Galactic, Solar and Human Entrainment

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

Energy, light and information is absorbed, transferred and dismissed by means of a virtual membrane that surrounds every field of energy.

Emerging from an unknown source of origin beyond the visible universe, a life force appears to emerge from within. This consubstantial event takes-on the form of a vibration, i.e. a sound that resonates throughout an infinite and virtual space/time. 

Dispersed by means of a series of interferences within the medium of space/time a network of virtual pools appear to bubble from within the deep unknown. Every field appears to formulate a variety of conditions within each context. Each emerging field seems to reflect and convey the qualities of an original life force. A variety of fields appear to form the universes, galaxies and planets that surface from within this reservoir of virtual energy. At these moments in space/time the infinite becomes finite. 

Each iteration brings harmony to the original score. Each iteration becomes a circumscription, i.e. a field of virtual energy surrounded by a string of sound and vibration. Some of these fields can be observed, measured and/or experienced by virtue of a changing network of circumstantial influences emerging from within the contextual pool of 3D space/time. Many others cannot be heard.

A horoscopic chart is somewhat unpredictable and a complex system to be interpreted in reference to its qualitative behavior by means of design and metaphor. The fact remains that every perspective taken in our attempt to interpret the causal forces that affect our understanding and comprehension of the universe will always be composed within the symbolic parameters of a human point of view. 

Design merely contributes to a string of e-motions, events and experiences that together give substance to an Intelligent force veiled behind the virtual constraints of space/time. Design attends to the threads that together give form to the fabric of this quantum consciousness. 

Portals/openings appear within the membranes that capture and identify every virtual field/network. Similarly, the transfer of energy, information, light and sound is demonstrated symbolically in the process of osmosis. Portals can be catalytic in character. They host the unique opportunities for a harmonious transformation of light, energy and information. Portals emerge as a result of circumstantial and contextual events. 

In 3D space/time small incremental changes in frequency are interpreted and labeled positive or negative solely for the sake of differentiation. The concept of an infinite Source is tempered by every finite expression attempting to define or describe it. 

Space/time differentiates every quantum field into dimensions, fields and frequencies that simultaneously condition it at the most abstract levels humanly imaginable. A force of origin, i.e. the Alpha, gives birth to an array of circumstances (events and experiences) by virtue of a series of wave interferences that in essence, condition the entire field. Each dimension gives expression to a set of circumstances that similarly substantiates it within the reservoir of unknown origin. The concept of an original Intelligence/Source is realized in space/time by means of symbolic correspondences designed to represent the unknown to be both meaningful and purposeful. 

Contacts with other dimensions/universes of lesser and/or greater degree/frequency are made by virtue of a number of symbolic gateways that exist both within and beyond the parameters of 3D space/time. 

Holographic forms of energy, light and information are perceived as being tangible or intangible, subjective or objective, positive or negative. Each condition or state  (+ or -) is symbolically identified to complement each other by describing the conditions that, when considered jointly, give meaning and purpose to a more sweeping field of relationships and correspondences. In essence, the symbiotic relationship between the known and the unknown should always be considered jointly. This is the meaning and purpose supporting design and the design process.

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The eclipses of the moon and sun help generate the gateways that allow for the melding of universal, galactic and solar energy into 3D space/time. Lunar and solar eclipses help create the portals that appear to emerge from within the virtual membranes that surround the planet. These conditions harbor the transmission and transformation of energy entering earth's field.

The field of human consciousness might be classified as a "carbon- crystalline" mix of holographic energy that collectively surrounds the planet. This membranaceous field shares in harboring the portals and gateways between the earth and other planetary, solar, galactic and universal dimensions. For humanity the dimensional transfer and transformation of virtual energy stemming from a reservoir of cosmic Intelligence can, over time and space, be gradually revealed and understood by merely resonating to the encoded vibrations that lie hidden and dormant in the structure of human DNA. This Intelligence is shared by means of SIGNals that resonate throughout the Universe/s both known and unknown.

By means of design the imagination can create the necessary gateways and portals into both the known and the unknown.

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Energy, Design, and the Symbolic Structure of Consciousness: A Speculative Ontology 

The absorption, transference, and dissipation of energy, light, and information are processes mediated by what may be understood as a virtual membrane—an intangible interface that encloses and delineates energetic fields. These membranes function not only as symbolic boundaries but also as dynamic systems of exchange. Such boundaries evoke the notion of “semi-permeable structures” in systems theory, where complex interactions occur between a system and its environment (Capra & Luisi, 2014). In this sense, the membrane serves as both metaphor and mechanism for the interface between the virtual and the actual, the finite and the infinite. 

Emerging from a source beyond observable space-time—a metaphysical Alpha—there appears to be a primordial life force that manifests as vibration. This original resonance suggests a metaphysical foundation for material and experiential realities, echoing ideas found in design metaphysics where vibration is interpreted as the foundational language of existence (Tonkinwise, 2015). It resonates with Bohm’s (1980) implicate order, in which reality unfolds through undivided wholeness and harmonic frequencies. 

Within this field, the phenomenon of interference—points where waves overlap—becomes foundational for the emergence of multiplicity. From these interferences arise what can be conceptualized as “virtual pools” of potentiality—zones of contextual emergence in which galaxies, planets, and symbolic systems take form. Each “field”—a term equally apt in both physics and design—offers a localized expression of the broader, unknowable source. In design thinking, such fields may be seen as generative contexts, each with its own affordances and constraints (Norman, 2013). 

These emergent forms are circumscribed not only by energetic boundaries but also by symbolic frameworks—what might be termed "epistemological membranes." Here, design functions as the process by which formless potential acquires formal expression. The process echoes Nelson and Stolterman's (2012) concept of "design judgment" as the capacity to translate complexity into communicable form through intention and iteration. 

Portals or gateways emerge within these fields—moments or conditions wherein information, energy, and symbolic meaning undergo transformative exchange. Such portals are catalytic in nature, echoing speculative design’s capacity to reframe problems, propose alternative futures, and enable cross-dimensional thinking (Dunne & Raby, 2013). Much like biological osmosis, these symbolic membranes regulate the flow of influence and information, sustaining the equilibrium of the system while enabling growth. 

From the perspective of temporality and dimensionality, 3D space/time operates as a stage of symbolic differentiation. Here, infinite source is momentarily and incompletely understood through finite expressions—each shaped by the symbolic biases of human perception. The horoscopic chart, for instance, operates as a complex diagrammatic system intended to interpret unseen influences through metaphor and correspondence. Such systems evoke Fry's (2009) idea of “design futuring,” wherein symbolic representations carry the weight of cosmological meaning. The design process, then, becomes a tool not only of aesthetic or functional value but of ontological significance. It structures the symbolic resonance of signs, emotions, and experiences—forming a semiotic field through which consciousness navigates reality. As such, design is a form of world-making (Escobar, 2018), giving form to the quantum entanglement of perception, matter, and meaning. 

In the context of cosmic events—such as lunar and solar eclipses—design plays a subtle, mediating role. These moments symbolize the thinning of energetic membranes and the opening of gateways between otherwise discrete domains. They can be seen as archetypal conditions of transformation, where symbolic meaning aligns with astrophysical reality to create conditions ripe for transference and rebirth. 

The field of human consciousness may be conceptualized as a “carbon-crystalline” matrix—a semiotic-holographic structure that mediates between planetary, solar, and universal frequencies. This notion aligns with the work of theorists exploring the intersection between design, consciousness, and energetic systems (Simondon, 1992). The structure of human DNA, encoded with dormant vibrations, serves as a receptor for these cosmic signals—what might be metaphorically termed SIGNals. These signs form a semiotic web that links human cognition with cosmic intelligence. 

Ultimately, design operates as the imaginative and procedural mechanism by which gateways are created between the known and the unknown. It constructs the metaphoric scaffolding through which the infinite can be contemplated, if not fully grasped. As Dunne and Raby (2013) argue, design’s role is not solely to solve problems but to speculate on possibilities, to give symbolic shape to that which lies beyond empirical reach.

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

References 

Bohm, D. (1980). Wholeness and the implicate order. Routledge. 

Capra, F., & Luisi, P. L. (2014). The systems view of life: A unifying vision. Cambridge University Press. 

Dunne, A., & Raby, F. (2013). Speculative everything: Design, fiction, and social dreaming. MIT Press. 

Escobar, A. (2018). Designs for the pluriverse: Radical interdependence, autonomy, and the making of worlds. Duke University Press. 

Fry, T. (2009). Design futuring: Sustainability, ethics and new practice. Berg. 

Nelson, H., & Stolterman, E. (2012). The design way: Intentional change in an unpredictable world (2nd ed.). MIT Press. 

Norman, D. A. (2013). The design of everyday things (Revised and expanded edition). Basic Books. 

Simondon, G. (1992). The genesis of the individual (M. Cohen & S. Kwinter, Trans.). Zone Books. (Original work published 1964) 

Tonkinwise, C. (2015). Design for transitions—from and to what? In T. Markussen & T. Binder (Eds.), Design issues, 31(3), 14–24.

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth

To know is your own creation."

Anonymous

Edited: 10.25.2013, 11.18.2013, 11.22.2013, 11.30.2013, 12.03.2013, 12.04.2013, 12.05.2013, 01.08.2014, 09.23.2014, 10.11.2014, 10.17.2014, 11.08.2014, 02.19.2015, 04.05.2015, 06.17.2015, 10.03.2015, 01.11.2017, 03.07.2018, 09.27.2019, 11.13.2019, 07.17.2020, 08.13.2022. 06.26.2025

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