Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Design has the ability to link our mind with our desires by means of our imagination. Design is the process that allows us to create and make “real” our wants, desires and aspirations.
The mind harbors the unification and organization of thought, while emotion affords an observer the desire to make dreams come true. Design is an instrument of the will. Design facilitates creativity.
The means required to experience consciousness are both tangible and intangible, i.e. a desire interwoven into a fabric of a virtual (plasmic/quantum) expression. Design is the needle that sews the virtual fabric of both known and unknown origin.
The connective attributes essential to design allow the imagination to be the re-source upon which an event can be experienced both in an objective and subjective manner. The imagination brings life to virtual fields of energy. The imagination is an instrument of the mind where facts, opinions, intelligence, knowledge and understanding can be pursued and experienced. Emotion is a vector of virtual energy stemming from the heart. The intuition establishes a harmonic fulcrum between the vectors of emotion and thought. Both experiences are cloaked within the context of feeling.
Without design, consciousness might never experience the challenges and events surrounding the drive towards self-knowledge. Design symbolically unites the mind, the emotions, the feelings and the forms of the universe by means of the imagination.
Design is holographic in character. Design models the impressions surrounding the concept of consciousness by virtue of the patterns, i.e. archetypes, that identify the universe.
The archetypes appear to be large cultural and psychological patterns of energy that have great influence over etheric states. Concepts surrounding the ethers allow for the laws of physics and the imaginative qualities of the mind to work together. Virtual particles can be described as a form of ether/plasma meant to fill the "void" of a virtual field of energy.
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" A vacuum energy fluctuation can be converted into particles of matter. Sounds weird? Maybe, but it happens all the time. These particles are called virtual particles, living a fleeting existence before plunging back into the ever-busy quantum vacuum."
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Virtual fields are conceptual constructs meant to be used for the purposes of defining and/or describing the unknown by means of coherent resonance. Virtual particles tend to fade into both cognition and recognition, i.e. intangible and tangible. One might describe this virtual context as a borderless field of energy potential permeating, configuring and relatively "substantiating" the essence of the universe.
Virtual energy connects everything to everything else by means of coherent resonance. Virtual "substance" in the form of an ether or plasma, are symbolic ventures attempting to describe what cannot be described or entirely imagined. This POV can actively connect the tangible with the intangible. This hypothesis greatly impacts our understanding of design and its relationship to consciousness. The only way these alternate states of awareness and interpretations of "form" can be made conscionable in 3D space/time is through the use application and implementation of symbols, metaphor, analogy aka design.
Design is the universal phenomenon upon which consciousness and awareness are dependent. Design translates, transmits and transforms virtual energy into and out of informational patterns of etheric/plasmic vibration. Etheric particles are contained in the virtual elements that describe and exhibit consciousness, aka the universe. Reality therefore becomes a probability construct made apparent within the context of the imagination. An etheric/plasmic/quantum universe signifies the presence of a virtual ocean of contextual references into forms of energy, light and information.
Virtual particles in the relative forms of ether, plasma, quanta create the strings, i.e. vibrations, that when appropriately brought to re-cognition, create a harmonic universe. Virtual "particles" contribute to the nature of consciousness by affording it the necessary "substances" required to help define, perceive, measure and express it.
Design is the universal phenomenon upon which consciousness and awareness are dependent. Design translates, transmits and transforms virtual energy into and out of informational patterns of etheric/plasmic vibration. Etheric particles are contained in the virtual elements that describe and exhibit consciousness, aka the universe. Reality therefore becomes a probability construct made apparent within the context of the imagination. An etheric/plasmic/quantum universe signifies the presence of a virtual ocean of contextual references into forms of energy, light and information.
Virtual particles in the relative forms of ether, plasma, quanta create the strings, i.e. vibrations, that when appropriately brought to re-cognition, create a harmonic universe. Virtual "particles" contribute to the nature of consciousness by affording it the necessary "substances" required to help define, perceive, measure and express it.
Edited: 11.28.2013, 01.11.2017, 07.26.2020
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