A Digital Imagination

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Light, energy and information are essential elements in understanding the concept of virtual reality. By design, consciousness can appear in the form of a digital field and be interpreted as configurations of light, energy and information. The capacity of the imagination to “connect” with the universe is hidden within the mysterious concept of the mind. The imagination initiates and perpetuates the relationship between these formats by means of design.

Images are holographic in character and appear to have a virtual origin. Holograms, i.e. vibratory frequencies of light, energy and information are perpetually reflected, aligned, realigned and fused into holistic packages within the framework of a time/space field. Holograms that attempt to represent consciousness, the mind, reason, emotion, and "reality" are symbolically founded upon the existence of a managed supposition that there exists a provenance described and defined by the means and virtue of the imagination.

The imagination has the potential to generate, position and describe, aka design, pulsations appearing in space and time into holographic arrangements being rendered within the field being observed. By the virtue of the symbol the imagination can describe and bring into fruition principles that are intrinsic to the meaning and purpose of a designed consciousness.

Design creates a symbolic cognizance between states of light, information and energy in a manner that synthesizes a virtual field into a matrix of knowing and wholeness.

Change the field/environment/context and change the holographic image. The context in which information is perceived/interpreted changes the capacity for the imagination to expand beyond the constraints of the field in which the event or experience is observed. Harmony occurs along archetypal guidelines (templates) that originate within the confines of every virtual field imaginable.

The parametric membrane of every field acts both as an insulator and conductor between symbolically veiled fields of information; each layer is coded (digitized) within different octaves and is “instrumental” in creating the most appropriate relationship between fields of light, energy and information that, in conjunction with each other, create the context in which the imagination can post/locate its own identifying position (micro).  Each and every virtual field harbors the potential for disclosing and expressing the qualities, i.e. intentions, ideas, concepts, formations, etc. that are reflected within the operation of the observer's imagination.

When viewed microcosmically energy, light and information will pattern their identity within the context of their environment, i.e. space/time, by means of an event or experience. The focus then becomes a reference point, i.e. a position/fermion, within the context of a greater virtual field of information that permeates that particular time and space (frequency range). Membranes qualify energy (conscious/subconscious/unconscious) by attesting to the characteristics expressed both within and beyond the parametric constraints of the field being observed. Each layer also gives precedence to a series of symbolic gateways (conductive wormholes) that both filter and transmit light, energy and information (imaginings) within its own framework and beyond its contextual reference point.

The design process is a function of an imaginative re-source that can observe itself by means of its ability to generate a series of holographic experiences and events in time/space. Self-receptors are receivers of information, light and energy between adjacent fields of comparable awareness/vibration. 

Your consciousness has been programmed by the very “source” you imagined it to be. Nature by means of fractal geometry can enlarge or condense every contextual field in time and space by means of repetition, i.e. iteration, spiraling and scale. Fractals harbor an infinite number of patterns/qualities of information, energy and light that are symbolically linked to a greater field of virtual origin. The fractal world presents a holographic and contextual metaphor that references space and time in a fashion that reaches beyond the parameters of our current imagination. These forms are mathematically generated about equations that are symbolically based within the confines of a particular design, i.e. a self-perpetuating holographic image that connects and disconnects within itself depending upon the context/environment in which it is observed. (More concerning the design implications surrounding fractals and the imagination in future posts)

Evolution is a closed loop process of energy, information and light being symbolically projected into relative time and space.

The relationships between consciousness, the subconscious, the unconscious, virtual reality (space), the mind, the emotions, the realm of the quantum, fractals and the cosmos is made readily available and comprehensible to the imagination by means of design. 

Picture: The Ickleton Mandelbrot Set, August, 1991
Source: Page 145, Crop Circles, Signs, Wonders and Mysteries, Steve and Karen Alexander, Chartwell Books, Inc., Edison, N. J. 2007

Edited: 4.29.2013, 11.28,2013, 02.07.2014, 10.17.2014, 11.08.2014, 05.05.2016, 01.11.2017, 02.23.2020, 08.31.2020, 03.18.2023

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