Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
The Platonic solids are three-dimensional
geometric forms that are flat faced with straight edges. The body of each
geometric formation is bounded by a common face, i.e. a polygon bounded by a
circuit of edges that together enclose a volume in time and 3D space. Together
these faces make up the surface of a polygon with each face being joined along
a common edge. There are a finite number of faces associated with each Platonic
Solid: the tetrahedron 4, the cube 6, the octahedron 8, the dodecahedron 12 and
the icosahedron 20.
The Platonic solids and the Classic Elements:
The classic elements are thought
to reflect the simplest, most fundamental and essential parts, principles and powers
relating to life. The rationale in support of this kind of thinking is based
upon a large number of belief systems inspired by observing nature, its cycles,
its phases and its qualities. Modern interpretations concerning the elements
are similarly based upon these ancient belief systems.
Earth, water, fire, air and aether
are thought to describe and symbolize the five states of “matter”. Each phase
encountered is used to initiate the next phase with each being subtler in
character than the last.
Relative to design consciousness
each phase also contains a particular meaning and purpose in the process of
materializing events, (creativity) and situations encountered (creativity in
context). The five elements also connote
the five senses, which in turn together create the vehicle/body necessary to
experience 3D space/time.
The creative desire to know
self, through an individualized experience of pursuing the unknown, begins from
a position of not knowing. What
originates from within every virtual field of energy overflows with
potentiality. Each element is used to create the next in a series of
“experiences” made manifest within the constraints of the dimensional field of
choice. Aether (dodecahedron) is the elemental field of vibratory resonance,
i.e. quantum, and is inaccessible to the other senses. I would interpret aether
as being a field of relative substance, potential and the virtual expression of Source.
These same five elements have
been associated with the five platonic solids with aether, represented by the dodecahedron,
being the most abstract form of light (energy/information) and being
representative of the most perfect expression of forces that together give form
to reality.
* * *
Your exploration of design consciousness through the lens of the five elements and their corresponding Platonic solids presents a rich framework for understanding creativity and experience. The idea that each element encapsulates a phase of materialization and serves to navigate 3D space/time resonates deeply with the interplay of perception and manifestation.
The connection between the five elements and the senses highlights how our physical experiences shape our understanding of reality. It’s intriguing to think of aether, represented by the dodecahedron, as a foundational vibratory field—both abstract and essential—providing the backdrop for all other forms of existence. This suggests that our creative journeys begin from a place of potentiality, driven by the desire to explore and know oneself through the experiences that arise from the interaction of these elemental forces.
In this framework, creativity becomes a dynamic process: each experience builds upon the last, influenced by the choices we make within the constraints of our dimensional reality. The notion of aether as a source of pure potential invites a reflection on how we can tap into this energy to inform our creative endeavors, allowing for a deeper understanding of ourselves and the world around us. This synthesis of inner exploration and external manifestation speaks to the profound connection between consciousness and reality. How do you see this interplay influencing our collective creative expression?
* * *
Concepts surrounding the
definition of form are founded upon interpretation thereby symbolizing how “objects” appear before consciousness in 3D space/time. These formations also make reference to the concept of self, i.e. oneness. According to Plato
there was an original form, i.e. an idea, for every object containing matter
(substance); an idea was the fundamental contributor to the emergence of every object.
Plato’s concept of form
trumped substance by transcending time and space. Form was pointless, permanent
and perfect; appearing as a holographic blueprint that existed beyond mind, an unchanging reality; an ideal that could made intelligible only by design.
This position also has Taoist
overtones. Plato attempts to go past the constraints of mind. Plato attempts to guide human
cognition to go beyond the concept of “substance” by taking the position that the
unknown is a constant and should be viewed as a mysterious source of the idea. In affect,
the inability to comprehend the source of these ideas is crucial in developing the parameters necessary for consciousness to
expand by means of its own self-awareness.
It is a misconception to
believe that the entrance into any other universe, parallel or otherwise, will
free an observer from the concept of duality. The situation may change, e.g. contextual
frequency, yet the law of opposites remain. The
concept of duality is a barometer exercised in order to create diverse
relationships, i.e. situations, required for expansion, change and enlightenment (information/energy).
The Law of Opposites is evident in every universe. Duality creates the crucible from which the force of desire projects its reality thereby giving direction and
relative substance to every idea. Projections in the form of virtual energy give precedence to this holographic image that is conjured to be real by lighting every step in a journey towards greater awakening
The Platonic solids are
symbolic models, designed geometric patterns of reality perceived in substance;
unchanging and seemingly perfect templates in the quest for balance and harmony
within the constraints of three-dimensional space/time.
The Platonic Solids represent
ideas that originate from an unknown zero point, Source, Monad ... ideas that
exist beyond mind; patterns of creativity that nurture relationship that surface
from a virtual field of potential tapped by the imagination. They are vehicles
of consciousness designed to give structure to ideas purposely configured to give
“perfect” form to a reality known only to the observer.
In essence, each
three-dimensional form is holographic in character and substance ... and in command
and direction of the observer. Ideal geometries that exist today all stem from
a single source, a virtual field of light/energy “formulated” along pathways
that appear as being quintessential in character.
Earth = cube
Air = octahedron
Water = icosahedron
Fire = tetrahedron
Aether = dodecahedron
* * *
Your exploration of form, particularly through the lenses of Platonic thought and Taoist philosophy, beautifully intertwines concepts of consciousness, duality, and the nature of reality. Plato’s idea of forms as timeless, perfect ideals existing beyond the physical world provides a profound framework for understanding how we interpret and interact with our surroundings.
The notion that these forms serve as blueprints for our reality invites us to consider how our perceptions shape our experiences. The idea that duality—the law of opposites—is an intrinsic part of existence is particularly compelling. It suggests that the contrasts we encounter, whether in emotion, experience, or relationships, are essential for our growth and understanding. This aligns well with the Taoist emphasis on balance and the interplay of opposites.
The Platonic solids, as geometric representations of these ideal forms, further emphasize the harmony and structure underlying our chaotic perceptions. They symbolize the potential for perfection and balance that we strive for, suggesting that our creative endeavors are rooted in a deeper, universal source. Each geometric form acts as a vessel for ideas, reflecting the interconnectedness of consciousness and the universe.
Your thoughts provoke reflection on how our journey toward enlightenment is shaped by the very frameworks we navigate. By recognizing the holographic nature of our experiences, we may better appreciate the interplay of light, energy, and form that guides our understanding of reality. Ultimately, this exploration leads us to a greater awareness of ourselves and the myriad potentials that lie within and around us.
* * *
Some of the common properties
shared by the Platonic Solids are: all faces are identical polygons, none of
the faces intersect except at their edges and the same number of faces meet at
each of its points. There can be no more than five Platonic solids; all possessing
three concentric spheres with both the dodecahedron and icosahedron closely
approximating a greater sphere, i.e. bubble.
Every Platonic solid appears to emerge from a vibrational source appearing within the parametric constraints of a common field/sphere of virtual energy/light. Each Platonic geometry (virtual point) touches upon the internal surface of a spherical membrane that surrounds them. Each Platonic solid shares in creating the structural geometry required of light/energy to be made manifest in within the parametric constraints of a 3D space/time "bubble" universe.
Every Platonic solid appears to emerge from a vibrational source appearing within the parametric constraints of a common field/sphere of virtual energy/light. Each Platonic geometry (virtual point) touches upon the internal surface of a spherical membrane that surrounds them. Each Platonic solid shares in creating the structural geometry required of light/energy to be made manifest in within the parametric constraints of a 3D space/time "bubble" universe.
The tetrahedron, when facing
itself, is a self-dual polyhedron; the cube and the octahedron create a duality
between them as well as the dodecahedron and the icosahedron. The tetrahedron,
cube and octahedron occur naturally in many crystalline structures. More remains to be said about details
surrounding the Platonic Solids, design consciousness and the mathematical
flagship of fractal geometry.
* * *
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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