a multitude of thoughts and feelings surrounding your every day experience. A conscious type of awareness impregnates your subjective and objective perceptions of roles (identities) and patterns in which you actively participate. 

These impressions mix, match and overlap. These impressions are mental, emotional, physical and "spiritual" in context. These feelings and impressions typically flow, pool and over time and in space simultaneously affect each other. Together they give precedence to a personal recipe filled with awareness. Insights stemming from a blueprint that gives relative structure to a specific awareness (identity) that is all your own.

Consciousness is much like this. Every broth begins with a certain desire. This desire inscribes the characteristics of a personal “source”, i.e. a perspective that has evolved and been conditioned by many events. Together and from a macro POV they appear to identify what seems to be a single point of view. Together they give precedence to what might be considered a type of "singularity".  To a certain degree this is true, every desire is a compilation of many experiences and events all having been accepted, interpreted and described as being “real”.




"The “swirlon” — a novel state of active matter — displayed a stunning behavior whereby instead of moving with acceleration, the quasi-particle groups moved with a constant velocity, proportional to the applied force and in the same direction of the force. This conduct seemingly violates the Second Newton’s Law, currently taught in secondary schools across the UK. Professor Nikolai Brilliantov who led the investigation at the University of Leicester said:- “We were completely baffled to witness how these quasi-particles swirl within active matter, behaving like individual super-particles with surprising properties including not moving with acceleration when force is applied, and coalescing upon collision to form swirlons of a larger mass. “These patterns have previously been observed for animals at different evolution stages, ranging from plant-animal worms and insects to fish, but rather as singular structures, not as a phase which borders other phases, resembling gaseous and liquid phases of ‘normal’ matter.” https://scitechdaily.com/swirlonic-super-particles-physicists-baffled-by-a-novel-state-of-matter/

Jung observed similar patterns or roles in his desire to resolve the inner workings of the psyche. Jung attempted to label these impressions as a venture to objectify them, give them an identity and harness their qualities for others to see, evaluate and imagine. In a sense he believed these categories needed to be determined so as to signify the differences between an impression and an observation. His was a scientific approach implemented in order to distinguish the lobster from the bisque. The idea of consciousness would never be the same. 

Separation and fragmentation are necessary. They are integral contributors every creative act. Jung felt that the psyche that harbors the concept of consciousness, was multi-dimensional in character and unique to every individual. Jung felt that the psyche along with experience, offered the opportunity to generate impressions surrounding the concepts of Life and reality. Multidimensionality affirmed the realization that the psyche was always changing based upon information brought forward by means of experience and awareness. 

" ... awareness is the catalyst Life responds to."
Jayme Price

Consciousness like quick silver is always changing and playing games by means of perception. Belief systems, events and experiences remain fundamental to every view of reality.

What could we ever know about a phenomenon that appears to substantiate our own personal view of ourselves, others and the world? Consciousness is both divisive and enlightening while likewise masking the reality behind a veil of unknowing. 

Consciousness creates a conceptual origin re-presenting* an imaginary source. It is what we search for in ourselves and project upon others including forms. Consciousness is a multidimensional idea, a dominant, over seeing and omnipotent concept of awareness that fuels the imagination and projects light upon "reality". 

* Re-presenting describes the symbolic interchange between a subjective and objective perception that surrounds an earlier creative experience. What is made holographically apparent is a re-flection of a re-source-full field composed of many observations that in unison and with direction give awareness a meaning and a purpose, i.e. reality. Part of design's function is to clarify the blurring affects of 3D space/time. Design achieves this objective by revealing the dynamics, i.e. differences and similarities, between what is felt and what is observed. 

This mirage likewise creates the institutions ordained to control us from cradle to grave. Or more aptly to control an innate freedom of awareness meant to explore its own "source" by means of its own needs and desires.

We are all sources of luminescence made apparent by means of our own light, i.e. consciousness. We are reflections of what appears to be generated from a common "source". We are holographic ingredients simmering in a metaphysical cauldron where the process of creation can be observed, brewed and tasted, i.e. experienced. Consciousness facilitates a certain focus, i.e. an interest about which virtual energy in motion can be attracted and conversely repulsed. 

Consciousness predicates that there is a source. Design gives credence to the concept of a virtual "field" by bringing expression to a realm (field of awareness) in relative stasis. Consciousness is the broth that contains the impressions and emotions we feel and interpret as reality. Design is the process that gives this stock figure and relish.

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The Field of Consciousness: An Interdisciplinary Inquiry into Awareness, Identity, and Design 
What constitutes a "field" of consciousness? Can it be defined as a quantifiable domain, or is it better understood as an evolving, relational phenomenon? At the center of this inquiry lies a fundamental question: what is the nature of the enduring awareness we perceive as “self”? This inquiry into the architecture of consciousness has fascinated disciplines ranging from metaphysics and psychology to quantum physics and design theory. 

Consciousness, when framed multidimensionally, transcends reductionist definitions. It becomes a latticework of perceptions—mental, emotional, somatic, and ineffably "spiritual"—each occupying and influencing subjective experience. These layers interact non-linearly across the temporal and spatial domains, constructing a dynamic, emergent identity. In this sense, consciousness is not a static thing but an unfolding process akin to a quantum field: probabilistic, contextual, and inherently participatory (Zohar, 1990). 

From a metaphysical standpoint, the idea of selfhood arises not from isolated egoic separation but from a perpetual interplay of archetypal patterns, resonant with Jungian psychology. Jung (1960) identified these archetypes as universal, symbolic motifs that shape and are shaped by the psyche. They act as attractors in a psychological field, much like strange attractors in chaos theory, pulling our perceptions and beliefs into recognizable forms. His effort to categorize and externalize these inner figures served not only a diagnostic function but also a semiotic one—translating the ineffable into signs and symbols communicable across cultures and consciousnesses. 

Such an endeavor is echoed in design theory, where the ambiguous boundaries between what is felt and what is observed must be resolved through intentional structure. Design operates within and upon the field of awareness, shaping symbolic forms that articulate difference, meaning, and value (Krippendorff, 2006). Consciousness here becomes a designable medium—a field in which impressions, ideas, and emotions are both encoded and decoded. 

Quantum physics offers an analogous perspective. The observer effect reveals that the act of observation collapses potential states into realized ones (Heisenberg, 1958). Consciousness, therefore, cannot be divorced from the phenomena it perceives. The observer and the observed are interdependent. This aligns with the philosophical notion of non-duality found in both Eastern metaphysics and postmodern epistemologies, wherein the separation between subject and object is an illusion born of language and conditioned perception (Barad, 2007). 

Artificial intelligence, in its quest to simulate human cognition, similarly confronts the paradox of self-awareness. Neural networks and generative models operate on complex feedback loops, wherein emergent patterns resemble forms of proto-consciousness—structured yet context-dependent. While AI lacks qualia—the experiential interiority of human awareness—it mirrors the pattern-recognition and integration mechanisms that define consciousness in humans (Tononi & Koch, 2015). This comparison invites a reconsideration of whether consciousness is a discrete faculty or an emergent property of sufficient complexity. 

Design, as a semiotic act, bridges this inquiry. It serves as both method and metaphor: the intentional structuring of the “broth” of impressions that define identity. As in a recipe, ingredients—memories, beliefs, emotions, and perceptions—are blended into a unique signature dish. The recipe evolves with time, space, and desire, a notion consistent with Deleuze and Guattari’s (1987) rhizomatic model of becoming, where identity is not fixed but dynamically reconstituted across fields of interaction. 

Consciousness, thus, is not merely a container of experience but the very medium through which experience gains coherence. It is both wave and particle, myth and code, design and desire. The mirage of separateness—reflected in sociocultural institutions, belief systems, and symbolic frameworks—is necessary for meaning-making yet ultimately illusory. As such, design becomes a revelatory force, one that renders the invisible visible and the ineffable tangible. 

We are not passive recipients of this phenomenon. We are sources of light—metaphysical projectors casting realities onto the fabric of spacetime. Each consciousness acts as a node in a vast, interconnected field, participating in a holographic unfolding of Being. The light we project—our perceptions, our choices, our dreams—gives shape to reality. In this interplay, consciousness becomes both the creator and the created, the design and the designer. 

In conclusion, consciousness may be conceptualized as a multidimensional, designable field of awareness. It is at once subjective and universal, local and nonlocal, symbolic and experiential. Design functions not only to externalize the patterns within this field but also to clarify the relationship between the virtual and the real. Consciousness, then, is the broth; design is the alchemy that flavors it with purpose. 

References (APA Style) 
- Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, Trans.). University of Minnesota Press.
- Heisenberg, W. (1958). Physics and philosophy: The revolution in modern science. Harper & Row. 
- Jung, C. G. (1960). The structure and dynamics of the psyche (Collected Works Vol. 8). Princeton University Press. - Krippendorff, K. (2006). The semantic turn: A new foundation for design. CRC Press. 
- Tononi, G., & Koch, C. (2015). Consciousness: Here, there and everywhere? Philosophical Transactions of the Royal Society B: Biological Sciences, 370(1668), 20140167. https://doi.org/10.1098/rstb.2014.0167 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.




Holography Quantum Leap Could Revolutionize Imaging

We contain attributes described as human. Every source might be considered virtual, i.e. conceptual, in character. Consciousness will continue to remain incomprehensible due to our tendency to attribute to it every power we wish or desire ... including omnipotence.** In essence, we can fashion the concept of reality into anything we want while subsisting within a conscious framework of our own making.
** It becomes apparent in the evolution of every solar (soul-ar) journey that humanity will have access to its own grade of omnipotence when viewed from other dimensions. Each ingredient is uniquely patterned about a moment in time, designed if you will, within the parameters of a greater contextual field of perpetual motion.

Within the parameters of this field can be found the "qualities" that combine to create it, fractal patterns that when appropriately designed make us human. These states of energy appear as spiraling vectors that magnetically encircle our sense of being (awareness) …  we are  designed conglomerations of energy in motion made apparent within the context of a greater awareness. These traits are expressed and made “real” by means of our personality. It is here where we can individually sense our own multi-dimensionality. As personalities we take on many roles. Within the context of a personality we can bring relevance to who we are, what we re-present and how we perform within certain dimensional constraints, i.e.  "classifications" of a greater consciousness within. When occupying 3D space/time we cannot be anything but human including all its foibles.

The concept of there being an innate knowledge of virtual re-cognition exists and when found appropriate can be made apparent in 3D space/time. We are many things to many people including ourselves. Our personalities are multidimensional. Our roles and actions influence others. 

Some human traits are more apparent than others. Some traits/qualities fall short of a holographic emergence by remaining dormant within the virtual domain of formlessness. Some traits convolute the concept of awareness, i.e. consciousness, to a point where the overseeing "soul" withdraws upon itself. Denial is reflected back to its source until it can be subjectively recognized by the observer (personality). In essence, a field of consciousness, viewed from a soul's POV, is in a mode of perpetual expansion and contraction while dependent upon experiences in 3D space/time.

The affiliation between the macro field of virtual energy and a virtual field of micro awareness is born of a soul-ar intention by inviting the patterns and geometries of the universe to expand and develop by means of design. Each quality re-presents a timeline about which certain events and experiences can emerge. Time changes all. Experiences can add or detract from a POV thereby affecting the expansion and contraction of a field of awareness and observation.

Every trait (quality) adds to the broth of the particular universe encountered. We each bring a flavor to the recipe, i.e. consciousness, of our own making. Evolution suggests humanity will eventually unleash the strappings that harness the soul's recognition. Individual enlightenment demands penetration and exploration into the unknown by reaching beyond the false constraints of self imposed belief systems. Unity is re-discovered by means of re-positioning every re-source within a greater field of virtual non-dimensionality. A well designed consciousness is instrumental in affording every soul this option.

We as a species are presently on that brink. New situations demand new conditions. New awarenesses impart greater expansion. The web is a designed network. One POV embraces a certain level of conscious awareness other expand upon it. They are one in the same. Our POV merely alters our comprehension and understanding of an interchangeable series of events.

It goes without saying that the planet (Gaia) is similarly recalibrating its own frequencies in collaboration with other formations, i.e. waves and particles of light ... mineral, plant, animal, human, solar. The consciousness of the planet holds the cards. Supporting Gaia's transformation during this transition period is imperative in sustaining changes yet to be created or experienced during recalibration.

The Birkeland *** currents act as a metaphor to describe what might be considered a collective stream of consciousness. These occurrences appear as holographic events grouped about a collective source in the form of series of impressions forming iterations and collaborations common to a particular frequency, pattern or series of patterns. 

For example, the keynote of “G” can be resonate at different octaves. It is within the parameters of every field (octave) we can recognize a G chord. There exists a resonance between octaves, i.e. a vibration that emerges from within every note found to be in tune with a common source or frequency. Synchronicity stages the resonance ... its affects make it real. Vibratory sharing creates the framework necessary for unification and expansion of any source harnessing micro and macro connotations.

*** Note: Please observe and seriously ponder upon the intimate relationship between the Z pinch as an affect generated by a Birkeland current and its relationship to the geometry of the vesica piscis.

These permutations are based upon an assortment of connotations. These events expand upon permutations stemming from a collective frequency or matrix, bundled and packaged about a shared concept of identity. Examples of this process become unified within a common spiraling field by means of its own electric pulse and magnetic strength. 

Humanity is an example of this phenomenon. We represent a shared configuration of patterned energy made actively apparent within the constraints of 3D space/time. Every iteration is different in its own right. Every permutation sustains a common vibratory bond (frequency) with its associates. Every human is unique in representing its own “characterization”, i.e. holographic expression, of reality. 

"The essence of the human condition is the clash between our emotional unconscious that has guided our ancestors for millions of years and our noisy, overzealous consciousness that enables us to exquisitely perceive our own struggles for existence." 

It is important to remember that the basis for this process is founded in what we've labeled as light formations. We are light bodied configurations of energy in motion based upon human patterns and a universal geometry. We are elemental expressions in the form of holograms stemming from a virtual field that is continuously changing, expanding and contracting within a contextual consciousness construed as the cosmos. 

Humans like animals, plants and minerals are embellished with similar vibratory configurations patterned about different qualities and characteristics that stem from a common contextual field. Humanity is but a single expression of a greater field of awareness. Humanity is the configuration of a set of energy patterns set in motion, i.e. e-motion. Humanity is a macro conscious impression made symbolically apparent by means of a field of energy in motion (desire) that can meaningfully and purposely transition its focus (creation) between the tangible and the intangible, the concrete and the abstract. 




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"To believe is to accept another's truth.
To know is your own creation."
Anonymous






Edited: 11.30.2017, 02.17.2018, 03.05.2018, 10.26.2019, 08.31.2020, 11.08.2020, 01.28.2021, 02.16.2021, 10.21.2021, 01.10.2024, 08.07.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice.) You are also invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com.


 
























March 21, 2017

The Transcendent Other


Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Consciousness allows us to master the concepts of space and time. Consciousness affords us the opportunity to be cognizant of the events and experiences we observe and experience. These events however are interpretive in nature, illusionary in context and symbolically bundled to fit the personal inclinations, interpretations and impressions of the observer. Yet every observation made within the constraints of consciousness appears to be real. This impression of reality is undermined by the fact that energy is in perpetual motion and that every observation is impermanent, momentary, transient and holographic in character. What then is real?

Space and time create the reference required for an event to be experienced. Likewise space and time are governed by observation. Design allows for the integration of time with space. Design affords consciousness the opportunity to bring meaning and purpose to every event and experience. Design is instrumental in creating form and invites movement from both within and beyond every field of energy in motion.

The field we describe as consciousness permeates all that is, has been and has yet to become. Design allows consciousness to become aware of itself by means of symbol, metaphor and analogy. These events and experiences appear within the matrix and background of dimensional space and time. 

Consciousness is fluid-like. Consciousness is both electric and magnetic, micro and macro in scale and supports the concept of "reality" by means of establishing a context in which one's own awareness of events and creation can be experienced. Light is a symbolic representation and figurative metaphor for what we describe as consciousness. When observed microcosmically light is qualitatively re-presented in the form of a wave. When viewed quantitatively light is re-presented in the form of a particle. Both attributes are part of a design made apparent within a framework we view, interpret and describe as light.

Consciousness is represented in every design. Both design and consciousness appear virtual in character while being sensed in the context of a particular form, feeling or awareness. Consciousness is an amorphous field of energy in motion capable of integrating, permeating and characterizing all forms of light by means of awareness. When viewed microcosmically and from the dimension of 3D space/time, consciousness appears to be dualistic in nature. When viewed macrocosmically consciousness appears to have no beginning and no end.




"... the search for a neural correlate of consciousness provides a project that is relatively tractable, clearly defined, and theoretically neutral, whose goal seems to be visible somewhere in the middle distance. Because of this, the search makes an appropriate centerpiece for a developing science of consciousness, and an important springboard in the quest for a general theory of the relationship between physical processes and conscious experience."

Design brings identity to consciousness. Forms are attributes that symbolically qualify and quantify every intention by means of substantiation, i.e. embodiment. These figurative articulations make themselves apparent at all levels and dimensions of consciousness, i.e. space/time. 

Forms are patterned about specific frequencies that create, surround and engulf every symbol, e.g. language. These symbols are metaphors that harbor, recognize* and/or respond to different meanings and purposes, i.e. designs. Design will pattern these expressions into a variety of densities, i.e. states of substance/ plasma ... from the intangible to the tangible. 
* Cognize: to perceive or become aware of.

Every "state" is an expression of energy-in-motion, i.e. light. Every state propagates its own light ... symbolically. Every state is a design held together within the parametric constraints of space time. Every state is a consequential product of change. Every state appears temporal in reference to its original source. Every state re-presents change in the form of a pattern of photons. Every state that appears to emerge from within the depths of the unknown is a momentary impression observed from within the parameters of space time. Every state is observed from a particular POV. In essence, every state, i.e. form of light, re-present a holographic moment (impression) in time and space conjured up by a desire and intent (meaning and purpose). This is a function of the imagination. This is a function of design. 






Reality, as we know it, is a perceptual construct, shaped by consciousness, intention, and design. What we experience as solid and real is actually a holographic projection influenced by observation, awareness, and imagination. The more we understand this process, the more we recognize that existence is an ever-changing, fluid interplay between energy, space-time, and form.

* * *

Design opens the door and creates the paths necessary to enter the metaphysical. Design allows both science and art to explore and expand beyond the constraints of the physical world. Design is the only way in which to enter dimensions other than 3D space/time. Design gives the "dream state" the structure necessary to explore its riches in balance and a harmony. A design guided by the intuition gives precedence to the imagination. 

Forces in the form of photons both attract and repel each other. When attracted they re-present unity, integration, harmony, solidarity, concordance, singularity and uniformity. When attracted photons appear to propagate from within a more expansive, brighter and intense light.

When repelled a design appears to represent separation, motionlessness, stasis, dormancy, lethargy, lifelessness and darkness. Considered from a holistic point of view light appears to retain its neutrality throughout the process. From the perspective of 3D space/time Light, i.e. consciousness, brings reference to a Design that appears to emanate from within the depths of the unknown. It is the choice of the observer to determine if the source is an expression of Light or merely an impression cast within the shadow of the same. 




“ … in the micro-world of atoms and particles that is governed by the strange rules of quantum mechanics, two different observers are entitled to their own facts. In other words, according to our best theory of the building blocks of nature itself, facts can actually be subjective.”

* * *

Observation 'substantiates' every concept and idea of reality. Awareness in conjunction with the imagination allows an observer the opportunity to experience the concept of reality in the form of an idea. Design brings forward the meaning and the purpose supporting every observation, experience and event. Events and experiences are made both tangible and intangible by design.

In essence, observations are symbolically re-presented in every form as a vibratory simulation, i.e. hologram. What appears to be virtual in character is made apparent by the senses. Variations are figuratively differentiated by means of a symbolic coherence and/or incoherence between the observer and the context (field) in which the event or experience appears.

The concept of a “source” represents a contextual field of virtual origin. It is a synthetic expression of one’s own sense of creation stemming from a fractal image of holographic proportions. It is a concept, an idea bearing witness to one’s own creative consciousness.

Light in the form of both a wave and a particle bring to awareness the symbiotic relationship between qualitative and quantitative states of consciousness. Each re-presents a different universe. Each brings an expression to a parallel universe that when joined together give meaning and purpose to the concept of light symbolically interpreted. Waves and particles merely give expression to a series of impressions (waveforms) that when brought together give meaning and purpose to a phenomenon that permeates and defines the universe.

When observed quantitatively light can be categorized into a broad spectrum of expressions. When viewed qualitatively each frequency voices a meaning all its own. Design allows every interpretation to blend metaphorically for purposes of greater understanding from every point of view. In this fashion design brings form and expression to what we describe as change. Change is made manifest by means of an event and/or experience. Change is a symbolic event metaphorically expressed and figuratively understood.




A dynamic can be born of two elements of equal measure and potential. There will always appear to be a spectrum of variation generated between two or more "sources". Every formation stemming from a common source (macro) is made apparent by virtue of the microcosmic articulations, i.e. qualities, created within and about the contextual constraints of every force field. Magnitude is merely a perception based upon an observer’s POV.

Realizations are based upon a measure of entanglement brought to reason by means of observation (POV). Events and experiences could be described as frozen frames of light brought to realization by means of symbolic resonance. Images are made discernible through the transmission of light between referential points, i.e. fermions/particles/positions/states of energy. These are holographic utterances, i.e. vibrating by-products, of a fractal universe of energy-in-motion. The concepts of space and time which include the realizations, materializations and imaginings that together bring essence to every field, resonate to similar qualities, i.e. frequencies, harbored within the field of every observer. The concepts of space and time are realized, i.e. sensed as being real, solely in reference to the symbolic vocabulary of the observer.

Light can be pixelated by means of vibratory resonance. Within the parameters of space and time this event can likewise become a distinguishable part of a recognizable field in the form of energy in motion. The transition between light appearing as a wave and light appearing in the form of a particle and from the POV of 3D space/time, is a specific event made cognizant by means of a resonance between the observer and the geometry (matrix) of the pattern being observed.  

You collapse waves into particles through your intentions and preferences, and all that energy then becomes vibrational reality. The vibrational reality you intend is embraced by the vastness you are and thus amplified through the attention of all that you are (and all that we are). Thus this creation gains momentum and gestates and alters the Oneness that is by expanding it. Creation starts to orchestrate all the things to bring about the new creation that you have generated through your focus and your sustained resonance with this opens up the flow for what you've created to be realized in your personal reality.”
Ailia Mira


Photons, i.e. bundles of light, are either attracted or repulsed by means of inclination. Light fashions itself into holographic patterns when viewed from 3D space/time and is designed as result of a combination of vibratory re-sources. These patterns eventually collapse about pre-conceived patterns imposed upon them by virtue of observation and that for all intents and purposes, symbolically combine into their most appropriate formation by means of analogy and metaphor.

Desire is dualistic in quality. Desire has both a mental and emotional value emanating from what appears to be a common source. Together they act as a single force whose intention is to penetrate the void we describe as the unknown. Time and space create the context required for this vibration to materialize and be brought to awareness. Balance by means of harmony can be brought to fruition by giving expression to the virtues of synchronization and not necessarily compromise.

Time stops and space disappears in every synchronistic moment. Awareness of the moment brings forward the opportunity for balance and harmony. Meaning and purpose are found in silence and can be duly separated from the unknown by means of design. Design guides us in the journey towards harmony and balance. Design brings meaning and purpose to every contextual situation. Design encodes everything that is intimately felt while not fully understood.

A synchronistic moment creates a time of awakening, an alerting awareness, i.e. impression, upon the consciousness of an observer. A synchronistic moment might likewise be described as a symbolic and enlightening 'spike of awareness' thrust into time for a sake in the future. Space completes the duality of spacetime by providing the most appropriate context for your next chosen experience. 
sake: cause, purpose, aim, objective, goal, motive, for purposes of, in interest of, in order to achieve, with something in mind, benefit, interest, welfare.

All is vibration.

Mind in its relationship to emotion brings reference to the existence of both a lesser and greater field of consciousness. Together they create the impulse required to arrange and re-arrange every event and experience relative to the present situation. Mathematics re-presents a system of symbolic codes designed to harbor a variety of patterns and geometries stemming from a single zero point, i.e. “source” presumed to end at an event horizon. All knowing is incorporated into a grand matrix that exists beyond the concept of individual awareness. Truth, beauty and goodness are concealed in a dream that can only be made apparent by design.




Time and space participate in the creation of the context in which consciousness can be made apparent. Light is transfigured into components that are virtual in origin and holographic in character. These apparitions, i.e. dreams, reflect upon nature. They likewise mirror a legion of realities lying beyond the parametric constraints of 3D space/time.

Due to entanglement every spark of light can be randomly aroused by means of a series of unexpected interferences that can, in turn, create disturbances in the composition of the whole. Ignorance ushers in many consequences surrounding every event and experience. 




The concept of "universe" might be interpreted as being holographic in character. Every universe contributes to a mix of multiverses by virtue of the contextual quality it has brought to Light. A designed field of consciousness is measured in units of magnitude and scale, complexity, resourcefulness, beauty, ingenuity, talent, goodness and inventiveness all wrapped into a package of awareness.

The multiverses describe “ten thousand things” by virtue of symbol and metaphor. The Tao remains changeless, beyond Source without identification. 

“Goodness, truth and beauty have a resonant self evidence.”
T. McKenna




Design allows us to control our own light (projection) by virtue of changing our source and thereby our POV. Design can bring things together or break them apart to where truth, beauty and goodness can reach beyond the eyes of every beholder.

* * *

This text explores the philosophical and metaphysical role of design, consciousness, and light in shaping perception and reality. Here’s a clear synopsis:
 
1. Design as a Gateway 
- Design is a bridge between the physical and metaphysical realms, allowing both science and art to transcend limitations. 
- It structures dreams and intuition, guiding imagination towards harmony and balance. 
2. Light and Consciousness 
- Light, as both a wave and a particle, represents different states of consciousness. 
- Attraction and repulsion of photons symbolize unity vs. separation, light vs. darkness. 
- Consciousness influences perception—light can be seen as originating from awareness or as an illusion. 
3. Observation and Reality 
- Observation validates reality, making abstract concepts tangible. 
- Reality is holographic—a vibratory simulation perceived through symbolic coherence. 
- The concept of a "source" is a synthetic expression of creation within a fractal universe. 
4. Time, Space, and Change 
- Light connects qualitative (meaning) and quantitative (measurement) aspects of reality. 
- Time and space create the framework for experiences and realizations. 
- Change manifests through design, expressed metaphorically and symbolically. 
5. Synchronization and Awarenes
- Synchronistic moments (meaningful coincidences) create spikes of awareness. 
- Awareness allows for balance and harmony, while design encodes deeper meaning. 
6. Multiverse and Consciousness 
- Reality is holographic, with multiple universes forming a collective consciousness. 
- The multiverse is symbolic, constantly shaped by perception and experience. 
- Design enables individuals to shift their perspectives, altering reality and perception of truth, beauty, and goodness.
 
Core Idea: Everything is vibration, and consciousness plays a role in shaping reality through design. The universe is a holographic, symbolic structure where perception determines meaning, purpose and experience.

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

* * *


“To believe is to accept another’s truth. 
To know is your own creation.” 
Anonymous 

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Edited: 03.28.2017, 05.11.2017, 12.12.2017, 03.05.2018, 10.22.2018, 07.04.2019, 10.26.2019, 02.13.2020, 03.06.2020, 07.24.2020, 01.28.2022, 05.24.2022, 06.06.2023, 08.02.2023, 08.06.2023, 09.22.2023, 04.24.2024, 11.21.2024, 02.13.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice.) You are also invited to visit https://designmetaphysics.blogspot.com/ and https://sagariandesignnetwork.blogspot.com.















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