September 11, 2007

Forms Come and Go


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

The design process does not discriminate, distinguish, separate or categorize. The design process is impartial. Once becoming an observer we realize that energy is a constant and that balance brings progress to the universe.

Forms come and go. Forms of energy are attracted to their most appropriate configuration of energy, light and information. Every construct in 3D space/time harbors its own specific reality. All phenomena encase the potential for a symbolic dialogue between meaning and purpose. After observation elements, i.e. events and experiences, are either discarded or maintained based upon focus, resonance and observation. Interestingly enough ideas surrounding the concepts of meaning and purpose lead towards the generation of even more ideas in the form of energy in motion (e-motion) being made apparent during the design process. 

Design is cyclic in nature. Meaning and purpose emerge symbolically both prior to and upon exit from the parametric constraints of time and space. Meaning and purpose are the fundamental concepts that bring reference to the duality of life in all forms of energy in motion.

An original intention will for the most part, change according to a series of internal and external forces stemming from an unknown field or source, e.g. the unconscious. It is imperative to understand that design will substantiate its presence in 3D space/time by referring to the many forms of energy, light and information that symbolically appear as indicators of a virtual source beyond consciousness.
(The Source, the Mystery, the Universe, the Unknown are all synonymous with the Tao.)

Investigative research into quantum theory implies that everything is energy and form part illusionary. The design process demonstrates that energy in motion (e-motion) is fundamentally symbolic in character and founded upon circumstances of attraction that allow it to find its own course towards unity. By nature energy tends to connect and come together while simultaneously dividing within the context of an event or experience. The active focus in this equation is the presumption of there being an observer/perceiver in the dialogue along with the realization that all things are changing. 

All systems of energy divide and separate from within for purposes of adaptation, reconfiguration and survival. Energy divides from within by means of an attractive drive to maintain "balance through unity". Balance is gained by virtue of retaining a constant flow of energy, light and information. All energy agents/forms maintain internal and external correspondences (designs) for purposes of balance and harmony i.e. survival. Some of these agents are more complex in structure and cohesiveness than others. Examples of differentiation in 3D space/time separate the tangible from the intangible, the seen from the unseen. Each design blueprint is based upon contextual circumstances and are always changing about "contextual circumstances". All representative agents of energy in motion are conscious in their own right, symbolic constructs perceived and observed within the constraints of their own focus and circumstances. Harmony must be preserved within the context of every symbolic representation of change (design) if unity and/or harmony are to be experienced and/or maintained. 

Energy seeks balance by means of adapting to its own design blueprint, a pattern meant to expand by adapting within every situation made evident within its observable context. Energy becomes united solely to be perpetually reconfigured while in the cyclical stages of expansion and contraction. The only difference between these "situations" is the context in which they occur ... and it is within the context of three dimensional space/time that these changes become most apparent, i.e. made aware.

Awareness is made most apparent when experienced within the parameters of a dualistic context, i.e. space/time, yin/yang, meaning/purpose, love/fear.  Awareness contributes to the expansion and contraction of consciousness, which is a conceptual by-product of the dialogue. 

Exclusion brings about division thereby separating the observer from what is being observed. For humanity to allow the ego to take precedence over the position the observer invites imbalance into the equation. This situation demands that a designer not judge, but rather strive to reveal and bring balance to all forms and patterns of energy in motion both tangible and intangible.




Consciousness harbors space and time. Design reveals its meaning and purpose.

Edited: 07.15.2013, 01.29.2017, 01.24.2021, 08.18.2023
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