Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
By nature there are always intimate relationships and associations created between elements, especially in situations where fields of consciousness (agents) assimilate with each other. There are subtle distinctions between the concepts of consciousness and awareness. Both terms seem to describe a unique kind of “mindfulness” existing both within and outside a type of attentiveness; a different kind of perspective responsive to assorted phenomena about which seems to exist a central and ephemeral singularity.
Design is a facilitator by virtue of its use and application of signs and symbols, a process that connects, interprets and creates relationships between concepts and ideas. These relationships may or may not be observed in 3D spacetime, rather the power of design is its ability to make an "impression" by means of awareness.
Design is a facilitator by virtue of its use and application of signs and symbols, a process that connects, interprets and creates relationships between concepts and ideas. These relationships may or may not be observed in 3D spacetime, rather the power of design is its ability to make an "impression" by means of awareness.
With awareness comes power through knowledge and feeling, which includes acting responsibly while in quest for balance.
C. G. Jung has described a particular trait in this relationship as being a synchronistic event, where consciousness and awareness complement each other by symbolically melding in the now. In essence, consciousness and awareness share in a synchronistic and symbolic "reality" made relatively apparent by means of design.
Buckminster Fuller coined the term “synergy” as result of two or more elements or agents combining to create an unexpected result. Bucky used common table salt as an example of a synergetic event. The combination of two very toxic elements, such as sodium (metal) and chlorine (gas), would be expected to create a rather poisonous material. However, contrary to this notion the result is an edible crystal used for seasoning ... salt.
Note: there are differences between the concept of synergy and the practice of synergetics.
I propose consciousness as being the fabric for such synchronistic and synergetic events and experiences. Consciousness embraces all that could ever be known, felt, understood, anticipated or imagined. Consciousness creates an abundance of symbolic opportunities through design, i.e. circumstances that can ignite quantum leaps in awareness. Consciousness will appear and remain entropic (chaotic) until designed. What is required is a design consciousness.
Design creates the situation and opportunity for the integration, transmission and transformation of energy, light and information.
Change and transformation are the probable result of a synergetic event. Synchronicity provides the potential.
Consciousness describes a virtual field of energy in motion. Design creates the patterns that bring order to chaos. Design and consciousness function at subliminal levels.
Consciousness becomes transmittable by means of its design. Design consciousness is transmitted by means of sign, symbol, metaphor and analogy. Connections become realized by means of vibration and resonance.
Design is central to the creative process and fundamental to the concept of consciousness.
Design describes energy in motion (EIM) by virtue of the very consciousness made aware of it.
Can you trust what you doubt? Synchronicities have been designed to guide you.
" ... every experience overlaps some but not all other experiences. Another facet of the "scenario" concept centers on the misconception of the environment as a static whole."
Within Psychology Bernard D. Beitman M.D. March 27,2923. Reviewed by Lybi Ma
Edited: 11.28.2013, 01.11.2017, 02.17.2018, 01.27.2023, 01.06.2024, 07.03.2024
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