Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
"You cannot be made conscious if you're not aware."
And the people stayed home. And they read books, and listened, and rested, and exercised, and made art, and played games, and learned new ways of being, and were still. And they listened more deeply. Some meditated, some prayed, some danced. Some met their shadows. And the people began to think differently.
And the people healed. And, in the absence of people living in ignorant, dangerous, mindless, and heartless ways, the earth began to heal.
And when the danger passed, and the people joined together again, they grieved their losses, and made new choices, and dreamed new images, and created new ways to live, and they healed the earth fully, as they had been healed.
The term 'reboot' is closely related to the term 'boot'. We use the term 'boot' when we want to describe the process where the computer is powered on and the very first program i.e. the bootloader program starts and then a series of processes start running afterwards. 'Reboot' is to make the computer do those steps again freshly.
When you reboot your computer, all the processes which are currently residing in your RAM are wiped off, the RAM is cleaned up and then the computer takes a fresh start. Fresh start means loading up the bootloader program again and every further process is started again freshly.
Originally Answered: What does it mean to reboot your computer? What happens during a reboot?
Booting or rebooting refers to an old term that goes way back. Picking yourself up by your boot straps is slang for starting over.
When you start or restart a computer, there is a resetting pulse generated that resets everything in main memory, completely clearing it out. The address bus also resets to all zeros. The first few addresses in your computer are reserved for the BIOS, and the BIOS will only be accessed before the OS starts loading.
"Anthropologists have often described what happens to a primitive society when its spiritual values are exposed to the impact of modern civilization. Its people lose the meaning of their lives, their social organization disintegrates, and they themselves morally decay. We are now in the same condition. But we have never really understood what we have lost, for our spiritual leaders unfortunately were more interested in protecting their institutions than in understanding the mystery that symbols present."
Design hosts a silent language that both conjures and embraces the unspoken word.
conjure: bring to mind, call to mind, evoke, recall, materializes, summons, produces, generates, recreates, echos, alludes to, awakens.
Design has a science and philosophy all its own, a language that connects the realms of Truth, Beauty and Goodness. Specifically, if you have to ask what design is, no one could fully explain it to you because you already know it for yourself.
Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
equationnoun. 1Mathematicsa statement that the values of twomathematicalexpressions are equal (indicated bythesign =).2 theprocessof equating one thing with another:theequationof sciencewithobjectivity.•(the equation)a situation or problem in which several factors must be taken into account. 3Chemistrya symbolic representation of the changes which occur in a chemical reaction, expressed in terms of the formulae of the molecules or other species involved.
DESIGN IS BOTH THE FULCRUM AND AN AGENT IN A CLOSED LOOP, REGENERATIVE BINARY SYSTEM DESCRIBED AS UNIVERSE.
"Fuller's geometric explorations provided an experiential basis for designing and refining a philosophical language. His overarching concern was the co-occurring relationship between tensile and compressive tendencies within an eternally regenerative Universe. "Universe" is a proper name he defined in terms of "partially overlapping scenarios" while avoiding any static picture or model of same. His Universe was "non-simultaneously conceptual"
Love is a force of nature that can be found throughout the universe. In reference to humanity it is a force that cannot be fully explained only felt. This is a force that is distinguished by certain frequencies described to be "emotional in context". This observation/opinion is based upon metaphysical proposition, i.e. a premise that remains undiscovered and undetected with current technology. Like a virus, this is a frequency that can be humanly transmitted and transformed through actions, thoughts, feelings and deeds. This vibratory force is transmitted through symbolic means and methods that resonate within the contextual field of every individual, event and experience. Obviously, there are a wide variety of examples, i.e. frequencies, that illustrate the attractive properties of this linking and potent force.
Love and compassion originate from within - begin first with yourself.
In the closed loop system described above love is the metaphor describing an ultimate force that ties every vibratory expression surrounding its nature together by means of design, aka the use and application of signs, symbolically presented through analogy, metaphor and form.
Energy is all around us. Energy has been discovered and applied in a number of ways, e.g. solar, nuclear, electric, magnetic, etc. yet still remains somewhat outside our full understanding. The circumference of this borderless energy is difficult to measure, especially in the form of a comprehensive singularity. The primary source of all energy harbors every derivative of its own expression through re-sources composed of a wide assortment of vibratory patterns. This is not an apparition. Investigations into this energy source, including attributes that distinguish it from within, can be best clarified by exercising the qualities/characteristics of the design archetype. This implies that every situation where an observation is being made, is likewise being interpreted concurrently in the moment by means of a subjective interpretation based upon an internal system of symbolic correspondences previously made appropriate for the situation/moment at hand. The scientific method of observing the world/reality remains consistent and somewhat reliable. However, the context of these observations is always changing. The quantum field we've scientifically discovered epitomizes the definition of change. Classical experiments once proven reliable are now being challenged. Science is becoming more and more metaphysical for lack of a better method/label to substantiate its meaning and purpose.
I am of the opinion that investigations into quantum experiences and events indicates that there is a degree of meaning and purpose in every observation. Awareness appears before our consciousness in the form of a significant impression or indication that may or may not be "measurable". Revelations typically support and expand upon what we already believe we know, feel and observe. Design investigations call out potential futures that are conceptual in context, a field of impressions founded upon the beliefs of the observer. Ideally as variables change so should every relevant POV associated in substantiating the "reality of the observer". In reference to the quantum state, every designation (goal and objective) is constantly changing while in the process of being observed. At quantum levels of coherence and re-cognition time and space can no longer be alluded to with assurance. Like love ... how can you measure an indescribable impression appearing in the form of a symbolic revelation, and that for all intents and purposes, remains immeasurable? Such a subject can only be approached symbolically. Design is the only tool that affords humanity the ability and opportunity to bring balance to awareness and in return, equilibrium to human consciousness.
Design provides us, by means of focus and exercise, a vibratory system that brings coherency to the virtues of energy-in-motion. The concept of love as being a metaphor for energy-in-motion and symbolic/perpetual change, contributes to a new understanding of "reality"- a belief system allowing and encouraging flexibility and tolerance while in search for balance. I am of the opinion that observations, investigations and applications are based upon the implementation of a variety of symbolic methodologies created solely for the purposes of focusing upon a series of internal revelations designed in coherence with the awareness of the observer. Every event and experience is symbolically interpreted. Design is the process upon which every method of energy transformation is dependent. Design is far from static. Design represents a system composed of a variety of perpetually changing, multidimensional correspondences that respond to an ever changing context, i.e. field, and circumstantial observation. The scientific paradigm (microcosmic investigation and research) strives to be balanced by the virtues of a macrocosmic enhancement, absorption and inclusion concerning impressions pertaining to symbolic observation and interpretation.This new method of investigation rides upon the waves of a quantum ocean discovered in the "form" of an ever changing circumstance and POV. Choice is based upon an adaptive observer "designed" to be responsive to forces that bring symbolic "weight" to every impression and situation The fulcrum re-presents the observer/perceiver of every situation and/or circumstance. The design paradigm's origin is based upon the act of balancing the concepts of meaning and purpose both in design and science.
Skills in symbolic interpretation and understanding are integrated into, and are a reflection of, one's level of consciousness. Defining consciousness in reference to the above model is a never ending challenge to every observer/perceiver attempting to describe the concept of "reality".
Design's close association with symbology allows for the quantification and qualification of events and experiences emerging from within and upon the central core of consciousness.
* * *
Science and design are fundamental in acquiring a design consciousness. Their relationship demonstrates that limitations are necessary by means of number and measure, without which human consciousness would dissolve and retreat into an abyss of not knowing and only believing.
Ref: I Ching
* * *
To think conceptually is to think multi-dimensionally. All impressions seen and unseen are dimensionally dependent upon the context in which they are observed. observe|əbˈzərv|verb[withobject] 1noticeor perceive (something)andregister it as being significant:watch (someone or something)carefullyand attentively:take note of or detect (something) in the course of a scientific study: 2[reporting verb]make a remark:[withdirect speech]:
Born and raised in Chicago, Ill. I received my BFA and MFA from the University of Illinois, Urbana. Professor Emeritus Columbus College of Art and Design. I have taught, lectured and written about
design and the design process throughout my tenure as Dean of Industrial and Interior Design. My interests lie in demonstrating design as fundamental to consciousness, archetypal in context and the underlying language of change and transformation.
https://www.idsa.org/profile/carl-garant/
