Design Metaphysics: Images Emerging Before Awareness

Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Symbols bring a sense of reality to everything we believe, know, feel, sense, recognize and observe. Such semblances of energy appear before our awareness as a series of holographic impressions, i.e. images, feelings and objective geometries ... a multidimensional vapor of virtual origin.

All that could be imagined is harbored within the context of this undifferentiated, apparitional, plasmic soup. Some impressions are bright others cast dim shadows. Fluctuations emerge, collect, and in time become dispersed by virtue of symbolic oscillation, i.e. vibrations in the form of feelings, ideas and impressions made conscionable and discernible by the means of an observer.

Consciousness is made apparent (real) by virtue of the imagination acting in the role of an intuitive negotiator between components of varying density. Within this realm of influence a field emerges, i.e. coming to light, directing, adapting and transforming a single POV (focus) into a mirrored matrix of referential transitions all transpiring within parameters of a multidimensional context.  Some describe the origination of this phenomenon as the source, the center, or the core of a contextual metaphor meant to represent the unknown. 

Change is the only constant.

Energy becomes definable by means of a series of events having been experienced within the parametric constraints of observation and appearances. Every field harbors a series of symbolic associations that actively sustain a "presence" of their own kind. These eventful experiences thrive and multiply within an ever-changing context of unpredictable causation. The concept of reality, i.e. consciousness, remains referential in origin and context by means of purposely imagining a POV re-presenting its-self as its own contextual “source”. A concept of reality can then be effectively fashioned by meaningfully adapting its vision into light (hologram) while simultaneously remaining in concert with the contextual reference in which it is viewed, described, defined and/or perceived. 

“In the place of Mirrors, there is no good or bad, nor right or wrong - there is only reflection.”

Gillian MacBeth-Louthan

What we view as reality appears before our consciousness as a series of re-sources and individual relationships that together complement a patterned configuration of symbols stemming from a particular point of view. When played out within the constraints of 3D space/time, every interpretation rearranges and adapts its concept of self to within a framework found suitable to its current requirements for survival. Only by design can certain imaginative "differences" be appropriately orchestrated into patterns of a potentially viable nature.   

Design brings forward true revelation. In essence, what might be recognized as an object is simply a cogitation, i.e reflection, upon a particular state of observation (POV). Design will always be an interpretive pronouncement of what every observer would consider to be real. What is perceived to be real is symbolically expressed in all that is made apparent. Design clearly adheres to the intimate demand for harmony between the subjective (human psyche) and the (objective) universe we've fashioned for ourselves. We accommodate this primordial force solely in order to complement and/or reinforce what we currently believe to be real by virtue of our own actions, thoughts and deeds.

Another way in which to perceive the design phenomenon is to view it at the juncture between meaning and purpose. Design perceived in the form of a sign is primarily "mental" in character and often weighed in favor of a purposeful interpretation. There seems to be little significance or meaning surrounding a design viewed entirely in terms of purpose alone. Design signs are cloaked within the constraints of pragmatism and functionality.

In contrast, when a design is viewed conveying a more emotional impression a meaningful response arises, imparting a certain "feeling" upon the senses of the observer. Such an impression points towards a larger number of symbolic associations harbored within the emotional context of the observer's scope of awareness.

Design’s function is to indiscriminately respond to and if appropriate bring into manifestation, the sources and impulses that together harbor and symbolically qualify the essence of one's own nature, i.e. self. All such points of view can be found to describe a wide variety of originations that seemingly ebb and flow within a contextual ocean of eternal change. 

It is our awareness that brings meaning and purpose to what we designed and/or assigned as being conscious. The universe re-presents a presence or field from which the POV, i.e. awareness of being an observer, can orchestrate the imaginative capacity to configure and categorize energy, light and information into their most appropriate pattern/s, i.e formation. By what appears to stem from an unexplainable origin, a certain "quickening" or transition between states will join and at times materialize from within the parameters of its own contextual presence. As result of these correspondences every transformation becomes symbolically linked while still constrained within the process of transition and transfiguration. This new state of awareness becomes substantiated by virtue of creating a formidable and identifiable matrix of its own designed order e.g. animal, vegetable, human or planetary. 

The unknown responds to impressions we interpret as being endowed with a particular meaning and/or purpose. Design viewed from this perspective is most common. It is an expression originating from within the center of a POV rooted within what has been interpreted as a universal consciousness, a state of perpetual observation and interpretation of unknown and sometimes undesirable consequences. These circumstances remain outside the perception of every observer yet we know both scientifically and intuitively that there does exit a connection between every definition and concept of reality. Just what can be made viable from this perspective is a challenge to every concept of design that can be harnessed from within the virtual constraints of 3D space/time.

There are a wide variety of meanings associated with every symbol (design). Every interpretation is founded upon past experiences. In reference to humanity, response to these experiences are symbolic in nature and surface in 3D space/time the form of a “feeling”. Energy (vibratory disturbances) in support of these patterned outcroppings come presumably from within the depths of an unknown origin. Quest into the meaning of this argument dictates further analysis, for investigation into the purpose of any meaning only brings further meaning to its purpose.

It soon becomes apparent that an appropriate design is one that transforms and thereby fuses the qualities of meaning and purpose into a series of single, well balanced resolutions (constructs). And it is from this resourceful position that design encourages growth, adaptation and expansion by generating the dynamics required of an observer to flourish within the realm of experience, i.e. consciousness.

The capacity to sustain balance within the midst of this high-powered relationship requires focus and an ability to adapt. Decisions and responses typically trigger a multitude of events between cause and effect. These momentous occasions cannot be avoided from a position within the confines of 3D space/time. It is a situation that requires a certain degree of sustenance in order to survive.

Singularity is but a POV that purposely exists beyond the field of experience/consciousness. It describes a presence or position that together with other points of view, create an identifiable quality or province appearing to emerge from within the parametric constraints of 3D space/time. 

In essence, design is a self-fulfilling journey about which we can observe a cyclical path of evolution into and out of an awareness that has been designed to bring meaning and purpose to what appeared to be, at face value, a chaotic state of affairs. As the door gradually opens the path appears more apparent allowing the designer to experience the unique single- pointedness found to be harbored within its own creation.

Edited: 06.19.2016, 07.30.2016, 01.11.2017, 03.05.2018, 11.18.2018, 02.23.2019, 08.14.2019, 05.06.2020, 08.31.2020

Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2006-2019 C.G. Garant. All Rights Reserved. (Fair use notice.) AI usage is prohibited. You are invited to visit https://designmetaphysics.blogspot.com/.  Now visit Design Consciousness on https://www.pinterest.com