The unknown defines itself simply in the fact that by definition it can never be known ... therefore it is always changing. Design however can gracefully penetrate the unknown merely by re-presenting (symbolizing) both the seen and the unseen, the tangible and the intangible.The ancient Greeks identified with their group through design. Pieces of clay, or bone, were merely forms, i.e. vehicles, that allowed a person the opportunity to identify with the group. What appeared in "form" symbolized a bond that could be felt in spirit. This unity was also projected within the group in a fashion that showed the deepest of relationships between members.
No one outside the group was privy to what bound these members together. Looking at the pieces alone left no clues to the inner and formless connections that gave life to the group. The meaning and purpose of the group along with the individuals that formed it remained a mystery. In design what is outside is merely a projection of what is inside ... what is invisible is made visible.
Human consciousness actually overlaps many different worlds. One is the visible world of the senses and the other is the invisible world beyond the senses. The visible world generally connects us to outer objective events and experiences and the invisible world connects us to inner subjective events and experiences.
What we say, think and do are reflections of our inner experiences and awareness. These are feelings and impressions that are projected upon a number of dimensions, i.e. frequencies, we generally describe as 3d space/time. We attempt to organize these inner experiences by projecting them upon the parametric constraints of a holographic universe of our own creation. This brings reference to a thin layer of vibratory awareness, i.e. a dimension between "spirit"* and matter, a holographic universe strata subconsciously fluctuating in and out of realization. This circumstance also describes a particular field of "consciousness" being brought to Life (awareness) by means of focus and attention. These are holographic universes that possess a meaning and a purpose by means of definition.
At times these impressions are shared with others. Together they give weight and authenticity to what could be perceived as an objective world. The perpetual exchange of energy between a variety of levels of vibration is made possible by means of design, which is a unique phenomenon based upon the symbolic nature of the universe.
* Is the concept of spirit and the authenticity of plasma interchangeable? Is the concept of matter actually a dimensional issue based upon one's own POV?
Our interpretation of the world connects us to the unknown. The events and experiences appearing in the outer (objective) world impacts our inner (subjective) world and visa versa. Images and experiences emerging from within the depths of this inner world (unconscious) affect our outer perception and interpretation of consciousness as a whole. Are the concepts that surround consciousness, the subconscious, the unconscious and super consciousness really a dimensional issue being purposely categorized within the parameters of a particular understanding and interpretation of space/time? The perpetual transmission and reception of energy over time, space and dimension affect how we perceive and define what is real and what is not.
“All we experience in our lifetime – our perceptions, feelings, and thought processes – have cerebral functions associated with them. These functions have wave-form equivalents, since our brain, like other things in space and time, creates information-carrying vortices – it “makes waves.”
Ervin Laszlo
In order to resolve the corresponding mysteries that exist both inside and outside our awareness, we must first solve the mystery that lies deep within us. Once we realize that our “objective” world is merely a symbolic re-presentation of an unknown essence existing within us, and that our “subjective” world is just as affected because it is merely a reflection of the same, will we begin to understand the importance of attaining a design consciousness.
In this way the idea of an invisible power found to be intrinsic to the idea of there actually being a design consciousness also creates the metaphorical context necessary for a further increase in awareness. Consciousness creates the context (field) in which an observer, i.e. ego, can be invited to “experience” its own evolutionary path by means of design.
(photo J. Vourlis)
* Is the concept of spirit and the authenticity of plasma interchangeable? Is the concept of matter actually a dimensional issue based upon one's own POV?
Our interpretation of the world connects us to the unknown. The events and experiences appearing in the outer (objective) world impacts our inner (subjective) world and visa versa. Images and experiences emerging from within the depths of this inner world (unconscious) affect our outer perception and interpretation of consciousness as a whole. Are the concepts that surround consciousness, the subconscious, the unconscious and super consciousness really a dimensional issue being purposely categorized within the parameters of a particular understanding and interpretation of space/time? The perpetual transmission and reception of energy over time, space and dimension affect how we perceive and define what is real and what is not.
“All we experience in our lifetime – our perceptions, feelings, and thought processes – have cerebral functions associated with them. These functions have wave-form equivalents, since our brain, like other things in space and time, creates information-carrying vortices – it “makes waves.”
Ervin Laszlo
In order to resolve the corresponding mysteries that exist both inside and outside our awareness, we must first solve the mystery that lies deep within us. Once we realize that our “objective” world is merely a symbolic re-presentation of an unknown essence existing within us, and that our “subjective” world is just as affected because it is merely a reflection of the same, will we begin to understand the importance of attaining a design consciousness.
In this way the idea of an invisible power found to be intrinsic to the idea of there actually being a design consciousness also creates the metaphorical context necessary for a further increase in awareness. Consciousness creates the context (field) in which an observer, i.e. ego, can be invited to “experience” its own evolutionary path by means of design.
(photo J. Vourlis)
Edited: 11.29.2013, 04.22.2017. 01.24.2021, 02.25.2023
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