Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
What are some of the patterns of thought that bring Design Consciousness to awareness?
symbolism noun: the use of symbols to represent ideas or qualities: • symbolic meaning attributed to natural objects or facts. • (also Symbolism) an artistic and poetic movement or style using symbolic images and indirect suggestion to express mystical ideas, emotions, and states of mind. It originated in late 19th century France and Belgium, with important figures including Mallarmé, Maeterlinck, Verlaine, Rimbaud, and Redon.
symbols noun: a mark or character used as a conventional representation of an object, function, or process, e g. the letter or letters standing for a chemical element or a character in musical notation. • a shape or sign used to represent something such as an organization, e.g. a red cross or a Star of David. a thing that represents or stands for something else, especially a material object representing something abstract:
signs noun: a sign of affection: indication, signal, symptom, pointer, suggestion, intimation, mark, manifestation, demonstration, token, evidence; literary sigil. a sign of things to come: portent, omen, warning, forewarning, augury, presage, danger sign; promise, threat. at his sign the soldiers followed: gesture, signal, wave, gesticulation, cue, nod. he read the sign on the wall: notice, signpost, signboard, warning sign, road sign, traffic sign, guidepost, marquee. the dancers were daubed with signs: symbol, mark, cipher, letter, character, figure, hieroglyph, ideogram, rune, emblem, device, logo.
analogy noun: (plural analogies) a comparison between two things, typically for the purpose of explanation or clarification: • a correspondence or partial similarity: • a thing which is comparable to something else in significant respects • Logic a process of arguing from similarity in known respects to similarity in other respects. • Biology the resemblance of function between organs that have a different evolutionary origin.
The Computer Scientist Training AI to Think with Analogies
https://www.quantamagazine.org/melanie-mitchell-trains-ai-to-think-with-analogies-20210714/
metaphor noun: a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable: • a thing regarded as representative or symbolic of something else, especially something abstract
simile noun: a figure of speech involving the comparison of one thing with another thing of a different kind, used to make a description more emphatic or vivid (e.g., as brave as a lion, crazy like a fox). • the use of simile.
allegory noun: (plural allegories) a story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one: • a symbol.
Design Proposition:
design + consciousness = awareness
awareness + design = consciousness
consciousness + awareness = design
DESIGN AS METAPHOR
Modeled within the parameters of space and time design might best be represented as a simple fulcrum where the concepts of meaning and purpose are "weighed in reference to each other". Design is the pivot and consciousness the lever in the search for balance and harmony. Design creates the axial point about which an observer views every situation and circumstance.
Design plays a central role in recognizing, describing, understanding, measuring, perceiving, observing and comprehending the concept of consciousness.
Finding what is meaningful and purposeful in Life rests upon finding and maintaining a balance between these two conscious agents.
meaning noun what is meant by a word, text, concept, or action: • implied or explicit significance: • important or worthwhile quality; purpose: adjective [attributive] intended to communicate something that is not directly expressed:
purpose noun the reason for which something is done or created or for which something exists: • a person's sense of resolve or determination: • (usually purposes) a particular requirement or consideration, typically one that is temporary or restricted in scope or extent:
Design is essential in acquiring a greater understanding of consciousness. Design is the instrument an observer employs in order to monitor changes in consciousness. Design brings sovereignty to the observer. Design is the instrument that provides, substantiates, sustains, maintains, validates, assists, and encourages creativity.
Design and consciousness are analogous, kindred equivalents engaged in a dualistic relationship, partners in a dance of energy in motion, witnesses within a quantum field of virtual potential (QFVP).
Design is the point upon which the lever of consciousness rests and is supported, the fulcrum where contrasting components can find balance, stability, permanence and unity through awareness.
DESIGN + CONSCIOUSNESS = AWARENESS
awareness noun knowledge or perception of a situation or fact: • concern about and well-informed interest in a particular situation or development:
Awareness is a product of both design and consciousness. Awareness is a facet, a characteristic, a component, a dimension and a feature of consciousness observed in alignment with design. Awareness is central to consciousness and at the "point of Design".
In order to become balanced one must become aware.
In order to become aware one must become balanced.
Awareness is at the central intersection of consciousness and design.
The hub, the linchpin, the focus and the nucleus at the heart of pure wholeness.
The observer discovers meaning and purpose by means of awareness - making it one in the same.
Design encourages, generates and provides for a countless number of options/choices towards balance and enlightenment. Design is both inclusionary and exclusionary with some situations being more meaningful than others.
Choice determines the path and accountability its guiding force.
An observer affectively directs the intensity and duration, i.e. dynamics, made symbolically apparent in every event and experience. Every perception/ observation brings to light/awareness a circumstance in search of balance.
THE OBSERVER
Design facilitates the inspiration, inception, origination, generation and production of every field, system, matrix and network. Design brings consciousness to awareness and awareness to consciousness.
element 1 a part or aspect of something abstract, especially one that is essential or characteristic: • a small but significant presence of a feeling or abstract quality: • (elements) the rudiments of a branch of knowledge: • [usually with modifier] (often elements) a group of people of a particular kind within a larger group or organization: • (elements) (in church use) the bread and wine of the Eucharist. • Mathematics & Logic an entity that is a single member of a set. 2 (also chemical element) each of more than one hundred substances that cannot be chemically interconverted or broken down into simpler substances and are primary constituents of matter. Each element is distinguished by its atomic number, i.e. the number of protons in the nuclei of its atoms. • any of the four substances (earth, water, air, and fire) regarded as the fundamental constituents of the world in ancient and medieval philosophy. • a person's or animal's natural or preferred environment:
Design describes the process of balancing. Consciousness observes every event/experience by means of perception and observation. Consciousness is clearly woven into the meaning and purpose supporting design. Consciousness and design run in unison one always leading the other and it is upon this relationship that all Life evolves.
Design and consciousness create a central position within every event and experience. Design plays a pivotal role in every circumstance, consciousness affords the situation. Design describes both the observer and the context in which every observation is made. Design is stationed at the center of every event and experience. Consciousness creates the field where these events and experiences are made cognizant. Design is at the center of consciousness, at the focal point where the awareness of the moment (focus) finds its place in the dynamics of the field/context/situation/circumstances encountered.
The relationship between design and consciousness is a matter of finding balance/harmony between forms of energy in motion.
Design consciousness describes a symbolic act of correspondence between the particle and wave, yin and yang, meaning and purpose.
Energy, Information and Light create a triplicity of One in the same. Balance lies within the scope of a perceiver, is discovered by an observer and made apparent by the designer.
"Love itself is neutrality. Love does not operate in duality."
Balance and harmony are not easily attainable. Both design and consciousness must develop strong symbolic ties if greater awareness is to be experienced. Both components need to be recognized if any sense of awareness is to made conscionable.
recognize verb [with object] 1 identify (someone or something) from having encountered them before; know again: • identify from knowledge of appearance or character:• (of a computer or other machine) automatically identify and respond correctly to (a sound, printed character, etc.). 2 acknowledge the existence, validity, or legality of:
Design is central to the origin of the universe. Design is pivotal in facilitating the creation and emergence of "energy in motion". Design is pivotal in the process of materialization and attraction. Design becomes a force by means of attraction, consolidation, and stabilization. As result of the relationship between meaning and purpose design combines, unites, integrates, synthesizes and fuses awareness into a network/field of consciousness.
Balance posits energy in motion.
posit verb (posits, positing, posited) 1 [with object] assume as a fact; put forward as a basis of argument: • (posit something on) base something on the truth of (a particular assumption): Balance implies a sense of understanding between the observer and the context in which an event is experienced.
Energy, light and information is constantly changing. These contextual states, i.e. fields of energy in motion, surround, penetrate and beget all recognizable phenomenon, including non lingual expressions of vibration made apparent through symbolic means. Virtual and unobservable in context these impressions become symbolically, metaphorically and analogically recognized by means of awareness.
Virtual in character, soundless in timbre and percolating with potential, design and consciousness together give cadence to a causal Source that proffers its intrinsic properties and substantiated presence throughout the universe.
“In particular, our research shows how electromagnetism is an inherent property of spacetime itself. In a way, spacetime itself is therefore the aether. Electric and magnetic fields represent certain local tensions or twists in the spacetime fabric.
John Wheeler, the famous physicist, put forward the idea that all of the material world is constructed from the geometry of the spacetime. Our research strongly supports this kind of natural philosophy. It means that the material world always corresponds to some geometric structures of spacetime. Tensions in spacetime manifest themselves as electric and magnetic fields. Moreover, electric charge relates to some compressibility properties of spacetime. Electric current seems to be a re-balancing object, which transports charge in order to keep the spacetime manifold Ricci-flat. This is aesthetically pleasing, as nature seems to strive for harmony, efficiency and simplicity.”
Electromagnetism is a property of spacetime itself, study finds
To observers positioned in three dimensional space and four dimensional time, every event and experience harbors a meaning and a purpose. Situations emerge as result of the relationship between the observable and the observer, between the design and designer and between consciousness and the subconscious. Every circumstance imaginable and unimaginable emerges from within an energetic, informational and illuminating quantum field of virtual potential (QFVP).
An observer is a sensor. Dependent upon focus, i.e. POV, concepts of meaning and purpose (consciousness) can appear to be a black, grey or white issue or, non existent at all. Technology both limits and expands our sense of awareness by means of observation i.e. algorithms, created and designed to enhance and/or expand our insights and imagination. Observations, i.e. thoughts and feelings made in reference to these circumstances, are subconscious in origin and repeatedly tinted, filtered and reconfigured over spacetime (experience).
Design elements, i.e. signs, symbols, etc, are easily attainable and palpable, yet can be difficult to ascertain and interpret. We all speak different languages. Observing and/or maintaining balance within the context of these circumstances is often limited, difficult and complicated - all examples of a conditioned response to past paradigms.
Edited: 02.28.2021, 03.07.2021, 03.14.2021, 04.26.2021, 04.29.2021, 07.20.2021, 07.21.2021, 06.19.2023, 08.20.2024
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage is prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com
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