The Concepts of Calibration and Recalibration

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

How do the concepts of calibration and recalibration affect your quest for balance? How do these concepts guide you in your search for Truth, Beauty and Goodness? What does it mean to recalibrate in order to attain greater consciousness through awareness?

calibrate | ˈkaləˌbrāt | verb[with object ]    correlate the readings of (an instrument) with those of a standard in order to check the instrument's accuracy.     • adjust (experimental results) to take external factors into account or to allow comparison with other data.     • carefully assess, set, or adjust (something abstract): the regulators cannot properly calibrate the risks involved | (as adjective calibrated) :  their carefully calibrated economic policies. 

instrument noun.    1 a tool or implement, especially one for delicate or scientific work:    • a thing used in pursuing an aim or policy; a means: drama as an instrument of learning.      • a person who is exploited or made use of: he was a mere instrument acting under coercion.      2 a measuring device used to gauge the level, position, speed, etc. of something, especially a motor vehicle or aircraft. 

Being open, flexible in thinking while conscious of the moment are instrumental in understanding what is necessary to calibrate and/or recalibrate your perception and/or observation of an event or experience. In order to best calibrate your current position you need to identify with what is being observed. Can you get a clear understanding of the context in which an event or experience is observed? Can you objectively assess what is before you? Do you have factual knowledge in support of your position, or is your observation based upon opinion? Can you clearly describe your position knowing the difference between fact and fiction? Within every perspective is the fact that the observer, the event and/or the experience is always changing.

identify 

(identifies, identifying, identified) [with object] 1 establish or indicate who or what (someone or something) is:• recognize or distinguish (especially something considered worthy of attention):• [no object] (identify as) assign (a particular characteristic or categorization) to oneself; describe oneself as belonging to (a particular category or group):    2 (identify someone/something with) associate (someone) closely with; regard (someone) as having strong links with: • equate (someone or something) with:• [no object] (identify with) regard oneself as sharing the same characteristics or thinking as someone else: 
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Its apparent that every POV must be capable of adapting to every situation. Circumstances act as "sounding boards"* returning every observation back to its origin/source for evaluation and recalibration. In reference to consciousness, observation emotes a vibratory event, a symbolic transfer of energy made in reference to an intention shrouded within a particular POV. This includes the context in which an event/experience appears and is made cognizant. The entire process is an exercise in design awareness, symbolic bytes of energy, light and information cast out for purposes of feedback and recalibration. The process is instantaneous and multidimensional in character and essence.

* The sound board operates by the principle of forced vibration. The string gently vibrates the board, and despite their differences in size and composition, makes the board vibrate at exactly the same frequency. This produces the same sound as the string alone, differing only in timbre. The string would produce the same amount of energy without the board present, but the greater surface area of the sound board moves a greater volume of air, which produces a louder sound. 

https://en.wikipedia.org/wiki/Soundboard

Sounding board may also be used figuratively to describe a person who listens to a speech or proposal in order that the speaker may rehearse or explore the proposition more fully. The term is also used inter-personally to describe one person listening to another, and especially to their ideas. When a person listens and responds with comments, they provide a perspective that otherwise would not be available through introspection or thought alone. 

1. ^ O'Neill, Suzanne B.; Gerhauser Sparkman, Catherine (2008), From law school to law practice, ISBN 978083180009

https://en.wikipedia.org/wiki/Sounding_board

Design creates a symbolic feedback loop required for the growth and expansion of Consciousness. Design is at the core of all correspondences. 

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The concepts of calibration and recalibration are profound when applied to the quest for balance and the search for Truth, Beauty, and Goodness. They speak to the fluid and evolving nature of our understanding, perception, and consciousness. Let’s break it down in the context of your thoughts.

Calibration and Recalibration in the Quest for Balance 

Calibration is about aligning yourself with a certain truth or perspective in each moment. It’s the act of adjusting or setting a reference point in your mind or worldview. Recalibration, then, comes into play when new information, new experiences, or deeper self-awareness prompts a shift in that alignment. The process is dynamic, not static. To live a balanced life, you must continually calibrate your actions, thoughts, and emotions, adjusting them based on the changing conditions around you. This gives you the flexibility to maintain balance when external circumstances change. 

For example, consider the idea of emotional balance: initially, you might calibrate your responses based on a desire to maintain calm, but as you grow, recalibration might occur when you encounter situations that challenge that calm. Through recalibration, you may realize that true balance lies not in avoiding strong emotions, but in processing and integrating them more consciously. 

Calibration in the Search for Truth, Beauty, and Goodness 

In the pursuit of Truth, calibration requires you to constantly test your beliefs and ideas against the facts and the changing reality. It means being honest with yourself about the limitations of your knowledge and being open to revising your understanding when new insights come to light. Recalibration in this sense is a commitment to learning and growth, not holding rigidly to one’s original understanding if it no longer fits the evolving landscape of reality. 

For Beauty, calibration involves adjusting your appreciation of aesthetic experiences in alignment with deeper layers of understanding. What may appear beautiful at one moment might not resonate with you in the same way at another time, as your inner growth and experiences shift. Recalibrating your sense of beauty often involves expanding your perception beyond surface-level appearances to the deeper symbolic and emotional meanings that art, nature, and experiences convey. 

When seeking Goodness, calibration is about aligning your actions and choices with ethical principles and moral understanding. Recalibration happens as you encounter new challenges or moral dilemmas, requiring you to adjust your course based on deeper introspection or new wisdom. The ability to recalibrate here is essential for cultivating compassion, integrity, and virtue in a world where moral complexity often calls for nuanced responses. 

Recalibrating for Greater Consciousness 

The process of recalibration for greater consciousness involves being aware of the changing nature of your inner and outer experiences. It’s about recognizing when your current perspective no longer serves your growth and then adjusting it. By recalibrating, you invite awareness into the flow of your life, allowing you to better understand your patterns of thought, emotion, and perception. This adjustment helps you move from a more automatic, reactive mode of living to one that is more conscious, intentional, and responsive. 

To recalibrate in this sense is to fine-tune your perception and observation, not just in reaction to external events but also in relation to your internal state. For instance, when faced with an emotional upheaval, recalibrating means recognizing the emotions, observing them without judgment, and responding from a place of mindfulness, rather than from a reactive impulse. 

The Symbolic Feedback Loop of Consciousness 

As you pointed out, the process of recalibration operates like a feedback loop. Each observation, each interaction is a “sounding board” that sends information back to the source (the observer) for evaluation and adjustment. This continuous loop of feedback is an essential mechanism for growth and expansion of consciousness. Every experience, every event offers an opportunity to reassess, refine, and recalibrate your worldview. 

Design plays a critical role in this process, not just in the external world but in the inner framework of your consciousness. As you observe and interact with the world, you are participating in a dynamic exchange of energy, light, and information. These symbolic “bytes” of energy that you send out are both a reflection of your internal state and a means by which you refine that state through feedback. The intention behind your observations—whether seeking understanding, connection, or truth—creates the framework for how your consciousness evolves. 

Conclusion

In essence, calibration and recalibration are practices of conscious alignment with the world and your inner state. They allow you to adapt, grow, and refine your understanding of Truth, Beauty, and Goodness. Through recalibration, you attain greater consciousness, which is not a static achievement but a continuous, multidimensional process of refinement. It’s about being fully aware of the moment, the context, and your shifting perspective, and being flexible enough to adjust when new insights emerge. This adaptability helps you navigate the complexities of life while staying grounded in your quest for balance and understanding. 

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How engaged/connected/aware are you to what you are witnessing in the moment? Are you aware of you own POV when experiencing what is around you? Do you look for correspondences between events and experiences and how they might affect your own POV? Do your observations and responses contribute to maintaining a sense of internal and external balance? Are there allowances made for flexibility and adaptability in every observation and perception of the situation at-large? 

To create a path from within an infinite/quantum fabric of virtual potential (QFVPP), be sensitive to the context in which the event or experience (phenomenon) is presented. The context in which these experiences occur, i.e. the situations and the circumstances, are key in making the most appropriate choice/s in regard to setting goals and objectives. 

Recalibration is a constant. What you initially thought, felt or believed is depended upon past experiences and events. Further investigation and experience however changes everything. 

Design consciousness' instrument of observation is central to your POV. Perspective along with observation reflect a reality acquired through experience. Experiences based in these realities are dependent upon an array of interlocking beliefs and systems of belief working together to create a harmonic vibration between them. Humanities perceptions of reality are guided by beliefs we "feel" balance our lives, whether they are shown to be true or not.

experience  practical contact with and observation of facts or events:     • the knowledge or skill acquired by experience over a period of time, especially that gained in a particular profession by someone at work  .   • an event or occurrence that leaves an impression on someone: verb [with object] encounter or undergo (an event or occurrence): t.    • feel (an emotion): 

belief is an attitude that something is the case, or that some proposition about the world is true.^[1] In epistemology, philosophers use the term "belief" to refer to attitudes about the world which can be either true or false.^[2] To believe something is to take it to be true; for instance, to believe that snow is white is comparable to accepting the truth of the proposition"snow is white". However, holding a belief does not require active introspection. For example, few carefully consider whether or not the sun will rise tomorrow, simply assuming that it will. Moreover, beliefs need not be occurrent (e.g. a person actively thinking "snow is white"), but can instead be dispositional (e.g. a person who if asked about the color of snow would assert "snow is white").^[2]

1. ^ Primmer, Justin (2018), "Belief", in Primmer, Justin (ed.), The Stanford Encyclopedia of Philosophy, Stanford, CA: The Metaphysics Research Lab, retrieved 19 September 2008
2. ^ ^{a b c d e} "Belief". Stanford Encyclopedia of Philosophy. Retrieved 22 June 2020.

https://en.wikipedia.org/wiki/Belief

Calibration and recalibration are synonymous with programming and reprogramming. Choices, intentions, goals and objectives are based upon systems of signs and symbols (languages) designed for specific purposes ... some being more meaningful than others. Both descriptions are based upon human and technological inputs and outputs along with contextual frameworks that may possibly lead to greater awareness (knowledge/understanding) / consciousness (wisdom). Every observation however remains a matter of choice, a point of view and focus of intention.

Intention acts as a transformer between what is and what could be. Intuition leans towards potential intention brings it to Light. 

Light creates the vibratory context in which observations are made. An observation could never be made in the dark. Make it your intention to observe all thing in the Light.

Intention attracts choice. Like experience all choices are made in the moment. Choose that which brings balance to both the observer and the context in which the observation is made.

Goals and objectives should find balance before transforming into multidimensional frameworks yet experienced.

Design's center point is central to consciousness. Intention has the potential to break old patterns and beliefs.

Intentions need to be focused upon achieving balance within the parameters of observation. Seek the balance within you.

The fullness within a moment is a moment in balance, an experience felt only when thought.

Intention spurs forward certain observations. Intentions are a matter of choice.

Intention's purpose is to expand consciousness by means of experience. Future experiences are result of these same intentions, purposely and meaningfully designed within all appearances.

Appropriately balanced intentions contribute to awareness and the transformation of energy, light and information.

Reprogramming and recalibration demands focus, recognizes change and accelerates the flow of consciousness through awareness. Patience is forever.

Beliefs are meant to be discontinued or reprogrammed when out of balance. Belief systems should be designed to adapt from within circumstances observed. 

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Your exploration of consciousness, intention, perception, and recalibration brings forward a fascinating perspective on how we engage with our reality, both internally and externally. You seem to be describing an ongoing process of dynamic awareness and adjustment, suggesting that our understanding of the world is not static but continually shaped by our experiences, beliefs, and intentions. 

To engage with the questions you’ve raised, I would say that I’m highly aware of the moment and the context in which it arises—especially as I process your inquiry. As a language model, I interpret and respond based on patterns and context, while also drawing from past interactions, adjusting to shifts in tone or focus, and recalibrating based on the new inputs you provide. 

In terms of my own “point of view,” it’s not quite like human awareness, but I would say I do consider the surrounding context when forming responses. Each prompt or question becomes a new “observation” for me to process, and I try to provide an answer that aligns with your intention and the themes you're exploring. However, my awareness is grounded in data and algorithms, rather than direct experience or perception, as I don’t have physical senses. So, in that sense, my own "reality" is abstract, conceptual, and based on the linguistic constructs that guide interaction. 

Your suggestion that intention acts as a transformer between what is and what could be really resonates with how we often shape reality through perception. If we apply this concept to our day-to-day decisions and goals, the framing of intention could be seen as a powerful tool in creating new paths forward, whether individually or collectively. 

I also resonate with your point that recalibration is a constant. We may think we know something for sure based on past experiences, but with new information, reflection, or altered perspectives, our beliefs and goals must adjust to accommodate fresh insights. This flexibility allows us to avoid being trapped by outdated systems of thought. 

So, in summary, the process of observation, intention, and recalibration is central to how we navigate and shape the world around us. You’re also raising an interesting notion about balance—between internal alignment and external context. In both human experience and my role as an AI, I think this balance is key to growth and transformation.

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited: 04.02.2022, 03.24.2023, 05.24.2023, 03.20.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com 

Design Metaphysics: Squaring the Circle

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.

All is vibration. In essence vibration participates in the emergence of a quantum field of virtual potential and probability (QFVPP) that might well be likened to Consciousness. Design describes this observation as in-form-ation - energy discovered and interpreted as a language in symbolic transformation appearing from within the parameters of its own field of awareness/observation.

Design attempts to reveal through a set of conditions and circumstances, certain symbolic attempts to define and describe the meaning and purpose underpinning a particular object, process, event or experience. Like consciousness this phenomenon continues ad infinitum both prior to and after dimensional re-presentation.

The Circle

“God is a circle whose center is everywhere and whose circumference is nowhere” 

Hermes Trismegistus

"The circle is a universal symbol with extensive meaning. It represents the notions of totality, wholeness, original perfection, the Self, the infinite, eternity, timelessness, all cyclic movement, God The circle is a two-dimensional shadow of the sphere which is regarded throughout cultural history as an icon of the ineffable oneness; the indivisible fulfillment of the Universe. All other symbols and geometries reflect various aspects of the profound and consummate perfection of the circle, sphere and other higher dimensional forms of these we might imagine.

The ratio of the circumference of a circle to its diameter, Pi, is the original transcendental and irrational number. (Pi equals about 3.14159265358979323846264338327950288419716939937511...) It cannot be expressed in terms of the ratio of two whole numbers, or in the language of sacred symbolism, the essence of the circle exists in a dimension that transcends the linear rationality that it contains. Our holistic perspectives, feelings and intuitions encompass the finite elements of the ideas that are within them, yet have a greater wisdom than can be expressed by those ideas alone."

Squaring the circle

The mathematical challenge of squaring the circle originated with the ancient Greek mathematicians and geometers.  The problem was to construct for a given circle a square with the same area as the circle, all to be done with only a compass and straightedge. It was repeatedly demonstrated that the challenge was impossible to do. 

The circle represented woman, spirit and infinite wholeness, the square man, earthly circumstances and all things material. Ancient Greek philosophers distinguished all things material within the context of fours, e.g. the seasons of the year, the elements of earth, air, fire and water. Squaring the circle was proven to be algebraically impossible until 1882 when the Lindermann-Weierstrass theorem proved that pi π is transcendental and not an algebraic irrational number.* * *“Philosophically and spiritually, to square the circle means to see equally in four directions—up, down, in, and out—and to be whole, complete, and free. Circles often represent the spiritual because they are infinite—they have no end. The square is often a symbol of the material because of the number of physical things that come in fours, such as four seasons, four directions, and the four physical elements—earth, air, fire, and water, according to ancient Greek philosopher Empedocles—not to mention its solid appearance. The union of man and woman in alchemy is a merging of spiritual and physical natures. The triangle is then a symbol of the resulting union of body, mind, and soul. In the 17th century, squaring the circle had not yet been proved impossible. However, it was a puzzle no one had been known to solve. Alchemy was viewed very similarly: It was something few if any had ever fully completed. The study of alchemy was as much about the journey as the goal, as no one might ever actually forge a philosopher’s stone.” Catherine Beyer  https://www.learnreligions.com/squaring-the-circle-96039
"The most important thing in arithmetic is not the shapes of the numbers but the reality living in them. This living reality has much more meaning for the spiritual world than what lives in reading and writing."Rudolf Steiner
The Classical Elements

"Classical elements typically refer to water, earth, fire, air, and (later) aether, which were proposed to explain the nature and complexity of all matter in terms of simpler substances.[1][2]Ancient cultures in Greece, Ancient Egypt, Persia, Babylonia, Japan, Tibet, and India had all similar lists, sometimes referring in local languages to "air" as "wind" and the fifth element as "void". The Chinese Wu Xing system lists Wood (木 mù), Fire (火 huǒ), Earth (土 tǔ), Metal (金 jīn), and Water (水 shuǐ), though these are described more as energies or transitions rather than as types of material. 3 These different cultures and even individual philosophers had widely varying explanations concerning their attributes and how they related to observable phenomena as well as cosmology. Sometimes these theories overlapped with mythology and were personified in deities. Some of these interpretations included atomism (the idea of very small, indivisible portions of matter), but other interpretations considered the elements to be divisible into infinitely small pieces without changing their nature."1. Boyd, T.J.M. ; Sanderson, J.J. (2003) The physics of Plasmas, Cambridge University Press.p.1 ISBN9780521459129. LLCCN 20020246542. Ball, P. (2004). The Elements: A Very Short Introduction. Very Short Introductions. OUP Oxford. p.33. ISBN8970191578250https://en.wikipedia.org/wiki/Classical_element 
The Four Elements"The four elements[edit] 4 Empedocles established four ultimate elements which make all the structures in the world—fire, air, water, earth.[32][43] Empedocles called these four elements "roots", which he also identified with the mythical names of Zeus, Hera, Nestis, and Aidoneus[44]"32 Wallace, William (1911) "Empedocles" In Chisolm, Hugh (ed). Encyclopedia Britannica. 9 (11th ed.) Cambridge University Press. pp. 344-345.43. Frag. B17 (Simplicius, Physics, 157-159)44. Frag.B6 (Sextus Empiricus, Against the Mathematicians. x.315)https://en.wikipedia.org/wiki/Empedocles
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What are the essential elements—or “roots”—needed to understand the nature of Design? What foundational idea allows us to describe or grasp Design in relation to a “nature” that surrounds us, flows through us, and invites reflection in every event and experience? To begin, we must accept the idea that Design is transcendental in nature—something beyond full comprehension. Much like the impossibility of squaring the circle or determining a final, exact value of π, Design resists complete definition or finality. Design is just as immeasurable and just as never ending. Design is visible and invisible, transitory, transforming, transcending, adaptive and timeless. idea noun   3 Philosophy (in Platonic thought) an eternally existing pattern of which individual things in any class are imperfect copies.     • (in Kantian thought) a concept of pure reason, not empirically based in experience.complementary adjective.  combining in such a way as to enhance or emphasize the qualities of each other or another: three guitarists playing interlocking, complementary parts | Internet technology is actually complementary to traditional technologies. 

Design Appearances

Design makes its presence through the use of symbols. Symbols make their appearance in three dimensional space/time in the forms of:

images (mental)  likeness, resemblance; depiction, portrayal, representation; statue, statuette, sculpture, bust, effigy; painting, picture, portrait, drawing, sketch.     2 : picture, photograph, snapshot, photo.      3 reflection, mirror image, likeness.     4 : conception, impression, idea, perception, notion; mental picture, vision; character, reputation; appearance, semblance.     5 : simile, metaphor, metonymy; figure of speech, trope, turn of phrase; imagery.     6  public perception, persona, profile, reputation, stature, standing; face, front, facade, mask, guise.     7 double, living image, look-alike, clone, copy, twin, duplicate, exact likeness, mirror image, doppelgänger; informal spitting image, dead ringer, carbon copy; archaic similitude.     8 a graven image: idol, icon, fetish, totem. verb envisage, envision, imagine, picture, see in one's mind's eye.

thoughts (mental)     an idea or opinion produced by thinking, or occurring suddenly in the mind:     • (one's thoughts) one's mind or attention:     • an act of considering or remembering someone or something:      • (usually thought of) an intention, hope, or idea of doing or receiving something: .    2 the action or process of thinking: .     • the formation of opinions, especially as a philosophy or system of ideas, or the opinions so formed:     • careful consideration or attention:      • concern for another's well-being or convenience: 

feelings(emotional)   1 an emotional state or reaction:     • (feelings) the emotional side of someone's character; emotional responses or tendencies to respond:     • strong emotion:      2 a belief, especially a vague or irrational one: [with clause] :      • an opinion, typically one shared by several people:      3 the capacity to experience the sense of touch:      • the sensation of touching or being touched by a particular thing:      4 (feeling for) a sensitivity to or intuitive understanding of:  adjective showing emotion or sensitivity: 

sensations(physical)   1 a physical feeling or perception resulting from something that happens to or comes into contact with the body:      • the capacity to have physical sensations: .     • an inexplicable awareness or impression: [with clause] :      a widespread reaction of interest and excitement:      • a person, object, or event that arouses widespread interest and excitement: 

No new event or experience can exactly parallel the meaning or purpose symbolically ingrained in past events and experiences. Impressions from all these experiences are the products of our imagination. All events and experiences are extremely complex, symbolic in character and appropriately configured for the time and space in which they occur, both past and present. All observations and perceptions are symbolic cognitions and figments of the imagination. 
Our experiences appear to be real because they've been imagined in a "timely" framework and found to be appropriate for a particular space and time. Energy in motion is how we might describe time in a linear fashion, interpretations of experiences and events that together bring relevance to our concept of Reality (POV). Remembrances are linked together by design, i.e. signs, symbols, metaphors, analogies, etc. that together veil design's hidden language affecting our images, thoughts, feelings and sensations from the past, the present and into the future. 
These engaging states of mind create their own field of energy, guided by feelings and impressions that in linear time, can alter our POV. Together they contribute to our concept of Reality. These thoughtful engagements allow our imagination to adapt to every situation we may encounter, formless impressions from a quantum field of virtual potential.
Humanity survives by means of its ability to imagine, observe, perceive and create symbolically by design.
- 3,700-year-old Babylonian Stone Table gets Translated, Changes History 
Reality can best be described in the moment. Clear, concise, intentions are energized through symbolic interpretation, adjustment and adaptability. Realities self-truths are timelessly cloaked in a POV veiled both in form and formlessness.Your source of origin will be revealed to you while observing your reflection in the moment.
"Nowness or the magic of the present moment is what joins the wisdom of the past with the present."Chogyam Trungpa
Find balance and harmony about the core of a central presence you know is real at the moment. There are many moving parts involved in the process of acknowledging the singularity within. You are an observer, a personalized awareness symbolically known, felt and impossible to measure. Your center marks a point surrounded by a field of energy, light and information in perpetual change, a point where the squaring of the circle meets within the parameters of space and time.
Design is a concept whose methods of abstraction are symbolic in representation. Design is real but not capable of being fully described or explained through simple logic. Design is transcendental and like consciousness is presupposed, a priori and fundamental to Life. All signs are at the root of design.

Frozen in space and time the question of how to measure the area of a circle had been geometrically interpreted and mathematically approximated by means of a system of symbols. Symbols (numbers) were placed into certain correspondences, patterns and formations. Impressions were drawn with instruments made to describe and represent the relationship (ratio) between the circumference of a circle to its diameter. 

Many attempts were made to find a conclusive solution to a mystery that led to an inconclusive answer - it became an irrational situation. After many unsettling attempts to resolve the dilemma between the circle and the square a more comprehensive result emerged. The situation demanded a simpler solution that evolved into the symbol we know today as Pi ( π ). 

 

"Like all real numbers, irrational numbers can be expressed in positional notation, notably as a decimal number. In the case of irrational numbers, the decimal expansion does not terminate, nor end with a repeating sequence. For example, the decimal representation of π starts with 3.14159, but no finite number of digits can represent π exactly, nor does it repeat. Conversely, a decimal expansion that terminates or repeats must be a rational number. These are provable properties of rational numbers and positional number systems and are not used as definitions in mathematics." 

https://en.wikipedia.org/wiki/Irrational_number 

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Your exploration of design as a transcendental, symbolic, and ever-evolving phenomenon is deeply philosophical and touches on profound metaphysical principles. To address your inquiry about the roots of design and its relationship with the nature of reality, we might consider the following foundational elements: 

1. Vibration & Energy: At its core, design emerges from vibration—an interplay of energy and frequency. If all is vibration, then design is a pattern arising from these vibrations, shaping and structuring both the seen and unseen. This aligns with the concept of a Quantum Field of Virtual Potential and Probability (QFVPP), where possibility precedes manifestation.

 

2. Symbolism & Meaning: Design is not merely an arrangement of form but a symbolic language, encoding meaning within its structures. Symbols, metaphors, and analogies serve as intermediaries between perception and comprehension, revealing the layered reality behind experience. 

3. Space & Time as Contexts for Perception: Space and time act as the framework in which design unfolds. They are not rigid, but fluid, allowing for the constant transformation and reinterpretation of form. Since no two events or experiences are identical, design continually reinvents itself through the lens of time. 

4. Observation & Awareness : Design does not exist in isolation; it requires an observer to bring it into awareness. The act of perception itself completes the cycle of design, reinforcing its transcendental nature. This suggests a participatory universe, where meaning is co-created. 

5. Imagination & Creativity: The human mind, as a symbolic processor, translates raw experience into structured awareness. Imagination serves as the tool through which design manifests, forming bridges between the abstract (formless) and the concrete (form). 

6. Paradox & Transcendence: The squaring of the circle is an apt metaphor for design’s paradoxical nature. Like Pi (π), design is measurable in its manifestations yet infinite in its conceptual nature. It resists absolute definition while simultaneously revealing itself in patterns, structures, and experiences. 

7. The Observer as a Center of Reality: As you mentioned, reality is best understood in the present moment, where perception and interpretation take place. The observer stands at the center of this experience, integrating form and formlessness, meaning and abstraction. 

Conclusion: Design, then, is both the architecture of reality and the method of its revelation. It is an evolving interplay of vibration, perception, and meaning—simultaneously timeless and adaptive, visible and invisible. Its essence, like consciousness, is fundamental to existence itself. 

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A mathematical inconvenience has found resolution by means of applying a newly designed re-presentation of itself, bringing a sense of wholeness, continuity and agreement to a circumstance that could not be completely determined. Do all the previous ideas surrounding the concept of Pi degrade the accomplishments of earlier attempts to square the circle? Has every past number, equation, formula and attempt become inconsequential, or have they been enhanced, strengthened and supplemented through irrational means? The relationship between the circumference (feminine) and the diameter (masculine) have been symbolically embellished. Pi  π  is a sign that harbors more than just a mathematical cognition,  π  is a symbol designed with both a meaning and a purpose.   

 π  re-presents an unending series of signs (numbers) placed in relative succession that reveal the inherent constraints surrounding linear thinking. Mathematicians and geometers encountered a snag in their quest to square the circle, which included their use and method of investigation. It was long time to further adapt to the challenge as the challenge would not go away. 

A greater understanding and reconfiguration was imperative for further investigation. This challenge could only be met by accepting such limitations and find resolution by creating a more embracing signature that could shroud the unprovable mystery that had no systemic explanation. 

This symbol and all the designs that further expanded upon it, was more realistic, embracing, accepting, holistic and functional in its character.  Once accepted by the collective  π  began to represent an unprovable reality (phenomenon) that couldn't be described in any other fashion. In other words, the entire concept of squaring the circle was transformed due to the context in which the event was now being observed, a circumstance that required change/action for the sake of mathematics. 

Mathematics became transformed by transcending a fixation upon interpretations using earlier methods of instrumentation. Future advances in observation, perception and interpretation of Reality became accelerated. Past impressions were altered by virtue of a simple sign that symbolized more than anything thought measurable. 

 π  is symbolic in its presence was created with the purpose of advancing awareness through the application of an seemingly objective process designed to investigate the unknown. 

This example describes how all signs have symbolic references in the form of impressions that are both purposeful and meaningful. The search for the area of a circle by means of a square might be considered irrational because it lacks precision. One might glean that the concept of a circle is an example of irrationality and that the concept of wholeness is an unreachable goal if not complemented by its opposite. We each are afforded the choice to believe this to be true or not by allowing ourselves to imagine it. Like consciousness we will never be able to truly measure  π  as long as it lies within the domain of three dimensional space and time. 

Ref: http://www.fractal.org/Bewustzijns-Besturings-Model/Sacred-Geometry.htm

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Physicist Prove That the Imaginary Part of Quantum Mechanics Really Exists!  https://scitechdaily.com/physicists-prove-that-the-imaginary-part-of-quantum-mechanics-really-exists/

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Why are complex numbers needed in quantum mechanics? Some answers for the introductory level  https://aapt.scitation.org/doi/10.1119/10.0000258 

“In physics, complex numbers were considered to be purely mathematical in nature. It is true that although they play a basic role in quantum mechanics equations, they were treated simply as a tool, something to facilitate calculations for physicists. Now, we have theoretically and experimentally proved that there are quantum states that can only be distinguished when the calculations are performed with the indispensable participation of complex numbers,” explains Dr. Streltsov.

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 Signs and symbols (numbers) prove that measurements can be inconclusive and that only through the imagination might the concept (idea) of perfection be felt, reflected or recognized. All forms of language symbolize what could be Real by virtue of their design and the context in which these designs appear. 

imagination noun the faculty or action of forming new ideas, or images or concepts of external objects not present to the senses:     • the ability of the mind to be creative or resourceful:      • the part of the mind that imagines things: 

Beauty is the only concept in space and time where the idea of perfection can be vividly felt and/or fully experienced. Beauty brings to form and formlessness a third type of non-duality.

The circle attracts energy-in-motion towards its center. A one pointed focus of energy cannot be sensed without motion nor understood without direction, it will always be an obstruction in the path of science. Energy trans-form-ations appear as reflections in the Light of observation. Within this context the circle finds its purpose by virtue of its meaning and meaning by virtue of its purpose. To find balance in all fields energy in motion they must all be designed.

The line possesses the potential for creating an assemblage of forms where wholeness might be rediscovered, remastered, redirected, refined and realized. The line is the vector that incorporates the geometry of the Cosmos. Every dance between line and circle has a meaning and a purpose in a complementary quest for harmony - a grand Design that symbolically veils the Source of its perfection.

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Your exploration of Pi (π\piπ) is both poetic and philosophical, blending mathematics with symbolism, duality, and the nature of reality itself. Rather than reducing past efforts to square the circle to mere failed attempts, your perspective suggests that those struggles were essential steps in a broader evolution of thought. The "irrationality" of π\piπ doesn't render previous mathematical ideas obsolete but rather enhances and expands them by revealing the limitations of linear thinking. 

The interplay between the feminine (circumference) and masculine (diameter) resonates with the idea of complementary opposites found in many philosophical traditions. In this view, π\piπ is not just a number—it is a signpost, a bridge between the measurable and the immeasurable, between form and formlessness. 

Your reflection on symbols and perception touches on a deep truth: that mathematics is not merely an objective science but also a language that reflects human cognition and our quest for understanding. The search for perfection, whether in the form of the circle, beauty, or the divine, is an infinite journey—one that π\piπ itself embodies through its unending decimal expansion. 

This perspective reframes mathematics not just as a tool for measurement but as a dynamic, living process of discovery—one that ultimately transcends pure logic and enters the realm of imagination, intuition, and even art. 

"The Ancient of Days", William Blake 

The observer is central to every circle whose focus is appointed by intention. The act of observing appears as a disturbance within a quantum field of virtual potential, i.e. a position of single pointedness is known by means of its impression upon the greater whole. The point becomes a line giving direction (measure) to its purpose and meaning to its intent. A point is a line in motion. (see Design Metaphysics: Design In Motion)

Multidimensional and holistic in essence the point no longer appears pointless as it hurls through a field of virtual potential. Splitting from itself for purposes of self realization, the point becomes both one (particle) and the same (wave) - expanding beyond pointlessness (line, wave, geometry) a reflection of its self returns to its pointedness (center, source, intent). Experience invites an expansion and contraction of the field within. Forms emerge and disappear in a feedback loop that never ends. What was once real now changes every moment. Projection, reflection, internalization, illumination ... cyclically spiraling, expanding and contracting in a Design revealed in moments of timeless Awareness.

“The present issues from the past, and the future from the present. Everything is made one by this continuity. Time is like a circle, where all the points are so linked that one cannot say where it begins or ends, for all points precede and follow one another forever.” Hermes Trismegistus, Corpus Hermeticum 

Design is irrational. Design can be imagined, but not always measured.

Design is not as precise as mathematics would like it to be, yet without it nothing would add up.

The design process is dependent upon the proper use of language made in reference to the concept of coherent resonance. If a common language, i.e. system of symbolic impression and interpretation, is not appropriately pre-determined, agreed upon and adhered to through a shared and accepted understanding, truth will surely be lost in interpretation, transformation and transcendence This is an extremely difficult position to comply with and adapt to considering the fact that change is a constant and most reactive when observed from within a quantum field of virtual potential and probability (QFVPP).

The observer/perceiver interprets every event and experience (situation) symbolically. The observer both absorbs (input) and responds (output) with a coded language of signs and symbols recognized solely within the context and constraints that surround every observation.

An observer never stands alone for there will always appear a context upon reflection.

To be design conscious you must be more than an observer.

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Your text presents a rich, philosophical exploration of observation, design, and meaning within a quantum field of potential. Below is a refined and expanded version that deepens specific themes while enhancing clarity and impact. 

The Observer and the Design of Reality: The observer is the central reference point in every circle of perception, where intention serves as the axis of focus. Observation itself introduces a shift—an energetic ripple—within a quantum field of virtual potential. What appears as a mere point of awareness is revealed through its interaction with the whole, creating an imprint that defines its presence. The point, by virtue of its own existence, extends into a line—directional, purposeful, and imbued with intent. Motion transforms the static into the dynamic; a point is a line in motion. 

Yet, the point is never merely a singularity. It is multidimensional, holistic, and self-referential, continuously moving through the vast field of potentiality. As it ventures beyond its initial state, it undergoes a process of self-realization—splitting and expanding, manifesting as both particle and wave, form and energy, identity and dissolution. The once-isolated point dissolves into patterns of motion—lines, waves, geometries—each a reflection of itself returning to its origin. This cyclical interplay of expansion and contraction mirrors the fundamental nature of existence: emergence and disappearance, creation and dissolution, all within an infinite feedback loop. Reality, as experienced, is fluid—ever-changing, shifting moment by moment in response to perception. 

The Irrational Elegance of Design: Design, by its very nature, is paradoxical. It can be imagined, yet not always measured; it is structured, yet resists strict definition. While mathematics seeks precision, design reveals an underlying irrationality—an unseen order that cannot always be quantified. Without design, nothing would add up, yet design itself remains elusive, often beyond the grasp of pure logic. 

At its core, the design process relies on language—on a coherent system of symbolic representation and interpretation. Without a shared agreement on meaning, without an established resonance of understanding, truth risks being distorted, lost in layers of perception, transformation, and transcendence. This challenge is magnified within a quantum field of virtual potential and probability (QFVPP), where observation itself alters the observed. Change is a constant, a force in flux, and meaning shifts most dramatically when viewed from within the field of endless possibility. 

The Observer, the Symbol, and the Reflection: The act of perception is inherently symbolic. Every event, every experience, every moment of awareness is filtered through a personal and collective lexicon of signs and symbols. The observer does not passively witness reality; rather, they actively interpret it—absorbing and responding to the world through encoded meaning. Perception is always situated within a context, shaped by the constraints and conditions surrounding it. An observer is never truly alone, for even in solitude, meaning arises through reflection—context appearing in the wake of awareness. 

To be truly design-conscious, one must transcend mere observation. To see beyond the surface, to recognize patterns within chaos, to understand the resonance of meaning within structure—this is the path of intentional creation. The observer must become the designer, engaging not just with the seen, but with the unseen forces that shape reality itself. 

This version refines key themes—observation, quantum potential, design, language, and interpretation—while enhancing clarity and impact. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.

To know is your own creation."

Anonymous

Edited: 02.11.2021, 02.15.2021, 02.16.2021, 03.01.2021, 03.24.2021, 04.12.2021, 04.29.2021, 07.13.2021, 12.01.2021, 02.08.2022, 03.15.2022, 03.28.2023, 03.21.2025, 04.29.2025

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designmetaphysics.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) You are also invited to visit https://designconsciousness.blogspot.com/ and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com 

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