Analogical Correspondences

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The capacity to perceive the world symbolically lies at the highest level of acquiring knowledge because it requires combinations of reasoning, intuition, perception and observation. Every event is an expression of a multitude of differing computations all changing at varying degrees. There is no such thing as permanence.

Consciousness naturally adapts to each and every circumstance, even in the midst of diversity. Each symbolic interpretation acts as transmission of energy that perpetuates change. We essentially imagine our world, including the very concept of consciousness that we’ve come to believe perceives it. Within this imagining is energy in the form of relative substance (matter), meaning (emotional) and purpose (mental). These are fundamental attributes of a consciousness whose mind is the very Source that imagined it.

Consciousness expands in its own awareness due to its capacity to adapt, extrapolate and make connections. Design consciousness relies heavily upon analogy, metaphor and paradox, all methods of cognition that take the perspective of the observer more so than that of the perceiver. Interpretation, learning and creativity are highly dependent upon this capacity for pattern recognition.

Design consciousness brings into manifestation those symbolic qualities that allow awareness to reflect and ponder upon its own construct of reality. Analogy and the application of the imagination, connect to a world of virtual particles allowing design consciousness to bring to realization situations that are not always immediately apparent. This allows for a wide range of interpretation and insight concerning every circumstance, while simultaneously multiplying the connective potentiality surrounding each relationship.

The ability to create analogies is characteristic of an observing consciousness. The ability to find key symbolic elements that substantiate and help define and describe an “experience” is fundamental to design consciousness. All situations change and any astute observer is all too aware of it. An observer is extremely perceptive and possesses a natural capacity to exercise symbolic organization and representation. In addition, an observer has the ability to make the most appropriate symbolic correspondences in the moment.

The interaction between analogy, metaphor and paradoxical thinking are themselves examples of design thinking. They are all deeply symbolic in nature and quality. Perception underscores the process of observation, which includes the potential to trigger further realizations through the mapping process. Any situation once perceived and later observed in retrospect has the potential to enhance and redefine the experience thereby expanding awareness.

Perception feeds observation as observation likewise compliments further perceptions. Perceptive origins are essentially sentient in character while observation is more conceptual. In essence, we first imagine our world virtually and then respond to those virtual imaginings by creating our own structures around them.

This process depends upon the capacity for subjective representation and interpretation, which rests upon the conscious ability to perceive and observe the world symbolically. Design thinking is essentially an abstract thought process that attunes itself with changing situations by both perceiving and observing them symbolically. We essentially imagine our world including its substance (physical), its meaning (emotional) and its purpose (mental)
Knowledge is as dependent upon perception as understanding is to observation. Every situation is a new situation and two situations are never exactly alike.

In essence, conscious interpretations of the world cannot be entirely dependent upon facts and knowledge alone, i.e. the perceiver, but also need to be understood in the context of those feelings that surround the observer. This relationship allows for a greater expansion of consciousness through design awareness.

The lack of knowledge and understanding brings difficulty to any situation. The inability to appropriately change when perceiving and/or observing a particular circumstance, often reveals a highly structured and rigid thought process that for the most part, is unsuitable.

To observe a “situation” means to capture the feeling both mentally and emotionally. This becomes the data upon which current and future choices are discerned and absorbed. No single observation can embrace every single option or scenario - it never will. The Universe holds the options (QFVPP) and its' design are the context and patterns you choose for yourself both individually and collectively. 

Design resolutions require group coherence, resonance and balance, whether between mind and emotion (feeling), individuals, states or nations.

  

Efforts need not be towards the full discovery of a particular solution, but rather defining and redefining the next step, i.e. objective, towards reaching a goal - for the moment. 

Edited: 11.28.2013, 10.16,2014, 01.11.2017, 08.04.2020, 12.07.2021, 05.24.2023

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. (Fair use notice)  AI usage prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/,   and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

  

Simulated Consciousness

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

The more abstract the connection between our mind, emotions, and feelings, the more symbolic the thought becomes. Consciousness actively shapes our reality through its unique form of awareness. It plays a key role in the creative process. 

Design translates this abstract awareness into a tangible reality. 

Reality emerges from the unconscious mind of an observer and is then symbolically filtered through the subconscious. This awareness is reflected to the observer in the form of a pattern (design), blending both matter (form) and intangible elements like thoughts, emotions, and feelings (formlessness).

What we perceive as "real" is always viewed from the perspective of the observer. Through design, the observer assigns symbolic patterns to every experience. When these patterns resonate with the observer, they perceive the phenomenon as real, manifesting as an event or experience. 

This journey becomes a magical adventure, as the design process guides us toward self-realization, also known as individuation. What the observer knows or believes is symbolically revealed within the constraints of their own reality, akin to a virtual reality. 

The principles of design and the design process are revealed through our thoughts, emotions, senses, and feelings. The symbolic images we associate with our perceptions of the world describe our concept of reality, shaped by our design consciousness. 

Consciousness is the outward expression of our thoughts, feelings, and beliefs about ourselves. We constantly project ourselves into a self-created reality, engaging in the design process to understand and believe in who we are. Ultimately, we experience life to "know and believe in ourselves." 

These realities are composed of mind-stuff—virtual particles, or chitta—manifesting as images, thoughts, and feelings that transcend the physical senses. Our knowing and believing uncover meaning and purpose from every event and experience we encounter. 

These images and our mind’s ability to both create and recreate them, exists in a virtual world that by nature, is always in motion and flux (QFVPP/Chi).  Images appear before our "mind’s eye". We can purposely focus our attention upon that to which we are attracted and resonate. 

Impressions made apparent in 3D space time are in themselves spaceless and timeless.

  

Images of reality reside within a virtual world of our own creation and interpretation. This same consciousness shapes our worldview, influencing how we perceive and engage as active participants in every event and experience. 

Meaning arises from the intimate relationship between the perceiver/observer and the circumstances or contexts encountered. It emerges from within, carried on the wings of our feelings. Intuitive by nature, feelings reveal the dynamic interplay between a range of emotional and mental states—impressions, impulses, and responses—surrounding every experience and event, often referred to as Kama (desire) and Manas (mind). Design itself carries both meaning and purpose. 

Every event and experience varies in its content, context, and significance. The more conceptual the context, the greater its influence and impact on the virtual world we inhabit. 

Symbols extract meaning from our experiences by tapping into specific impulses, emotions, thoughts, and impressions. The ability to materialize and bring these abstract impressions into tangible form is a defining skill of human character. 

Thoughts and feelings are ever-changing, shifting in an instant with the realization that both are inherently virtual in nature and composition. 

The mind, along with its emotional counterpart—feelings—remains far from fixed. Observe your own thoughts, and notice how your feelings fluctuate, changing "virtually" with each passing day. 

Consciousness is most effectively held, perceived, and experienced when you focus your attention intentionally and at will. 

Consciousness makes itself apparent by the means and virtue of its own awareness. 

virtue: goodness, virtuousness, righteousness, morality, integrity, honorableness, respectability, worthiness, purity, merit, principles, trustworthiness.

This describes consciousness at work, consistently being impressed by our own thoughts and feelings while diligently witnessing the thoughts and feelings of others.

In a sense our thoughts and emotions are merely "virtual simulations" of what we perceive, observe and believe is true.

Consciousness is the natural expression of a cognizant observer found to be aware of a virtual world of his/her own making. This form of realization is symbolically attained by means of design. 

Design harbors the opportunity and potential to give greater meaning and purpose to such experiences and events. All events and experiences are multi-dimensional in content and context and fundamentally virtual in nature and context.

Because our virtual world is always changing, simple perceptions and observations alone are never be enough to fully describe or understand what is occurring in every given moment in every given situation. Here is where the concept of there being a sympathetic and benevolent universe comes into play.

Incomprehensibility leads to belief. Knowing  leads to more knowing. 

The ancients knew that perspective (POV) changes when viewed from a position of harmony and balance. Universal principles, constants, equations and patterns are represented by means of symbolic reference, e.g. language, art, physics, mathematics, poetry, philosophy, etc. 

Harmonic resonance rests upon the creation of a symbolic/symbiotic relationships between objects/agents/ideas/life forms. Design is key in affording consciousness the opportunity to be fully  “realized” and made aware throughout the human experience.

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To refine and expand upon the themes in this text, we can focus on several key concepts: the relationship between consciousness, design, and reality, the symbolic nature of perception, the fluidity of thought and emotion, and the role of virtual worlds in self-realization. Here is a more in-depth exploration of these themes: 

1. Consciousness and Its Role in Creating Reality 

The text emphasizes that consciousness is not a passive observer but an active participant in shaping reality. This notion suggests that consciousness is deeply intertwined with the very fabric of existence, and through its awareness, it brings meaning to every observation. Consciousness, in this sense, is not merely a byproduct of the brain’s activity; it plays a critical role in the manifestation of experiences. 

Refinement: Consciousness can be thought of as the lens through which the universe is interpreted. Just as an artist shapes a sculpture from raw stone, consciousness shapes reality from the abstract and intangible. This active engagement implies that every experience is co-created through the observer's interaction with the world. By exerting focus and awareness, consciousness doesn't just passively absorb the external world but collaborates with it to give shape and meaning to everything perceived. 

 2. The Symbolic Nature of Perception and Experience 

A central theme of the text is the symbolic nature of perception. Reality, as we experience it, is not a fixed, objective thing but rather something filtered through the unconscious and subconscious mind of the observer. The process by which these experiences become “real” is fundamentally symbolic, as the observer assigns meaning to them. 

Expansion: The idea of symbolic filtering suggests that perception is never a direct engagement with "truth" or "reality" but always mediated by the mind's interpretations, beliefs, and emotions. These symbols can take many forms—visual, emotional, or even abstract ideas—and are highly subjective. The symbolic nature of reality invites a deeper exploration of how these symbols influence not just our understanding of the world but also our self-awareness. In the quest for self-realization (or individuation, as mentioned), symbols serve as bridges between unconscious drives and conscious awareness, helping individuals reconcile and integrate different aspects of their psyche. 

 3. The Fluidity of Thought and Emotion 

The text touches on the impermanence of thoughts and emotions, describing them as "virtual simulations" that change rapidly and are not fixed in nature. This fluidity indicates that our mental and emotional states are transient, always in flux, and not as permanent as they might appear. 

Expansion: The transitory nature of thoughts and emotions invites a more dynamic understanding of human experience. If thoughts and feelings are in constant motion, then the self is not a static entity but rather a process of becoming. This perspective aligns with many philosophical and spiritual traditions that emphasize the importance of detachment from fixed ideas or identities. The awareness of this impermanence can encourage a deeper understanding of the self as an ongoing creative project, where one’s mental and emotional states are part of a larger, ever-evolving narrative. In this sense, personal growth and self-realization are more about embracing the process of change than about achieving a permanent state of being. 

4. Virtual Worlds and Self-Realization 

The text alludes to the idea that our reality is a "virtual world" shaped by our mind's interpretations. This virtual world is not limited to the physical senses but encompasses a deeper, mental space where meaning and self-awareness emerge. 

Expansion: The concept of a "virtual world" can be likened to the idea of a mental or psychological construct, a subjective space created by the mind that shapes how we perceive our external environment. This virtual reality is not confined to digital or technological realms but includes the internal landscapes of thoughts, memories, and emotional responses. In this sense, the mind acts as both the creator and the observer of its own reality. Self-realization, therefore, involves becoming aware of the constructs we’ve built in this virtual world and understanding how they shape our experience of life. Design, as discussed in the text, plays a key role in this self-discovery process, helping to give form to these internal experiences and guiding us toward deeper insight. 

 5. The Symbiosis Between Mind, Emotion, and Design 

Design is presented as a crucial element in the process of consciousness realizing itself. It serves as both a reflection of the observer’s inner world and a means of interaction with it. Design, in this context, can be understood as a symbolic framework that facilitates the expression and integration of thought, emotion, and perception. 

Expansion: The process of design, whether in art, architecture, or even the conceptual frameworks we use to understand the world, reflects our inner state. The alignment of mind, emotion, and design is symbiotic—each informs and shapes the other. When we engage in creative expression, we do not simply manifest an external object or structure; we are also exploring and revealing aspects of our psyche. Design, in this sense, is not just a tool but a form of communication between the inner and outer worlds, a language through which we can articulate our understanding of self and the universe. 

6. The Role of Harmony and Balance in Perspective 

The text touches on the ancient wisdom of perspective and how it shifts when viewed from a place of harmony and balance. This ties into the idea that our perception of reality is deeply influenced by our internal state and our ability to resonate with universal principles. 

Expansion: Harmony and balance are not just aesthetic qualities; they are deeply philosophical principles that influence how we experience life. A balanced perspective allows us to see beyond the surface level of events and circumstances, revealing deeper patterns and meanings that might otherwise go unnoticed. This perspective is not just subjective but reflects universal principles that transcend individual experiences. Just as artists and philosophers use symbolic references to communicate universal truths, so too does our consciousness tap into these deeper principles when it aligns itself with harmony and balance. The design process, then, can be seen as a method of achieving this alignment—creating spaces, ideas, and experiences that help facilitate greater understanding and resonance with the world. 

7. The Sympathetic and Benevolent Universe 

Finally, the text brings in the concept of a sympathetic and benevolent universe, suggesting that the universe itself, despite its apparent incomprehensibility, works in harmony with the observer’s beliefs and perceptions. 

Expansion: The idea that the universe is sympathetic to the observer introduces a worldview that sees reality not as a random, chaotic collection of events but as a purposeful, interconnected system. This view aligns with both ancient spiritual teachings and modern physics, which suggest that the universe is not just passive but actively engages with the observer. The sympathetic universe is not just a philosophical concept but can be understood as a guiding principle for how individuals relate to the world around them. By understanding that the universe mirrors our inner states, we can better navigate our experiences, knowing that they are part of a larger, benevolent design aimed at our growth and realization. 

By exploring these themes in greater depth, we can see how consciousness, design, symbolism, and the fluidity of perception are interwoven in a dynamic process of self-discovery and self-realization. Each element plays a crucial role in how we understand our place in the world and how we can create a reality that reflects our deepest values and truths. 

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The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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Consciousness and the Mystery of Existence - Documentary about Consciousness and Reality

MetaRising

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"Bridging the gap between divine omniscience

and mortal awareness."

Edited: 11.28.2013, 01.11.2017, 12.09. 2019, 03.29.2020, 02.25.2023, 03.27.2023, 03.30.2025, 06.25.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. (Fair use notice) You are also invited to visit https://designmetaphysics.blogspot.com/,   and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

Greater Meaning Greater Understanding

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

The mind goes through a continuous process of filtering and reorganizing data due to consciousness’ incessant drive to bring balance and make sense of the world. The result of this process is the creation of a series of virtual representations, i.e. symbols, of this process for current and later reference. These symbolic interpretations are typically a virtual summation of the decisions and opinions formed by experience. They include physical sensations, mental and emotional perceptions, observation and participation.

The capacity to virtually formulate the most appropriate symbolic analogies to represent this “experiential process” is fundamental to cognition. Key to understanding design‘s relationship to cognition and consciousness clearly involves our emotions. In other words, the more emotional the situation the more meaningful it appears which leads towards a greater the demand for conceptual thought, i.e. design thinking.

Symbols are virtual representations, i.e. designs that have been created by, for and within consciousness for assorted purposes. Symbols incorporate all the sensations, perceptions and observations that consciousness is capable of recognizing. Symbols allow humans to think conceptually with design as the process that supports the application of conceptual thought.

Design has symbolic connotations that have both direct and indirect influences within consciousness. Designs are constantly being affected by both old and new interpretations in the form of images and feelings drawn from a relentless filtering and restructuring of the mind, emotions and physical sensations.

These more insightful levels of perception I prefer to call observations. Observation, unlike perception, takes into account a perspective separate from the perceiver. Within the conceptual network of consciousness, design appears as a process of the imagination, along with a capacity to create relationships towards even greater awareness.

Perception requires the objective ability to grasp relationship at a more physical level than does observation. Observation however demands recognition of the abstract relationships between experiences. While likewise being capable of interpreting sensations, observation offers a unique and more holistic perspective than perception alone.

Perception uses the senses to acquire information about a situation, whereas observation attentively reviews a circumstance in search for discovering relationships between elements. A participant is an active contributor who partakes in a situation as an involved accomplice if you will.

In the virtual world of design associations have the potential of creating even greater abstract associations as these symbolic relationships become more and more abstract, Likewise, the more abstract the symbolic representation and interpretation the more potentially creative the associations, equally the more aware the observer and/or participant in the experience becomes.

Observation seems to add more meaning to every situation, the more meaningful the circumstance, the greater the role design has within consciousness. Design has the capacity to tap into the knowledgeable constructs of the mind, where the addition of greater meaning opens the door to greater understanding.

- The Design Registry

- Train for any argument with Harvard's former debate coach

Edited: 11.29.2013, 01.11.2017, 06.24.2022, 03.28.2023, 04.16.2023

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage is prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com

 

One in the Same

Conceptual impressions surrounding this post have yet to be investigated, corroborated, confirmed or woven into a larger argument, context or network.

Design allows consciousness to discover and make sense of itself. How consciousness perceives and observes itself is fundamental to how consciousness conceptualizes everything. At a concrete level, consciousness is primarily dependent upon sensation in order to perceive and formulate its perceptions. This kind of input could be interpreted as a physical expression of consciousness, which is a process shared by many other organisms.

The mysterious vehicle we describe as mind enters the mix by appearing to search, discover and originate events so as to make “sense” out of the circumstances. In essence, the mind strives to make the connections that give sustenance to the conscious “experience”.

In the case of humanity, it appears that these physical sensations, along with their accompanying perceptions, contain an assortment of attributes, e.g. beliefs, opinions, etc. In essence, what at first might be considered a tangible and simple sensation is actually a very complex perception that will always include our emotions (kama manas).

By nature the mind perpetually redefines the subject of its inquiry, even when it is the focus of its own investigations. Awareness changes in the midst of its own raw perceptions. The mind/emotion interface cannot refrain from effecting consciousness. In effect, along with the physicality of sensation this relationship should be considered one in the same, a conscious awareness always observant and always changing.

Edited: 11.29.2013, 01.11.2017

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL http://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. Fair Use Notice. AI usage is prohibited.